Northwest Coast
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Discoveries
Susan Point RCA
$3,000.00 CADSerigraph, Edition of 130
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Mouse Woman Mask
Randy Stiglitz
$2,800.00 CADRed Cedar wood, Cedar bark, Horse hair, Abalone shell, Acrylic paint
14 x 10.5 x 8.5″ (mask only)
43 x 14 x 8.5″ (including hair)
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Crooked Beak Mask
Robert Saunders
$8,300.00 CADRed Cedar wood, Cedar bark, Acrylic paint
31 x 12 x 24″ (including bark & stand)
8 x 9 x 21.5″ (mask only)
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‘Frog & Raven’s Voyage’ Rattle
Eugene Alfred
$6,400.00 CADAlder wood, Acrylic paint
11 x 5 x 4.5″ (rattle only)
12 x 5.25 x 4.75″ (including stand)
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Young Eagle Mask
Eugene Alfred
$5,400.00 CADAlder wood, Acrylic paint, Abalone shell
10 x 6.5 x 3″ (mask only)
12 x 6.5 x 6″ (including stand)
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Killerwhale Bentwood Box
Joseph Campbell
$550.00 CADRed Cedar wood, Yellow Cedar wood, Acrylic paint
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A̲mɫanux̲ (We are Playing)
Corrine Hunt
$440.00 CADAcrylic paint on Board
2021
Unframed
This fun little painting depicts Raven and Eagle as they circle around a happy face. If one looks at the piece closely, one can see the faint outline of a sad face underneath. According to Corrine, this is meant to show how sad Raven and Eagle used to be when they were alone, and how happy they are now that they’ve found each other.
Like many of the artworks in her most recent exhibition, Kapiguxw’id: Iklegans dudakwo | Gathering: It’s good to see you [again], this piece was inspired by Corrine’s daughter, who is a major source of joy in her life.
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Ixḱ̲a̲sa̲la (Happy)
Corrine Hunt
$440.00 CADAcrylic paint on Board
2021
Unframed
In this painting, Corrine has simply played around with a few of the design forms that characterize Pacific Northwest Coast art. Throughout the painting, one can see traces of ovoids, u-shapes, trigons, crescents, and formline designs. The happy face constitutes the centrepiece of the painting and represents the joy that Corrine feels while working with these designs.
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A̲nwa’yi (Cloud)
Corrine Hunt
SOLDAcrylic paint on Board
2021
Unframed
This painting is a small tribute to the clouds that Corrine can see from the window of her studio as she works. Her studio faces the beach by her home, so she often finds herself looking out of the window as she works on new pieces. Corrine often finds the clouds to be a source of inspiration for her art, hence why she decided to dedicate a painting to them.
The painting features the Kwak’wala term for “Cloud” across the centre of the piece, with cloud-like forms surrounding it. Corrine also chose to use graffiti-style text for this painting. She is very fond of the style, finding it to be a highly open and expressive form of art.
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Ga̲lsatɫa̲n (I’m Painting)
Corrine Hunt
$600.00 CADAcrylic paint on Board
2021
Unframed
For this piece, Corrine has depicted herself painting and playing around with different Pacific Northwest Coast design forms.
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Ulthma-koke Mask
Joe David
$8,400.00 CADRed Cedar wood, Cedar bark, Feathers, Acrylic paint
11 x 8 x 7″ (mask only)
14 x 13 x 9.5″ (including bark & feathers)
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Ulthma-koke Mask
Joe David
$9,000.00 CADRed Cedar wood, Horse Hair, Bear Pelt, Feathers, Acrylic paint
13 x 8 x 7″ (mask only)
26 x 17 x 10.5″ (including hair & feathers)
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Two Spirit Rising
Margaret August
$175.00 CADSerigraph, Edition of 100
Unframed
(For inquiries on Custom Framing, please contact the gallery)
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Ḱ̲axda̲n (Found) Panel
Corrine Hunt
SOLDReclaimed Plywood, Reclaimed Red Cedar wood, Acrylic paint, Mother of Pearl
While visiting an old village site, Corrine discovered a small piece of wood lying in the sand. As she examined it more closely, she realized that the wood had to be around 50 years old and was inspired to create something new from it.
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Tɫa̲bat’si (Copper Box)
Corrine Hunt
$4,800.00 CADReclaimed Maple wood, Acrylic paint, Steel, Copper
Tɫabat’si (Copper Box) is an impressive large-scale piece that combines Pacific Northwest Coast history with contemporary artistic methods. The box is designed to look like traditional bentwood boxes, which were an innovative creation of the coastal Indigenous peoples that were used for a wide variety of utilitarian and ceremonial purposes. The imagery on the piece is depicted using classic formline and ovoid design principles, while the decision to incorporate copper was directly influenced by its historical importance across the region. Contrasting these more traditional design choices, the mediums and methods used by Corrine are highly contemporary, with the most obvious modern influence being the use of laser cut steel.
The main imagery on this box depicts the Raven as he dances with a Chilkat blanket on his shoulders. The opposite side of the box features the tail of a Killerwhale. The Raven and the Killerwhale are the two figures that Corrine identifies with most strongly, and at least one of the two can be found on the vast majority of her creations. The Chilkat blanket was a specialty of the Tlingit people, so its inclusion is a nod to that side of the artist’s heritage.
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Ḱwax’ida’s (Sit Down) Stool
Corrine Hunt
$1,600.00 CADReclaimed Maple wood, Acrylic paint, Steel, Copper
This unique stool features three prominent Northwest Coast figures in laser-cut steel: Raven, Wolf, and Killerwhale. This is Corrine’s first artwork depicting “Sea to Sky” imagery, which is a common theme in coastal Indigenous art.