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  • $50 Gift Card

    Coastal Peoples Gallery

    CA$50.00

    For details on our Gift Cards policy – please click here to review on the FAQ page.

  • ‘Goat Horn’ Pewter Serving Set

    Artist Unknown

    CA$220.00

    Cast from fine lead free Pewter (made in Canada)

    Food safe and hand wash

    Available in a Matte finish only

    Each Utensil: 8 x 2 x 2″

    Custom Maple Wood box is sold separately – please inquire for pricing


    This beautifully designed serving set features classic totemic designs with Eagle, Frog and Raven Stealing the Sun. The traditional ‘Goat Horn’ styled fork and ladle make an ideal wedding or any occasion gift. Pewter will not tarnish like silver over time. Hand wash only with mild soap.

     

  • The Whaling People of the West Coast of Vancouver Island and Cape Flattery

    Eugene Arima and Alan Hoover

    CA$19.95

    The Whaling People live along the west coast of Vancouver Island and Cape Flattery in Washington. They comprise more than 20 First Nations, including the Nuu-chah-nulth (formerly called Nootka), Ditidaht, Pacheedaht and Makah. These socially related peoples enjoyed a highly organized, tradition-based culture for centuries before Europeans arrived. As whaling societies, they had a unique relationship with the sea.

    This book celebrates the still-thriving cultures of the Whaling People, who survived the devastating effects of colonial power and influences. It features 12 narratives collected from First Nations elders, each illustrated with original drawings by the celebrated Hesquiaht artist, Tim Paul. The book also includes a history of treaty making in BC, leading up to the recently ratified Maa-nulth Treaty signed by five First Nations of the Whaling People.

    Published in 2011 by the Royal BC Museum

    Softcover

    Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated.  Please contact us for a shipping quote prior to placing your online order.

  • Experience British Columbia

    Steve Nash

    CA$60.00

    Presenting the most interesting and exceptional people and places of British Columbia, this photographic exploration offers an insider’s perspective on all the region has to offer. With a foreword by sports icon, philanthropist, and proud resident Steve Nash, this tour is divided into seven thematic chapters, each containing four geographical subchapters. From alluring Vancouver in the lower mainland to tranquil Vancouver Island, home to the historic capital, Victoria, the unique splendor of this remarkable area—including local art galleries, world-class ski resorts, restaurants and shops with international and regional flair, and businesses that give back to the community—is profiled alongside some of British Columbia’s best-kept secrets.  Includes 365 color pages

    Published in 2010

    Hardcover

    Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated.  Please contact us for a shipping quote prior to placing your online order.

  • The Magic Leaves: A History of Haida Argillite Carving

    Peter L. Macnair and Alan L. Hoover

    CA$39.95

    This book recounts the history of Haida argillite carving since it began in the early 1800s, and describes more than 200 examples from the extensive collection of the Royal British Columbia Museum.

    Argillite is a dense, black shale mined from a quarry on Haida Gwaii, reserved for the exclusive use of Haida carvers. Argillite works are unique in style and character, ranging from ceremonial pipes and model poles to elaborate platters and chests.

    Published in 2002

    Softcover

    Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated.  Please contact us for a shipping quote prior to placing your online order.

  • Inuit Modern: Art from the Samuel and Esther Sarick Collection

    Gerald McMaster

    CA$55.00

    A gorgeous retrospective on the transformation of Inuit art in the 20th century, mirroring the vast and poignant cultural changes in the North.

    In response to a rapidly changing Arctic environment, Inuit have had to cope with the transition from a traditional lifestyle to the disturbing realities of globalization and climate change. Inuit art in the latter half of the 20th century reflects the reciprocal stimulus of contact with Euro-Canadians and embodies the evolution of a modern Inuit aesthetic that springs from an ancient cultural context, creating an exciting new hybridized art form.

    Inuit Modern: Art from the Samuel and Esther Sarick Collection situates modern Inuit art within a larger framework that reinterprets the Canadian Arctic. Essays by leading Canadian scholars in the field including Ingo Hessel, Robert McGhee, Christine Laloude, Heather Igloliorte, Dorothy Eber and Bernadette Driscoll Engelstad examine the social, political and cultural transformation through the dynamic lens of colonial influence and agency. Inuit Modern also features interviews with David Ruben Piqtoukun and Zacharias Kunuk.

    Published in 2011

    Softcover

    Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated.  Please contact us for a shipping quote prior to placing your online order.

  • Hei-Matau Pendant

    Peter Bishop

    CA$940.00

    New Zealand Jade

    Hei-Matau represents prosperity, abundance and fertility.  The wearer of a Hei-Matau is seen as a provider and protector who is strong willed and determined to succeed in life.  They are worn to protect travelers over water, and are also symbols of power and authority which are held in great reverence by the Maori people.  They were used practically as a tool for fishing and often decorated as a sign of respect for sea creatures.

  • Koru Pendant

    Maori Artist

    CA$70.00

    Bone

    The Koru’s closed outer circle represents the circle of life which has no beginning or end, is seamless and of which we are all a part. It also tells of the stars and plants which are part of the circle of life and contain knowledge of our origins. For the artist, it represents the relationship or oneness between himself and his craft, bringing together head, hand and heart.

    The spiral of a Koru, which is the fern frond as it opens, brings new life and purity to the world. It also represents peace, tranquility and spirituality along with a strong sense of re-growth or new beginnings. The Koru is often associated with nurturing so is frequently used to represent strength and purity of a loving relationship within a family.

    The intertwining of these elements represent oneness within the natural world where spirituality, strength, beauty, old and new life all blend into one unifying force.

     

  • Challenging Traditions: Contemporary First Nations Art of the Northwest Coast

    Ian M. Thom

    CA$60.00

    In a stunning resurgence over the past few decades, contemporary First Nations artists of the Northwest Coast have established themselves as among the most dynamic and important artist working in North America. Challenging Traditions honours this success by presenting the work of 40 of the most celebrated living artists, whose achievements reveal an accomplished melding of contemporary vitality with traditional genres. The work of such acknowledged masters as Robert Davidson, Dempsey Bob, Susan Point, Preston Singletary, Lawrence Paul Yuxweluptun, Jim Hart, and Richards Hunt, plus many younger artists, is presented in 100 colour photographs of primarily new pieces, amply demonstrating that the historic strengths of Northwest Coast culture are alive, well and continuously evolving.

    For more than a century, the state and church actively discouraged First Nations from pursuing their traditional cultures, but they persisted in keeping alive their art and ceremony. With the rise of cultural and political activism, Native art is now flourishing on an unprecedented scale. Many artists are examining the meaning and purpose of First Nations art in the twentieth-century, while following traditions and boldly experimenting with innovative subjects, techniques and materials.

    Ian Thom explores these contradictions by describing the career, working methods and philosophy of each artist, all of whom he interviewed especially for this book. He also discusses at least two significant recent artworks by each artist.

    Both senior and younger artists from all of the major First Nations on the Northwest Coast are featured, working in a variety of media and styles: groundbreaking abstract painting and metal sculptures, painstakingly woven spruce root hats and ceremonial woollen robes, works in glass, masks, carved panels, painted drums, striking political paintings, “Haida manga,” jewelry, carved argillite works and bentwood boxes.

    This book is beautiful, provocative introduction to the best contemporary First Nations art of the Northwest Coast, in the words and works of some of its leading lights.

    Published in 2009

    Hardcover

    Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated.  Please contact us for a shipping quote prior to placing your online order.