Collection
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Bear & Frog Ring
Kelvin Thompson
CA$1,440.0014K Yellow Gold, Engraved
Domed, Tapered
Width: 3/8″
Size: 10 -
Experience British Columbia
Steve Nash
CA$60.00Presenting the most interesting and exceptional people and places of British Columbia, this photographic exploration offers an insider’s perspective on all the region has to offer. With a foreword by sports icon, philanthropist, and proud resident Steve Nash, this tour is divided into seven thematic chapters, each containing four geographical subchapters. From alluring Vancouver in the lower mainland to tranquil Vancouver Island, home to the historic capital, Victoria, the unique splendor of this remarkable area—including local art galleries, world-class ski resorts, restaurants and shops with international and regional flair, and businesses that give back to the community—is profiled alongside some of British Columbia’s best-kept secrets. Includes 365 color pages
Published in 2010
Hardcover
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The Magic Leaves: A History of Haida Argillite Carving
Peter L. Macnair and Alan L. Hoover
CA$39.95This book recounts the history of Haida argillite carving since it began in the early 1800s, and describes more than 200 examples from the extensive collection of the Royal British Columbia Museum.
Argillite is a dense, black shale mined from a quarry on Haida Gwaii, reserved for the exclusive use of Haida carvers. Argillite works are unique in style and character, ranging from ceremonial pipes and model poles to elaborate platters and chests.
Published in 2002
Softcover
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First Light
Maynard Johnny Jr.
CA$120.00Serigraph, Edition of 200
2008
Unframed
(For inquiries on custom framing, please contact the gallery)
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Dragonfly
Karla L. West
CA$90.00Serigraph, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
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Spirit of the Killerwhale
Karla L. West
CA$120.00Serigraph, Edition of 270
Unframed
(For inquiries on custom framing, please contact the gallery)
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Koru Pendant
Maori Artist
CA$70.00Bone
The Koru’s closed outer circle represents the circle of life which has no beginning or end, is seamless and of which we are all a part. It also tells of the stars and plants which are part of the circle of life and contain knowledge of our origins. For the artist, it represents the relationship or oneness between himself and his craft, bringing together head, hand and heart.
The spiral of a Koru, which is the fern frond as it opens, brings new life and purity to the world. It also represents peace, tranquility and spirituality along with a strong sense of re-growth or new beginnings. The Koru is often associated with nurturing so is frequently used to represent strength and purity of a loving relationship within a family.
The intertwining of these elements represent oneness within the natural world where spirituality, strength, beauty, old and new life all blend into one unifying force.
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Killerwhale Ring
Norman Bentley
CA$2,640.0014K Yellow Gold, 14K White Gold Rails, Engraved
Cut-Out Design
Width: 1/2″
Size: 6.75 -
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con TEXT
lessLIE
CA$450.00Serigraph, Edition of 100
2009
Unframed
(For inquiries on custom framing, please contact the gallery)
“As a contemporary Northwest Coast artist, the de-contextualization of Northwest Coast art is of great interest to me. By some scholars and Northwest Coast traditionalists, Northwest Coast ceremonial art has generally been perceived as de-contextualized when taken away from its ceremonial context. When the words and songs and dances are taken away from Northwest Coast art, it is perceived by some as being robbed of its meaning; hence the title “Con Text.” As a contemporary Coast Salish artist, one of the undertakings of my work is to create a new context for Coast Salish art through the utilization of text.”
–lessLIE
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Frog Eating Dragonfly Pendant
Christian White
CA$2,800.00Argillite, Catlinite, Abalone shell, Sterling silver
The Frog symbolizes luck, prosperity, stability and healing. As a communicator, Frogs connect with the world on land and under water. This figure is often carved into totem poles to prevent them from falling over.
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Tapered Basket
Isabel Rorick RCA
CA$4,800.00Plain twining & Strawberry weave patterns, Three strand twining rim
Spruce Root, Four bands of dyed root
Featured in the 2009 exhibition – Haida Masterworks: the ancestral spirit lives on
Isabel Rorick comes from a long line of weavers, including her great-grandmother Isabella Edenshaw; her grandmother, Selina Peratrovich; her mother, Primrose Adams, and her Aunt, Delores Churchill. Using the Haida language of form, Isabel incorporates many traditional designs into her baskets and hats, like that of the dragonfly, raven’s tail, and spider web or slug trail.
