Collection
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Raven Finned Killerwhale
Darrell White
Price upon requestArgillite, Abalone shell, 14K Gold, Catillinite, Bone, Yew wood base
3.75 x 9.5 x 4″ (base only)
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Missing Pieces (XL) [Framed]
Susan Point RCA
Price upon requestSerigraph, Limited Edition #4/10
Framed
2023
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Supernatural Eye Sculpture
Robert Davidson RCA
Price upon requestEpoxy Powder-Coated Aluminum, Granite base
2007
Limited edition of 5
Davidson’s inspiration in creating this contemporary sculpture was the many supernatural beings that dwell on the Haida Gwaii Islands.
First, Davidson worked from drawings and then manipulated cut-out cards subtly before moving to prototyping the piece in different materials, sizes, and colours. Made from aluminum cut by a water-jet process, this sculpture’s thick curved planar form evokes the cut-outs used in making appliquéd blankets. Its sculptural design is innovative in its reliance on form and line and its use of negative space to create the image of the eye.
The second edition of Supernatural Eye is currently in the collection of the National Gallery in Ottawa.
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Bear Glass Panel
Moy Sutherland
Price upon requestAvailable upon special order – individually custom-made
Glass, sandblasted
Red Cedar wood, Stainless steel, Acrylic paint
Limited-edition of 11
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Eagles Totem Pole
Garner Moody
Price upon requestRed Cedar wood, Acrylic paint
For inquiries on totem pole commissions, please click here.
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Raven & Eagle Feast Bowl
Artist Unknown
Price upon requestGitxsan Artist – signed “NH”
Private CollectionAlderwood, Abalone shell
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Tide Walker [Framed]
Ben Davidson
Price upon requestSerigraph, Edition 46 of 77
2017
Framed
Ben Davidson’s Tide Walker is a remarkably expressive serigraph by one of the Northwest Coast’s foremost artists. The blend of traditional and contemporary formlines, as well as the use of rich and saturated colour, joins to create an aesthetic that is distinctly a Ben Davidson work.
Below are the artist’s own words regarding this piece:
“Tide Walker exists in the space between the land and the ocean. From afar, he appears as a dorsal fin, so we imagine his body beneath the waves. We are so desperate to be the first to see the killer whale that we allow our minds to complete his story before we have time to determine the truth. We are so swiftly lured into believing the surface story that we rarely take time to consider what lies beneath.” (Davidson, 2017).
Ben Davidson is an internationally-renowned contemporary First Nations artist. He is the son of Robert Davidson, also of international fame. Ben stays true to his Haida ancestry, while always pushing the boundaries of traditional artwork.
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Meeting at the Centre
Robert Davidson RCA
Price upon requestArtist Proof
Epoxy Powder-Coated Aluminum, Wood Base with Acrylic paint
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Spirit of the Pacific Northwest Coast Panel [Green]
Susan Point RCA
Price upon requestCast Forton, Red Cedar wood
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Spirit of the Pacific Northwest Coast Panel [White]
Susan Point RCA
Price upon requestCast Forton, Red Cedar wood
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Raven Capturing Light Bracelet
Corey Moraes
Price upon requestSterling silver, Engraved, Oxidized, Tapered
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Raven Helmet
Don Yeomans
Price upon requestRed Cedar wood, Acrylic paint, HideCirca 1997
Previously owned by Robert Davidson
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Spirit of the Pacific Northwest Coast Panel [Black]
Susan Point RCA
Price upon requestCast Forton, Red Cedar wood
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Occupied [Framed]
Robert Davidson RCA
Price upon requestSerigraph, Edition 12 of 88
2007
Framed
“Occupied was first a doodle for a thank-you card. I also couldn’t pronounce the plural ‘octopi.’ When you look at the map of Haida Gwaii there are red parts to indicate reserve land that we can occupy and it adds up to less than 0.1 percent. We have been corralled onto this tiny piece of land. There was a time when we needed to sign in and sign out to leave the reserve. And we had no rights to natural resources. When it was all taken away from us, 90 percent of the population died and the survivors’ children were kidnapped and taken to residential schools. Then we became wards of the state and we were labelled as lazy. We look at the photographs – fortunately they photographed all the villages before all this devastation – and they are lined with many totem poles. The totem poles were not created by lazy people.” – Robert Davidson