Collectible Artworks
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Raven & Frog Totem Pole
Don Yeomans
CA$80,000.00Red Cedar Wood
For inquiries on totem pole commissions, please click here.
Don Yeoman’s Raven & Frog Totem Pole demonstrates the artist’s mastery of cedar wood, particularly in his depth of carving. Yeoman’s decision to leave the pole unpainted serves to utilize a more minimalist approach and highlight the rich beauty of the wood.
Cedar wood is strong, lightweight, and extremely versatile. These qualities lend well to carving, and result in a wood that can be used to create a wide variety of objects.
The Raven is regarded as the Hero, Creator, Transformer, and the most important of all creatures to the coastal First Nations peoples. He is also known as the Trickster because of his wit and sense of humor. His legendary antics were often motivated by insatiable greed, and he loved to tease, to cheat, to woo and to trick. In the oral traditions of the Northwest Coast, Raven is credited with releasing the Sun, and creating the Moon, Stars and the Universe. In Haida culture, Raven is also said to have discovered mankind in a clamshell.
Frogs symbolize new life, good fortune, stability, and communication. They are associated with great wealth and prosperity. As a creature that lives both in water and on land, the Frog is revered for its adaptability, knowledge, and ability to inhabit both natural and supernatural realms. Frogs are the primary spirit helpers of shamans, usually representing the common ground or voice of the people. As a prominent sharer of knowledge, Frog is often shown in artistic depictions as touching its tongue to another figure in an expression of sharing.
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82. Frog Basket
Isabel Rorick RCA
CA$12,800.00Spruce root, Acrylic paint
Hand-painted by Alfred Adams (Isabel’s brother)
3.25 x 4.5 x 4.5″
Isabel Rorick comes from a long line of weavers, including her great-grandmother Isabella Edenshaw; her grandmother, Selina Peratrovich; her mother, Primrose Adams, and her Aunt, Delores Churchill. Using the Haida language of form, Isabel incorporates many traditional designs into her baskets and hats, like that of the dragonfly, raven’s tail, and spider web or slug trail.
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Strawberry Breeze Rattle
Isabel Rorick RCA
CA$7,500.00Spruce root, Alder dyed Spruce root, Yellow Cedar wood handle, Abalone shell, feathers, beads, Maple wood base
Dimensions on stand: 6 x 9.5 x 4.5″
Isabel Rorick comes from a long line of weavers, including her great-grandmother Isabella Edenshaw; her grandmother, Selina Peratrovich; her mother, Primrose Adams, and her Aunt, Delores Churchill. Using the Haida language of form, Isabel incorporates many traditional designs into her baskets and hats, like that of the dragonfly, raven’s tail, and spider web or slug trail.
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Hunters Struggling for a Spear
Thomas Ugjuk
CA$7,175.00Basalt, Antler1973
“A remarkably animated work for the artist whose style is comparable to his father’s (John Kavik). In an interview with the artist in 1993, which appeared in the winter edition of the Inuit Art Quarterly, Ugjuk describes the difficulty he had in deciding what to carve. This may be why there are not many of his works available on the market. Both Kavik and Ugjuk were self-taught artists and took to carving whenever they were not hunting.”
“Ugluk says, ‘I would try to concentrate on an idea of mine and gradually expand on it as I went along which would lead to some comprehensible form for the carving I was working on. And, other times, it seemed that trying to stay with one idea didn’t always work so, rather than getting stuck with one idea, I would just work on a carving and what it would become’.”
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Berry Pattern Basket
Isabel Rorick RCA
CA$5,800.00Spruce root, Dyed Spruce root
Isabel Rorick comes from a long line of weavers, including her great-grandmother Isabella Edenshaw; her grandmother, Selina Peratrovich; her mother, Primrose Adams, and her Aunt, Delores Churchill. Using the Haida language of form, Isabel incorporates many traditional designs into her baskets and hats, like that of the dragonfly, raven’s tail, and spider web or slug trail.
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Tapered Basket
Isabel Rorick RCA
CA$4,800.00Plain twining & Strawberry weave patterns, Three strand twining rim
Spruce Root, Four bands of dyed root
Featured in the 2009 exhibition – Haida Masterworks: the ancestral spirit lives on
Isabel Rorick comes from a long line of weavers, including her great-grandmother Isabella Edenshaw; her grandmother, Selina Peratrovich; her mother, Primrose Adams, and her Aunt, Delores Churchill. Using the Haida language of form, Isabel incorporates many traditional designs into her baskets and hats, like that of the dragonfly, raven’s tail, and spider web or slug trail.
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Drumming Sedna
Bart Hanna
CA$3,840.00Marble
As goddess of the ocean, Sedna sets strict rules about the proper way to treat the animals of the hunt, which the Inuit require for sustenance. This includes proper treatment of the animals’ spirit when killed for food. If she feels the rules have been broken, she cuts off the supply of food. When this happens, the Inuit tribal shaman is required to take a mystical journey to the bottom of the ocean to speak to the goddess. It is considered the most dangerous journey an Inuit shaman is called upon to make.Upon arrival at the bottom of the sea the shaman is required to comb Sedna’s hair, because Sedna has no fingers to comb it herself, and to find out what the tribe has done wrong that the food has been cut off. The shaman then makes a deal with Sedna, promising that if the tribe corrects whatever transgressions it has made, the goddess will return their food supply. The shaman then returns to the tribe with the list of things the goddess requires to be done to get the food back.