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Spirituality
Susan Point RCA
CA$1,200.00Serigraph, Edition of 90
2009
Unframed
(For inquiries on custom framing, please contact the gallery)
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Challenging Traditions: Contemporary First Nations Art of the Northwest Coast
Ian M. Thom
CA$60.00In a stunning resurgence over the past few decades, contemporary First Nations artists of the Northwest Coast have established themselves as among the most dynamic and important artist working in North America. Challenging Traditions honours this success by presenting the work of 40 of the most celebrated living artists, whose achievements reveal an accomplished melding of contemporary vitality with traditional genres. The work of such acknowledged masters as Robert Davidson, Dempsey Bob, Susan Point, Preston Singletary, Lawrence Paul Yuxweluptun, Jim Hart, and Richards Hunt, plus many younger artists, is presented in 100 colour photographs of primarily new pieces, amply demonstrating that the historic strengths of Northwest Coast culture are alive, well and continuously evolving.
For more than a century, the state and church actively discouraged First Nations from pursuing their traditional cultures, but they persisted in keeping alive their art and ceremony. With the rise of cultural and political activism, Native art is now flourishing on an unprecedented scale. Many artists are examining the meaning and purpose of First Nations art in the twentieth-century, while following traditions and boldly experimenting with innovative subjects, techniques and materials.
Ian Thom explores these contradictions by describing the career, working methods and philosophy of each artist, all of whom he interviewed especially for this book. He also discusses at least two significant recent artworks by each artist.
Both senior and younger artists from all of the major First Nations on the Northwest Coast are featured, working in a variety of media and styles: groundbreaking abstract painting and metal sculptures, painstakingly woven spruce root hats and ceremonial woollen robes, works in glass, masks, carved panels, painted drums, striking political paintings, “Haida manga,” jewelry, carved argillite works and bentwood boxes.
This book is beautiful, provocative introduction to the best contemporary First Nations art of the Northwest Coast, in the words and works of some of its leading lights.
Published in 2009
Hardcover
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Ceremonial Talking Stick
Dr. Richard Hunt RCA
Price upon requestRed Cedar wood, Abalone shell (over 150 individual inlaid pieces), Acrylic paint
More images available upon request.
69 x 12 x 11″ (including base)
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Huupukanum Tupaat : Out of the Mist: Treasures of the Nuu Chah Nulth Chiefs
Martha Black
CA$39.95This visually sumptuous book features works of the historical and contemporary importance of Nuu Chah Nulth art and culture. It illustrates and documents the traveling exhibition of the same name curated by the Royal British Columbia Museum.
Huupukwanum and Tupaat are Nuu-chah-nulth words that designate everything a chief owns, including valued hereditary names and songs, objects and dances, rights and privileges, lands and resources.
These Nuu-chah-nulth concepts introduce non-aboriginal people to the profound philosophical, spiritual and personal connections that these objects had – and continue to have – with Nuu-chah-nulth communities.
Published in 1999
Softcover
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Totem Pole Carving: Bringing a Pole to Life
Vickie Jensen
CA$26.95The totem pole is a distinctive and widely admired form of traditional Northwest Coast Native art. Once nearly lost, this art form is alive and thriving today. In this beautifully photographed book, Vickie Jensen collaborates with Norman Tait, a renowned Nisga’a artist, and his crew of young carvers to document the process of transforming a log into a totem pole.
Throughout the carving process, Tait requires the apprentices to make their own tools, design their regalia and practice traditional drumming, songs and dances. He teaches the young carvers that carving a pole requires more than time and labour, more than a firm understanding of the tools and techniques and more than artistic and emotional commitment. The process involves respecting and following tradition and becoming involved in their cultural background.
Published in 2003
Softcover
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The Raven Steals the Light
Robert Bringhurst and Bill Reid
CA$14.95Ten masterful, complex drawings by Bill reid are accompanied by ten episodes from Haida mythology told by Bill Reid and Robert Bringhurst. The result brings Haida art and mythology alive as never before.
Published in 1996
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Softcover
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Haida Monumental Art: Villages of the Queen Charlotte Islands
George MacDonald
CA$80.00George MacDonald, Director of the Canadian Museum of Civilization in Ottawa, combines ethnohistory, archaeology and stunning photodocumentation to explain the physical and cultural structure of a Haida village. He shows how architecture and totem poles are an integral part of the social and religious aspects of Haida culture.
