Northwest Coast

with Robert Davidson.

In collaboration with the Vancouver Art Gallery. Forward by Karen Duffek.

“With over two hundred serigraphs and paintings, Echoes of the Supernatural: The Graphic Art of Robert Davidson is an exhilarating tour of a half-century of mastery and innovation of Haida formline by the most prominent Northwest Coast artist of his generation.”

Hardcover

Published in 2022

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Hardcover
2019

In a prequel to the award-winning Red: A Haida Manga, acclaimed artist Michael Nicoll Yahgulanaas blends Asian manhwa/manga with the Haida artistic and oral tradition in another stunning hand-painted volume.

In a small near-future community perched between the ocean and the northern temperate rainforest, a series of disasters is taking a heavy toll. It is early fall and a fuel spill has contaminated the marine foods the village was preparing to harvest. As food supplies dwindle, a small group decides to make a late season expedition to search for sealions. Surprised by a ferocious storm, they abandon one man, Carpe, on an isolated rock at sea. After ten days they are finally bale to return, but he has vanished. The story follows Carpe’s encounters with the Lord of the Rock, who demands retribution for Carpe’s role in the hunt, and Carpe’s fate in the half-life between human and animal, life and death.

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Knowledge Within: Treasures of the Northwest Coast looks into seventeen of the numerous sites in the Pacific Northwest region with major collections of Northwest Coast Indigenous material culture, bringing attention to a wide range of approaches to caring for and exhibiting such treasures. Each chapter is written by one or more people who work or worked in the organization they write about. Each author takes a different approach to the invitation to reflect upon their institution: some narrate a history of the institution, some focus on particular pieces in the collection, and some consider the significance of the work currently being done for the present and future. They show that these are places and moments in a much longer story, still ongoing, with many characters – communities, individuals, institutions, artworks, treasures.

Hardcover

Published in 2022

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively, from demonstrating kinship connections to manifesting spiritual power. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these essays “unsettle” Northwest Coast art studies. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices within the discipline of art history.

Katherine Bunn-Marcuse is director of the Bill Holm Center for the Study of Northwest Native Art, curator of Northwest Native art at the Burke Museum, and associate professor of art history at the University of Washington.

Aldona Jonaitis is the former Director of the University of Alaska Museum of the North and a professor of Anthropology at the University of Alaska Fairbanks.

Published in 2020
Softcover

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Northwest Coast Kwakwaka’wakw art is renowned for its flamboyant, energetic, and colorful carving and painting. Among the best-known practitioners was Doug Cranmer, whose style was understated, elegant, fresh, and unique and whose work quickly found an international following in the 1960s. Named K’esu’, or Wealth Being Carved, as a child, he was an early player in the global, commercial art market and one of the first Native artists in British Columbia to own his own gallery. A long-time teacher, he inspired generations of young Native artists in Alert Bay and beyond.

This beautifully illustrated book is a record of the art, life, and influence of a man who called himself a “whittler” or “doodler” but who embodied “indigenous modern” well before the term had been coined. He pioneered abstract and non-figurative paintings using Northwest Coast ovoids and U-shapes; embraced the practice of silk-screening on wood, paper, and burlap; and adapted power tools to new applications in art. Skillfully weaving recollections from his friends and family, facts about his life and examples of his stunning artwork, K’esu’ is a wide-ranging celebration of Doug Cranmer and his profound influence on Kwakwaka’wakw art.

Published in 2012

Paperback

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In a stunning resurgence over the past few decades, contemporary First Nations artists of the Northwest Coast have established themselves as among the most dynamic and important artist working in North America. Challenging Traditions honours this success by presenting the work of 40 of the most celebrated living artists, whose achievements reveal an accomplished melding of contemporary vitality with traditional genres. The work of such acknowledged masters as Robert Davidson, Dempsey Bob, Susan Point, Preston Singletary, Lawrence Paul Yuxweluptun, Jim Hart, and Richards Hunt, plus many younger artists, is presented in 100 colour photographs of primarily new pieces, amply demonstrating that the historic strengths of Northwest Coast culture are alive, well and continuously evolving.

For more than a century, the state and church actively discouraged First Nations from pursuing their traditional cultures, but they persisted in keeping alive their art and ceremony. With the rise of cultural and political activism, Native art is now flourishing on an unprecedented scale. Many artists are examining the meaning and purpose of First Nations art in the twentieth-century, while following traditions and boldly experimenting with innovative subjects, techniques and materials.

Ian Thom explores these contradictions by describing the career, working methods and philosophy of each artist, all of whom he interviewed especially for this book. He also discusses at least two significant recent artworks by each artist.

Both senior and younger artists from all of the major First Nations on the Northwest Coast are featured, working in a variety of media and styles: groundbreaking abstract painting and metal sculptures, painstakingly woven spruce root hats and ceremonial woollen robes, works in glass, masks, carved panels, painted drums, striking political paintings, “Haida manga,” jewelry, carved argillite works and bentwood boxes.

This book is beautiful, provocative introduction to the best contemporary First Nations art of the Northwest Coast, in the words and works of some of its leading lights.

Published in 2009

Hardcover

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