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Looking at Asymmetry
Robert Davidson RCA
CA$3,000.00Serigraph, Edition of 111
2001
Unframed
(For inquiries on custom framing, please contact the gallery)
“I feel that art can have premonitions about the future. The first design was created long before the events of 9/11 and the resulting US war in Afghanistan. Between the action and reaction, I thought about the title that I had given this print and the idea that no retaliation would be unsymmetrical and the decision to declare war was symmetrical or a predictable outcome. No retaliation would be a sign that we were reaching maturity.” – Robert Davidson RCA
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Two Working Together Hled sda sGwaansang (Bow & Arrow)
Robert Davidson RCA
CA$2,500.00Serigraph, Edition of 49
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Fisherman’s Delight
Robert Davidson RCA
CA$1,800.00Serigraph, Edition of 81
2022
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“I went fishing with Reg and his friend Tom Wylie last summer. I was really taken because they were charged with excitement. They kept handing me a rod but I was just happy to watch because they were really interesting… When we went to the river to fish we were excited to know that we had replenished the food supply. Reg has constantly replenished the halibut and salmon supply for freezers in the village because he feels the need and so few people own boats.
The focus point in this piece of art is a Spring Salmon depicted with the face of Humanity. Traditionally, the native societies were established around fishing, hunting, and gathering. The most valuable resource was salmon. For thousands of years, salmon was the primary food source for the people on the Canadian Northwest Coast. As a result of overfishing came a time of scarcity. Salmon perished and humanity depended heavily on its return. Salmon is a powerful symbol of regeneration, prosperity, and renewal for the Haida people.
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In the bottom right corner of this painting, Kuugan Jaad (also known as Mouse Woman) comes into sight. She is a character in many Haida legends. Mouse Woman is a supernatural being. She is the mother of Raven according to the mythology. She often appears in stories as a helper or advisor to those who are on a journey or to those who have crossed (or are about to cross) to another dimension (Spirit World or the unknown). She is highly respected as she offers great wisdom to restore order and balance. According to mythology, Mouse Woman can change shapes. She can be a big eyed mouse and change into a tiny human grandmother. However, in art, her appearance is mostly abstract.
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When I’m creating a design, sometimes subconsciously Kuugan Jaad just appears in the art piece. Her form arises automatically during the creative process. It is striking because she is known to lend a helping hand to story characters in our legends.“ ~ Robert Davidson -
Supernatural Beings
Robert Davidson RCA
CA$1,800.00Serigraph, Edition of 79
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
“Supernatural Beings is one of two designs that I did based on a discussion with artist/weaver Cheryl Samuel about pushing the design possibilities for robes and aprons. I received feedback from the weavers that it could not be done but also interest from some who were willing to try.” – Robert Davidson
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Sk’ug sdang (Two Dog Salmon)
Robert Davidson RCA
CA$1,500.00Serigraph, Edition of 97
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“[This serigraph] is about the hope that we can change direction from global annihilation to a more balanced way of life. These two-dog salmon symbolize the last stage of their life as they swim upstream to lay their eggs ensuring another generation of dog salmon to be born. It has become more and more present-day civilization’s responsibility to ensure they will return again and again for future generations.” – Robert Davidson, 2021
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Missing Pieces (XL)
Susan Point RCA
Price upon requestSerigraph, Limited Edition of 10
Unframed
2024
(For inquiries on custom framing, please contact the gallery)
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Missing Pieces (XL) [Framed]
Susan Point RCA
Price upon requestSerigraph, Limited Edition #4/10
Framed
2023
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Supernatural Eye Sculpture
Robert Davidson RCA
Price upon requestEpoxy Powder-Coated Aluminum, Granite base
2007
Limited edition of 5
Davidson’s inspiration in creating this contemporary sculpture was the many supernatural beings that dwell on the Haida Gwaii Islands.
First, Davidson worked from drawings and then manipulated cut-out cards subtly before moving to prototyping the piece in different materials, sizes, and colours. Made from aluminum cut by a water-jet process, this sculpture’s thick curved planar form evokes the cut-outs used in making appliquéd blankets. Its sculptural design is innovative in its reliance on form and line and its use of negative space to create the image of the eye.
The second edition of Supernatural Eye is currently in the collection of the National Gallery in Ottawa.
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Tide Walker [Framed]
Ben Davidson
Price upon requestSerigraph, Edition 46 of 77
2017
Framed
Ben Davidson’s Tide Walker is a remarkably expressive serigraph by one of the Northwest Coast’s foremost artists. The blend of traditional and contemporary formlines, as well as the use of rich and saturated colour, joins to create an aesthetic that is distinctly a Ben Davidson work.
Below are the artist’s own words regarding this piece:
“Tide Walker exists in the space between the land and the ocean. From afar, he appears as a dorsal fin, so we imagine his body beneath the waves. We are so desperate to be the first to see the killer whale that we allow our minds to complete his story before we have time to determine the truth. We are so swiftly lured into believing the surface story that we rarely take time to consider what lies beneath.” (Davidson, 2017).
Ben Davidson is an internationally-renowned contemporary First Nations artist. He is the son of Robert Davidson, also of international fame. Ben stays true to his Haida ancestry, while always pushing the boundaries of traditional artwork.