Graphics
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Iinang Xaadee – K’a.ad (Dogfish) II
April White
$225.00 CADSerigraph, Edition of 55
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Sguul (Dolphin) II
April White
$225.00 CADSerigraph, Edition of 55
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Jaadaa (Young Woman) II
April White
$225.00 CADSerigraph, Edition of 55
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – lihlangaa (Young Man) II
April White
$225.00 CADSerigraph, Edition of 55
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – lihlangaa (Young Man) I
April White
$225.00 CADSerigraph, Edition of 145
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Kun (Humpback) II
April White
$225.00 CADSerigraph, Edition of 55
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Kun (Humpback) I
April White
$225.00 CADSerigraph, Edition of 145
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Guud (Eagle) II
April White
$225.00 CADSerigraph, Edition of 55
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Eulachon Canoe Mountain [Framed]
Lyle Wilson
$675.00 CADIntaglio Print on acid-free paper
Edition of 50
2016
13 x 11.5″ (Paper size)
7 x 5.25″ (Image size)
“My first experience actually seeing traditional carving in situ was fishing eulachon at Kemano. I saw graveyard memorials (ah-aluuch-tin): grey, weather-beaten and somewhat moss-covered, but very impressive in their natural state and site. Although I didn’t know it at the time, it was part of the beginning of my life-long interest in Haisla culture.
The eulachon fish are special to the Haisla people. At Kitamaat, there is a mountain that has a dip in its outline which the Haisla liken to a canoe. When the sun set in this ‘canoe-dip,’ that signaled that the eulachon were about to spawn in the Kitamaat River and all the Haisla eagerly awaited them!
The wildlife that also pursued eulachon was a true natural phenomenon: eagles, seals, sea lions, crows, ravens, seagulls, otters, mink, sawbill ducks, halibut, porpoises, bullheads, and undoubtedly many others one couldn’t see! To represent all of these creatures in one image, a raven, seagull, sea lion and bullhead are shown, each with an eulachon close to their mouths.
The sea gull is important because Haisla history likened the thousands of gulls flying around the estuary of the Kitmaat River to a giant monster’s mouth; therefore, Kitamaat was a place avoided until the first Haisla settled there.
A young Haisla girl sat on the riverbank and watched as a bullhead waited on the river’s bottom and let the current sweep eulachon into its wide mouth. The traditional net (tak-calth) used to fish eulachon also has a wide mouth and also tapers to a narrow end like a bullhead’s body. A bullhead is shown with a net-like pattern on its body, alluding to the tak-calth’s inspiration.”
-Lyle Wilson, 2016
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Almost There
Ben Davidson
$350.00 CADSerigraph, Edition of 150
2016
Unframed
“In this second rendition of ‘Just About,’ Raven has almost fully transformed into the way we know him today. As he continues his escape from the smoke hole, he clasps the sun in his beak – he is determined to bring light back to the world, and thus free us from that which imprisons us. The red represents the strength he needs to complete this journey.’”
– Ben Davidson, 2018
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“Iinang Xaadee-K’a.ad I” [Framed]
April White
$875.00 CADSerigraph, Edition of 145
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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“Tzinquaw” (Thunderbird)
Maynard Johnny Jr.
$2,200.00 CADOriginal, Acrylic on Acid-free paper
2018
Unframed
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Echo
Ben Davidson
$475.00 CADSerigraph, Edition of 21
2018
Unframed
“My father’s understanding of Greatest Echo, is that this supernatural being has the ability to echo the past and bring it into the future. We dance the Greatest Echo masks to remind ourselves of our responsibility to learn the knowledge of the previous generations and to make that knowledge meaningful in our daily lives.
Yellow is echoed in each of these [designs]. It represents the knowledge of our ancestors. Our knowledge was strong before contact. It was passed from generation to generation without threat. Attempts to assimilate us and erase our identities through colonization resulted in our knowledge being muted; this was a dark period in our history. However, despite this, we continued to pass on our knowledge to our children.
Today, our connection to this ancient knowledge is emerging once again. We must continue to move forward, but, as my tsinii told my father, ‘You have to look back once and a while to see where you came from, so you can always find your way back.’”
– Ben Davidson, 2018
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Great Echo
Ben Davidson
$475.00 CADSerigraph, Edition of 21
2018
Unframed
“My father’s understanding of Greatest Echo, is that this supernatural being has the ability to echo the past and bring it into the future. We dance the Greatest Echo masks to remind ourselves of our responsibility to learn the knowledge of the previous generations and to make that knowledge meaningful in our daily lives.
Yellow is echoed in each of these [designs]. It represents the knowledge of our ancestors. Our knowledge was strong before contact. It was passed from generation to generation without threat. Attempts to assimilate us and erase our identities through colonization resulted in our knowledge being muted; this was a dark period in our history. However, despite this, we continued to pass on our knowledge to our children.
Today, our connection to this ancient knowledge is emerging once again. We must continue to move forward, but, as my tsinii told my father, ‘You have to look back once and a while to see where you came from, so you can always find your way back.’”
– Ben Davidson, 2018
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Greatest Echo
Ben Davidson
$475.00 CADSerigraph, Edition of 21
2018
Unframed
“My father’s understanding of Greatest Echo, is that this supernatural being has the ability to echo the past and bring it into the future. We dance the Greatest Echo masks to remind ourselves of our responsibility to learn the knowledge of the previous generations and to make that knowledge meaningful in our daily lives.
