100% Silk; Limited Edition of 100
Exclusively available through Coastal Peoples Gallery
“Hecate Strait is a wide but shallow strait between Haida Gwaii (formerly known as the Queen Charlotte Islands) and the mainland of British Columbia. Hecate Strait, because it is so shallow, is especially susceptible to violent storms and weather; therefore, has always been revered by the Northwest Coast First Nations Peoples.
The shallow waters make it an abundant place for marine life, especially for spotting Orcas and Humpback Whales breaching.
In this scarf design, I’ve illustrated the turbulent waters, abundance of Orcas, and Salmon.
Orcas are great guardians of the ocean, with Seals as slaves and Dolphins as warriors. Orcas are closely related to humans; I was told many legends as a child of the whale people and their villages beneath the sea.
Salmon are a symbol of abundance, wealth and prosperity because Salmon are the primary food source for the people of the Northwest Coast. It is also symbolic of dependability and renewal representing the provider of life. Salmon in pairs are good luck.”
– Susan Point, 2018
A perennial event that many people eagerly anticipate is the launch of the Cape Dorset Inuit Art calendar in which there are 12 outstanding prints highlighted from previous years.
Cape Dorset, a small hamlet of about 1,400 people in the high northern Arctic region is one of Canada’s most successful and prolific art communities. Every year for the past 60 years, the West Baffin Eskimo Co-operative has released its collection of fine art limited-edition prints to the public. The annual unveiling of new stonecuts, etchings and lithographs is welcomed by serious collectors and avid enthusiasts from around the world.
Produced by Dorset Fine Arts
A gorgeous collection of prints by one of the Northwest’s leading artists
Over the past thirty years Susan Point has become the preeminent Coast Salish artist of her generation, exploring many different modern and traditional themes in a wide variety of media. She has received major public commissions in her home province of British Columbia as well as throughout the Northwest coast, the traditional territory of her people, creating extraordinary monumental sculptures that grace important public buildings. Her glass sculptures are collected around the world.
This is the first book devoted exclusively to her works on paper. Over the past thirty years Point has been an innovator in printmaking, adapting traditional Coast Salish themes to modern art techniques, translating the heritage of her culture to the wider world while creating a body of work that appeals to art collectors from around the globe. Her synthesis of contemporary and traditional styles has resulted in a formidable artistic accomplishment. This beautifully designed volume collects 160 of her prints together for the first time and is sure to inspire and amaze those who see it.
Published in 2014
David Neel was an infant when his father, a traditional Kwakiutl artist, returned to the ancestors, triggering a series of events that would separate David from his homeland and its rich cultural traditions for twenty-five years. When he saw a potlatch mask carved by his great-great-grandfather in a museum in Fort Worth, Texas, the encounter inspired the young photographer to rekindle a childhood dream to follow in the footsteps of his father.
Drawing on memories, legends, and his own art and portrait photography, David Neel recounts his struggle to reconnect with his culture after decades of separation and a childhood marred by trauma and abuse. He returned to the Pacific Coast in 1987, where he apprenticed with master carvers from his father’s village. The art of his ancestors and the teaching of the people he met helped to make up for the last years and fuelled his creativity. His career as a multi-media artist also gave him the opportunity to meet and photograph leading artists, knowledgeable elders, and prominent people from around the world. In time he was a recognized artists, with his artwork presented in more than forty solo and sixty group exhibitions.
The Way Home is an uplifting tale that affirms the healing power of returning home. It is also a testament to the strength of the human spirit to overcome great obstacles, and to the power and endurance of Indigenous culture and art.
Susan Point’s unique artworks have been credited with almost single-handedly reviving the traditional Coast Salish art style. Once nearly lost to the effect of colonization, the crescents, wedges, and human and animal forms characteristic of traditional Coast Salish art can now been seen around the world – reinvigorated with modern materials and techniques – in her serigraphs and public art installations, as well as the works of a new generation of artists that she’s inspired.
While the images and symbolism of Point’s work are often informed by surviving traditional Salish works and the Traditional Knowledge of her Musqueam family and Elders, she has developed a unique and contemporary style that continues to evolve.
People Among People beautifully displays the breadth and depth of her public art, from cast bronze faces in Whistler to massive carved cedar portals in Stanley Park to moulded polymer murals in Seattle.
Through interviews and archival access, Robert D. Watt gathers the story of each piece, often in Point’s own words, to illustrate the vital role she has played in revealing the re-establishing the “Salish footprint” in the Pacific Northwest. An artist’s statement by Point and an essay by Dr. Michael Kew complete this portrait of a profoundly moving collection of artworks.