Susan Point’s unique artworks have been credited with almost single-handedly reviving the traditional Coast Salish art style. Once nearly lost to the effect of colonization, the crescents, wedges, and human and animal forms characteristic of traditional Coast Salish art can now been seen around the world – reinvigorated with modern materials and techniques – in her serigraphs and public art installations, as well as the works of a new generation of artists that she’s inspired.

While the images and symbolism of Point’s work are often informed by surviving traditional Salish works and the Traditional Knowledge of her Musqueam family and Elders, she has developed a unique and contemporary style that continues to evolve.

People Among People beautifully displays the breadth and depth of her public art, from cast bronze faces in Whistler to massive carved cedar portals in Stanley Park to moulded polymer murals in Seattle.

Through interviews and archival access, Robert D. Watt gathers the story of each piece, often in Point’s own words, to illustrate the vital role she has played in revealing the re-establishing the “Salish footprint” in the Pacific Northwest.  An artist’s statement by Point and an essay by Dr. Michael Kew complete this portrait of a profoundly moving collection of artworks.

Hardcover

Northwest Coast Kwakwaka’wakw art is renowned for its flamboyant, energetic, and colorful carving and painting. Among the best-known practitioners was Doug Cranmer, whose style was understated, elegant, fresh, and unique and whose work quickly found an international following in the 1960s. Named K’esu’, or Wealth Being Carved, as a child, he was an early player in the global, commercial art market and one of the first Native artists in British Columbia to own his own gallery. A long-time teacher, he inspired generations of young Native artists in Alert Bay and beyond.

This beautifully illustrated book is a record of the art, life, and influence of a man who called himself a “whittler” or “doodler” but who embodied “indigenous modern” well before the term had been coined. He pioneered abstract and non-figurative paintings using Northwest Coast ovoids and U-shapes; embraced the practice of silk-screening on wood, paper, and burlap; and adapted power tools to new applications in art. Skillfully weaving recollections from his friends and family, facts about his life and examples of his stunning artwork, K’esu’ is a wide-ranging celebration of Doug Cranmer and his profound influence on Kwakwaka’wakw art.

Published in 2012

Paperback

A stunning retrospective highlighting the playfulness, power, and subversive spirit of Northwest Coast Indigenous artist Sonny Assu.

Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu’s career, highlighting more than 120 full-colour works, including several never-before-exhibited pieces.

Through analytical essays and personal narratives, Richard Van Camp, Marianne Nicolson, Candice Hopkins, and Ellyn Walker provide brilliant commentary on Assu’s practice, its meaning in the context of contemporary art, and its wider significance in the struggle for Indigenous cultural and political autonomy. Exploring themes of Indigenous rights, consumerism, branding, humour, and the ways in which history informs contemporary ideas and identities, Sonny Assu: A Selective History is the first major full-scale book to pay tribute to this important, prolific, and vibrant figure in the Canadian contemporary art world.

Softcover