Published in 1994 by Douglas & MacIntyre
Paperback
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Tsimshian Treasures: The Remarkable Journey of the Dundas Collection
Donald Ellis
CA$55.00A collection of 36 Tsimshian masterpieces from northern British Columbia, collected over 140 years ago.
Edited by Donald Ellis, with essays by Steven Clay Brown, Bill Holm, Alan L. Hoover, Sarah Milroy, and William White.
Tsimshian Treasures is an extraordinary collection of masterpieces from the Dundas collection that were acquired by Reverend Robert J. Dundas in October 1963 from Natives at Old Metlakatla. The images and essays in this book honour a remarkable moment in Canadian cultural history and the triumphant return of these masterworks of Northwest Coast art after more than a century in exile.
Published in 2007
Hardcover
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Purple Formline
Alano Edzerza
CA$130.00Giclee, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
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Breathing Stone: Contemporary Haida Argillite Sculpture
Carol Sheehan
CA$42.00Working with a soft black stone known as Argillite, Haida sculptors over a period of two centuries have created a stunning body of work that is exceptional in its craftsmanship and beauty.
Haida argillite sculpture constitutes one of the longest creative traditions in Canadian art. What is not always recognized is that this art form also serves as a rich portrayal of Haida history. Following the initial Euro-American contact, the Haida experienced devastating losses of population and the virtual disappearance of their culture. Argillite sculpture became almost the only means for the Haida to preserve their sense of who they were as a people. Their art became postcards to the universe explaining a heritage threatened with extinction.
Now, a renaissance of Northwest Coast art is taking place. New artists, combining outstanding skill with an awareness of artistic developments on a global scale, are creating work of impressive quality and sophistication. Through their art, stories and fundamentals of an ancient Haida culture gain meaning and vitality for a contemporary audience.
Published in 2008
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Hawk Moon Pendant
Rick Adkins
Price upon request22K Yellow Gold, Abalone shell, Cast
Edition of 12
2007 -
Salmon Sculpture
Chester (Chaz) Patrick
CA$980.00Exclusive to Coastal Peoples Fine Arts Gallery
Glass; etched and sandblasted (Glass thickness 12mm)
Maple wood base
Salmon are honoured and celebrated by all coastal peoples: the fish serves as a powerful symbol of regeneration, self-sacrifice and perseverance.
Shortages of Salmon are traditionally attributed to human disrespect and refusal to listen to and live by the wisdom of elders. The Pacific Northwest Coast peoples believed that Salmon were actually people with eternal life who lived in a large house far under the ocean. In spring, they put on their Salmon disguises and offered themselves to humans as food.
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Pacific Spirit, State I
Susan Point RCA
CA$875.00Serigraph, Edition of 80
2006
Unframed
(For inquiries on custom framing, please contact the gallery)
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Haida Eagle Pole
Geoff Greene
CA$3,600.00Glass, Etched and Sandblasted, 20K Gold Leaf, Edition of 57
Glass thickness 12mm
Geoff Greene’s Haida Eagle Totem pays tribute to an important symbol and crest figure to the Haida nation. Created in the contemporary medium of glass, the Haida Eagle Totem celebrates traditional design within a luminous setting that speaks to the evolution of the classic Haida form.
The Eagle is respected for its intelligence and power as well as its vision both figurative and literal; it claims both honor and a high stature. The Eagle Clan is traditionally the most prominent family and the Eagle Chief the most powerful chief. Although revered as a powerful hunter, the Eagle’s feathers are considered sacred. Traditionally, Shamans believed that Eagle feathers possessed healing powers and thus used them in various ceremonial and ritual contexts; today these feathers are still strewn to welcome an honored guest.
Geoff Greene’s beautifully etched and sandblasted Haida Eagle Totem employs the magnificent translucent nature of glass in its finish along with the accent of gold leaf to provide additional depth and interest within this unique work. Masterly created, this piece blends ancient animal symbolism within a stylized contemporary form and demonstrates how many artists are setting themselves apart through their unique concepts.
Available with Stainless steel or Natural Maple wood base.
