Collection
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Hecate Strait Scarf – State II
Susan Point RCA
CA$420.00100% Silk; Limited Edition of 100
Exclusively available through Coastal Peoples Gallery
“Hecate Strait is a wide but shallow strait between Haida Gwaii (formerly known as the Queen Charlotte Islands) and the mainland of British Columbia. Hecate Strait, because it is so shallow, is especially susceptible to violent storms and weather; therefore, has always been revered by the Northwest Coast First Nations Peoples.
The shallow waters make it an abundant place for marine life, especially for spotting Orcas and Humpback Whales breaching.
In this scarf design, I’ve illustrated the turbulent waters, abundance of Orcas, and Salmon.
Orcas are great guardians of the ocean, with Seals as slaves and Dolphins as warriors. Orcas are closely related to humans; I was told many legends as a child of the whale people and their villages beneath the sea.
Salmon are a symbol of abundance, wealth and prosperity because Salmon are the primary food source for the people of the Northwest Coast. It is also symbolic of dependability and renewal representing the provider of life. Salmon in pairs are good luck.”
– Susan Point, 2018
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The Whaling People of the West Coast of Vancouver Island and Cape Flattery
Eugene Arima and Alan Hoover
CA$19.95The Whaling People live along the west coast of Vancouver Island and Cape Flattery in Washington. They comprise more than 20 First Nations, including the Nuu-chah-nulth (formerly called Nootka), Ditidaht, Pacheedaht and Makah. These socially related peoples enjoyed a highly organized, tradition-based culture for centuries before Europeans arrived. As whaling societies, they had a unique relationship with the sea.
This book celebrates the still-thriving cultures of the Whaling People, who survived the devastating effects of colonial power and influences. It features 12 narratives collected from First Nations elders, each illustrated with original drawings by the celebrated Hesquiaht artist, Tim Paul. The book also includes a history of treaty making in BC, leading up to the recently ratified Maa-nulth Treaty signed by five First Nations of the Whaling People.
Published in 2011 by the Royal BC Museum
Softcover
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Raven, Moon & Frog – Gold
Clarence Mills
CA$120.00Serigraph, Edition of 100
2000
Unframed
(For inquiries on custom framing, please contact the gallery)
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The Magic Leaves: A History of Haida Argillite Carving
Peter L. Macnair and Alan L. Hoover
CA$39.95This book recounts the history of Haida argillite carving since it began in the early 1800s, and describes more than 200 examples from the extensive collection of the Royal British Columbia Museum.
Argillite is a dense, black shale mined from a quarry on Haida Gwaii, reserved for the exclusive use of Haida carvers. Argillite works are unique in style and character, ranging from ceremonial pipes and model poles to elaborate platters and chests.
Published in 2002
Softcover
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Inuit Modern: Art from the Samuel and Esther Sarick Collection
Gerald McMaster
CA$55.00A gorgeous retrospective on the transformation of Inuit art in the 20th century, mirroring the vast and poignant cultural changes in the North.
In response to a rapidly changing Arctic environment, Inuit have had to cope with the transition from a traditional lifestyle to the disturbing realities of globalization and climate change. Inuit art in the latter half of the 20th century reflects the reciprocal stimulus of contact with Euro-Canadians and embodies the evolution of a modern Inuit aesthetic that springs from an ancient cultural context, creating an exciting new hybridized art form.
Inuit Modern: Art from the Samuel and Esther Sarick Collection situates modern Inuit art within a larger framework that reinterprets the Canadian Arctic. Essays by leading Canadian scholars in the field including Ingo Hessel, Robert McGhee, Christine Laloude, Heather Igloliorte, Dorothy Eber and Bernadette Driscoll Engelstad examine the social, political and cultural transformation through the dynamic lens of colonial influence and agency. Inuit Modern also features interviews with David Ruben Piqtoukun and Zacharias Kunuk.
Published in 2011
Softcover
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Challenging Traditions: Contemporary First Nations Art of the Northwest Coast
Ian M. Thom
CA$60.00In a stunning resurgence over the past few decades, contemporary First Nations artists of the Northwest Coast have established themselves as among the most dynamic and important artist working in North America. Challenging Traditions honours this success by presenting the work of 40 of the most celebrated living artists, whose achievements reveal an accomplished melding of contemporary vitality with traditional genres. The work of such acknowledged masters as Robert Davidson, Dempsey Bob, Susan Point, Preston Singletary, Lawrence Paul Yuxweluptun, Jim Hart, and Richards Hunt, plus many younger artists, is presented in 100 colour photographs of primarily new pieces, amply demonstrating that the historic strengths of Northwest Coast culture are alive, well and continuously evolving.
For more than a century, the state and church actively discouraged First Nations from pursuing their traditional cultures, but they persisted in keeping alive their art and ceremony. With the rise of cultural and political activism, Native art is now flourishing on an unprecedented scale. Many artists are examining the meaning and purpose of First Nations art in the twentieth-century, while following traditions and boldly experimenting with innovative subjects, techniques and materials.
Ian Thom explores these contradictions by describing the career, working methods and philosophy of each artist, all of whom he interviewed especially for this book. He also discusses at least two significant recent artworks by each artist.
Both senior and younger artists from all of the major First Nations on the Northwest Coast are featured, working in a variety of media and styles: groundbreaking abstract painting and metal sculptures, painstakingly woven spruce root hats and ceremonial woollen robes, works in glass, masks, carved panels, painted drums, striking political paintings, “Haida manga,” jewelry, carved argillite works and bentwood boxes.
This book is beautiful, provocative introduction to the best contemporary First Nations art of the Northwest Coast, in the words and works of some of its leading lights.
Published in 2009
Hardcover
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Haida Monumental Art: Villages of the Queen Charlotte Islands
George MacDonald
CA$80.00George MacDonald, Director of the Canadian Museum of Civilization in Ottawa, combines ethnohistory, archaeology and stunning photodocumentation to explain the physical and cultural structure of a Haida village. He shows how architecture and totem poles are an integral part of the social and religious aspects of Haida culture.
Published in 1994 by Douglas & MacIntyre
Paperback
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Eagle Transforming: The Art of Robert Davidson
Ulli Steltzer & Robert Davidson
CA$45.00Robert Davidson’s own words, combined with Ulli Steltzer’s photo documentation, give readers a rich visual survey of the inspirations and achievements of the artist.
Published in 1994
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
Hardcover
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Northwest Coast Indian Art: An Analysis of Form
Bill Holm
CA$44.90An important contribution to the fields of art and anthropology, Holm’s work is a genuinely analytical study of the basic elements of form which characterizes a particular aboriginal art style.
Published: 50th Anniversary Edition, 2015
Softcover
Bill Holm passed away on December 16, 2020 at the age of 95.
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Inuksuit
Norman Hallendy
CA$35.00Inuksuit are amongst the oldest and most important objects placed by humans within the vast Arctic landscape. Beautifully photographed, this first comprehensive book tells about the Arctic Inuksuit as told by Inuit Elders.
Published in 2001
Softcover
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Hummingbird with Flower Necklace
Harold Alfred
CA$425.00Sterling silver, Engraved
Cut-Out Design
18″ Chain -
Salish Weave Hoop Earrings
Jody Sparrow
CA$130.00Copper, Engraved
“The significance of the Salish Weave is that it allowed me to take a very difficult and intricate design and apply it to silver and gold jewelry, making it my own unique statement to the world.
Traditionally, the Salish Weave was used only on wood and cedar. Being able to participate in a Cedar Hat-making workshop with the late Holly Williams allowed me to prepare and create my own Cedar Hat. It was a very tactile and visually appealing experience, so I would say this is the beginning of my thought process of putting the cedar weave to metal and being able to take the feel of the cedar and recreate it on metal.