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Beaver Swimming
Norman Tait
CA$1,400.00Serigraph, Edition of 95
Unframed
(For inquiries on custom framing, please contact the gallery)
The Beaver appears in Northwest mythology and is a family crest in many regions throughout the Northwest Coast. According to legend, the first Beaver was a woman, whose husband frequently went on long hunting and fishing trips. In his absence, his lonely wife took solace swimming, enlarging her pond with a dam and building her own water dwelling. Eventually, she transformed into a Beaver and their children were Beaver People, founding the Beaver lineage.
In mythology, they are often associated with the powerful undersea supernatural beings and the magic Giant Beaver can cause natural disaster with one slap of its wide, strong tail. Characterisically, the Beaver is known to keep to himself and cares little for the activities of the humans, except when they are directly affected. Thus, they often give wise advice so it is important to listen when they do decide to speak.
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Northwest Coast Indian Art: An Analysis of Form
Bill Holm
CA$44.90An important contribution to the fields of art and anthropology, Holm’s work is a genuinely analytical study of the basic elements of form which characterizes a particular aboriginal art style.
Published: 50th Anniversary Edition, 2015
Softcover
Bill Holm passed away on December 16, 2020 at the age of 95.
Please note: When purchasing a book online, please consider the cost of shipping to certain destinations as it may be higher than anticipated. Please contact us for a shipping quote prior to placing your online order.
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Native American Art
Peter Bolz and Hans-Ulrich Sanner
CA$55.00The Collections of the Ethnological Museum Berlin.
The North American collection in the Ethnologisches Museum Berlin ranks among the most important in Europe. Different Native American cultures of the United States and Canada are represented here as well as the peoples of the Arctic.
Published in 1999
Softcover
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Looking at Totem Poles
Hilary Stewart
CA$17.95Looking at Totem Poles is an indispensable guide to 110 poles which exist in outdoor locations in coastal British Columbia and Alaska. Hilary Stewart provides an account to the various poles types, their function and symbolism and how they were raised.
Published in 1993
Softcover
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Looking at Indian Art of the Northwest Coast
Hilary Stewart
CA$17.95This indispensable and beautifully illustrated book is the first to introduce everyone, from the casual observer to the serious collector of Northwest Coast prints, to the forms, cultural background and structures of this highly imaginative art.
Published in 1992
Softcover
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Cedar
Hilary Stewart
CA$29.95Hilary Stewart explains through her vivid descriptions, 550 drawings and 50 photographs, the tools and techniques used, as well as the superbly crafted objects and their uses in the context of daily and ceremonial life. Anecdotes, oral history and the accounts of early explorers, traders, missionaries and native elders highlight the text.
Published in 1995
Softcover
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Understanding Northwest Coast Art
Cheryl Shearer
CA$22.95This easily read book introduces the reader to various symbols, crests and beings depicted in Northwest Coast artworks. Shearer provides brief descriptions of design conventions, elements and differences between cultural groups while explaining the interconnections between art, myth and ceremony.
Published in 2000
Softcover
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Bill Reid and Beyond: Expanding on Modern Native Art
Karen Dufffek and Charlotte Townsend-Gault
CA$45.00Academically charged, this book offers a wide-ranging and thought-provoking collection of art and cultural scholars reappraisals regarding Bill Reid’s career and compelling artwork. Aware of political, economic and social events, this book examines and adds to the ongoing debate about aboriginality and modern art.
Published in 2005
Hardcover
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Raven Ladle
Russell Smith
CA$5,450.00Ivory, Abalone, Sterling silver, engraved
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.
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Dogfish Berry Basket
Merle Andersen
CA$10,800.00Cedar Bark, Acrylic paint
Painted by Alfred Adams
Merle is a Haida Weaver and Regalia artist from Haida Gwaai, BC, Canada. San’laa gudgaang is her Haida name and Yaguu’janaas is the name of her affiliated clan. She uses Cedar Bark, Spruce Root, and Sewn Regalia as her mediums. Merle’s grandmother, Isabella Edenshaw, and mother, Florence Davidson, were both weavers, while her grandfather, Charles Edenshaw, was a master carver, and her father, Robert Davidson Sr., was a carver in his own right. Merle received her traditional training under her mother and two of her sisters, as well as under Haida weavers April and Holly Churchill.
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Loon
Garry Meeches
CA$625.00Acrylic paint on Acid-free paper
Unframed
(For inquiries on custom framing, please contact the gallery)
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Witness…To Acceptance of Family Legacy
Chester (Chaz) Patrick
CA$800.00Acrylic on Acid-free board
2004
Unframed