I feel contentment and pride in my completed works because the Salish Weave in jewelry is a contemporary idea that holds onto tradition. Weaving us together is an expression that tells the story of people feeling connected to the land, their community and each other; yet, allows them to be unique as in no two pieces of jewelry are the same.” – Jody Sparrow, 2023
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Eagle’s Catch
Maynard Johnny Jr.
CA$1,000.00Serigraph, Edition of 100
Unframed
(For inquiries on custom framing, please contact the gallery)
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“Wedge” Bracelet
Gwaai Edenshaw
CA$360.00Copper, Impressed
Asymmetric Design – Tapers to 0.75″Abalone Finish
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Salish Sea
Susan Point RCA
CA$850.00Serigraph, Edition of 52
2023
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Reflect
Kelly Cannell
CA$680.00Serigraph, Edition of 78
2023
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Protector
Maynard Johnny Jr.
CA$1,600.00Serigraph, Edition of 100
Unframed
(For inquiries on custom framing, please contact the gallery)
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Raven Pendant
Corrine Hunt
RESERVED14K Yellow Gold, Engraved
Aquamarine circular-shaped gemstone set in 14K Yellow Gold Bezel -
Tristan’s Thunderbird (AP)
Lyle Campbell
CA$350.00Serigraph, Artist Proof, Edition of 7
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
“This print tells the story of how we met our young friend, Tristan Davis. Last February (2019), my wife and I attended the All Native Basketball Tournament in Prince Rupert. We hosted a raffle for a colourful 4’x2′ acrylic painting. Tickets were $5 each. On our second day, we met Tristan. She approached our table and proceeded to count out five dollars in change to buy one ticket. She then popped by our table throughout the week to check on what she was calling “her painting”. At the end of the week, we held the draw and sadly, to our dismay, she did not win. Well, a few weeks passed but I couldn’t help but think of this little one’s appreciation and connection with my artwork. My wife and I discussed it and decided to make her a painting of her own. With a little investigation, via Facebook, we were able to track down her mother. We found out that [Tristan] was 9 years old and from the Thunderbird Clan. So, in the design, the Thunderbird has a creek flowing from its mouth. The Thunderbird is her and the creek is Hays Creek, where we met her.” – Lyle Campbell
Why an Artist Proof?
The artist proof is often the first proof or set of proofs that the artist “pulls” to ensure that the image is printing to the desired effect. The Artist Proof holds a higher value than a regular edition piece due to its rarity as well as the possibility that they can contain the visual evidence of the artist’s progress. Artist Proofs are typically owned and kept by the artist so they are rarely released.
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Two Guud (Eagle)
Erik Prytula
CA$250.00Serigraph, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
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Coming Together
Susan Point RCA
CA$760.00Serigraph, Edition of 80
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Art of the Northwest Coast: Second Edition
Aldona Jonaitis
CA$38.95Art of the Northwest Coast is a superbly illustrated and informed overview of the Indigenous art of the Northwest Coast, covering the region from Puget Sound to Haida Gwaii to Alaska, and proceeding from prehistoric times to the present.
By tracing the development of the art alongside historical events following contact with settlers, Jonaitis sheds light on the creativity of artists as they transformed foreign elements into uniquely Indigenous statements. A new chapter discusses contemporary artists, including Marianne Nicolson, Nicholas Galanin, Lawrence Paul Yuxweluptun, and Sonny Assu, who addresses important themes ranging from Indigenous sovereignty and the power of Indigenous women, to the destruction of the environment and reconciliation efforts to heal the wounds of racism and discrimination.
Aldona Jonaitis is the former Director of the University of Alaska Museum of the North and a professor of Anthropology at the University of Alaska Fairbanks.
Published in 2021
Softcover
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Sgaana Saahlaan Sdings
Cori Savard
CA$450.00Serigraph, Edition of 125
2022
Unframed
(For inquiries on custom framing, please contact the gallery)
“Sgaana Saahlaan Sdings means Two Finned Killerwhale. The imagery in this print focuses on the two dorsal fins. Attached to the body of the whale, they have no control over their direction or destination. The thin lines around the design represent the spray and the water that rolls off the body of the whale as it emerges from the depths to take a breath. With this new energy, it continues its journey, facing an ever-changing ocean landscape.
The first dorsal fin represents the discomfort and apprehension that comes with the unexpected changes in our lives. It braces itself for the next wave, the next plunge, engaging in a losing battle against the momentum of the whale. The thin lines between the dorsal fins form teeth, creating a mouth which represents a shared experience and a shift in our mindset. The second dorsal fin represents acceptance, resilience, and the positive energy that follows our ability to adapt. Once we recognize our apprehension, we are free to challenge it. To seek the positive within the negative and move forward with renewed energy.” – Cori Savard, 2022
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Cleansing
Mark Preston
CA$215.00Serigraph, Edition of 85
2018
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Fisherman’s Delight
Robert Davidson RCA
CA$1,800.00Serigraph, Edition of 81
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“I went fishing with Reg and his friend Tom Wylie last summer. I was really taken because they were charged with excitement. They kept handing me a rod but I was just happy to watch because they were really interesting… When we went to the river to fish we were excited to know that we had replenished the food supply. Reg has constantly replenished the halibut and salmon supply for freezers in the village because he feels the need and so few people own boats.
The focus point in this piece of art is a Spring Salmon depicted with the face of Humanity. Traditionally, the native societies were established around fishing, hunting, and gathering. The most valuable resource was salmon. For thousands of years, salmon was the primary food source for the people on the Canadian Northwest Coast. As a result of overfishing came a time of scarcity. Salmon perished and humanity depended heavily on its return. Salmon is a powerful symbol of regeneration, prosperity, and renewal for the Haida people.
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In the bottom right corner of this painting, Kuugan Jaad (also known as Mouse Woman) comes into sight. She is a character in many Haida legends. Mouse Woman is a supernatural being. She is the mother of Raven according to the mythology. She often appears in stories as a helper or advisor to those who are on a journey or to those who have crossed (or are about to cross) to another dimension (Spirit World or the unknown). She is highly respected as she offers great wisdom to restore order and balance. According to mythology, Mouse Woman can change shapes. She can be a big eyed mouse and change into a tiny human grandmother. However, in art, her appearance is mostly abstract.
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When I’m creating a design, sometimes subconsciously Kuugan Jaad just appears in the art piece. Her form arises automatically during the creative process. It is striking because she is known to lend a helping hand to story characters in our legends.“ ~ Robert Davidson -
The Way of Inuit Art: Aesthetics and History In and Beyond the Arctic
Emily E. Auger
CA$55.00Inuit art is examined in this book from prehistory to the present, especially its influence on non-Inuit artists and scholars, and their influence on it.
Part One gives a history of the main art-producing prehistoric traditions in the North American Arctic, concentrating on the Dorset. It also discusses the influence of theories such as evolutionism, diffusionism, ethnographic comparison, and shamanism on the interpretation of prehistoric Inuit art.
Part Two, with the support of interviews with Inuit artists, analyzes the influence of such theories as nationalism, primitivism, modernism, and postmodernism on 20th century Canadian Inuit art. The presence of Inuit art in the mainstream is demonstrated with a discussion of its influence on Canadian artist Nicola Wojewoda, to whose work, in addition, Inuit artists present their reactions.
Softcover
Published in 2005Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Mischief Making: Michael Nicoll Yahgulanaas, Art and the Seriousness of Play
Nicola Levell
SOLDIn a gorgeously illustrated exploration of the art of Michael Nicoll Yahgulanaas, Mischief Making disproves any notion that play is frivolous. Deploying mischievous tactics, Yahgulanaas shines a spotlight on serious topics. As he investigates Indigenous and other worldviews, the politics of land, cultural heritage, and global ecology, his distinctive style stretches, twists, and flips the framelines of classic Haida art to create imagery that resonates with the graphic vitality of Asian manga. This engaging and beautiful book delineates the philosophical underpinnings and evolution of the artist’s visual practice, revealing his deep understanding of the seriousness of play.
Softcover
Published 2021Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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