Yellow is echoed in each of these [designs]. It represents the knowledge of our ancestors. Our knowledge was strong before contact. It was passed from generation to generation without threat. Attempts to assimilate us and erase our identities through colonization resulted in our knowledge being muted; this was a dark period in our history. However, despite this, we continued to pass on our knowledge to our children.
Today, our connection to this ancient knowledge is emerging once again. We must continue to move forward, but, as my tsinii told my father, ‘You have to look back once and a while to see where you came from, so you can always find your way back.’”
– Ben Davidson, 2018
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Sun (Artist Proof) [Framed]
Jon Erickson
$690.00 CADSerigraph, Artist Proof, Edition of 10
2011
Framed
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Blue Moon Rising
Maynard Johnny Jr.
$2,200.00 CADOriginal, Acrylic on Acid-free paper
2018
Unframed
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Bentwood Box Design
Raven (Rorick) LeBlanc
$1,300.00 CADAcrylic paint and Operculum shell on wood board
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Ever-Changing Sea State II
Susan Point
$1,200.00 CADSerigraph, Edition of 50
State II/II
2018
Unframed
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Hummingbirds [Framed]
Ben Houstie
$930.00 CADOriginal, Acrylic paint on Acid-free paper
2017
Framed
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Hummingbirds [Framed]
Ben Houstie
$930.00 CADOriginal, Acrylic paint on Acid-free paper
2017
Framed
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Tide Walker
Ben Davidson
$850.00 CADSerigraph, Edition of 77
2017
Unframed
28.75 x 19.25″
Ben Davidson’s Tide Walker is a remarkably expressive serigraph by one of the Northwest Coast’s foremost artists. The blend of traditional and contemporary formlines, as well as the use of rich and saturated colour, joins to create an aesthetic that is distinctly a Ben Davidson work.
Below are the artist’s own words regarding this piece:
“Tide Walker exists in the space between the land and the ocean. From afar, he appears as a dorsal fin, so we imagine his body beneath the waves. We are so desperate to be the first to see the killer whale that we allow our minds to complete his story before we have time to determine the truth. We are so swiftly lured into believing the surface story that we rarely take time to consider what lies beneath.” (Davidson, 2017).
Ben Davidson is an internationally renowned contemporary First Nations artist. He is the son of Robert Davidson, also of international fame. Ben stays true to his Haida ancestry, while always pushing the boundaries of traditional artwork.
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Yellow Moon Dancing
Maynard Johnny Jr.
$2,200.00 CADOriginal, Acrylic on Acid-free paper
2017
Unframed
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Hummingbird and Bear Box
David Neel
$300.00 CADSerigraph, Edition of 70
Unframed
This design depicts the legend of a hummingbird, who, while out gathering flower nectar, encountered a bear. This bear was something of a bully and would not allow the hummingbird to get near the flowers. Hummingbird tried again and again but the bear blocked her every time. Frustrated, the hummingbird gathered some twigs and flew inside the bear’s nose and down into his stomach, where she used the twigs to start a fire and then flew back outside. With smoke wafting from his nose and mouth, the bear ran away into the forest and never bothered hummingbird again. This legend teaches us that even great obstacles can be overcome.
The design is in the shape of a cedar bentwood box, which was widely used by all the tribes on the Northwest Coast. They were used as storage containers, cooking vessels, and were stacked to serve as walls inside the big-house. The sides were made from a single red cedar plank that was “kerfed” so that it could be steam bent and would be water tight. The lid was often decorated with operculum shells that were inlaid in a pattern. The boxes were painted with elaborate designs that are the foundation of Northwest Coast Native “flat design”. David has extensively studied the work of the master artists who painted the early bentwood boxes, which has influenced his hand engraved jewelry, and inspired the design for this print.
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Mother Bear & Cub
Richard Shorty
$700.00 CADOriginal, Acrylic paint, on Acid-free paper
2017
Unframed
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Dance of the Orca
Chester (Chaz) Patrick
$4,800.00 CADOriginal, Acrylic paint on Acid-free paper
2004
Unframed
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A New Beginning First Quarter Moon
Burton F. Amos
$350.00 CADSerigraph, Artist Proof, Edition of 20
Unframed
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Robins State II – Red [Framed]
Susan Point
$3,025.00 CADSerigraph, Edition of 50
State II of II
2017
Framed
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Hummingbirds (Framed)
Ben Houstie
$745.00 CADOriginal, Acrylic paint on Acid-free paper
2017
Framed
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Hummingbirds (Framed)
Ben Houstie
$745.00 CADOriginal, Acrylic paint on Acid-free paper
2017
Framed
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Hummingbirds (Framed)
Ben Houstie
$825.00 CADOriginal, Acrylic paint on Acid-free paper
2017
Framed
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Chiin Sgaanuwaay (Supernatural Salmon) I
April White
$450.00 CADSerigraph, Edition of 145
2009
Unframed
“The Beings in the story ‘Bear Mother Myth’ are the backbone of this depiction. The main characters, the Prince of the Bear People, a Haida Princess, and their offspring, twin Bear Cubs, are encompassed by the silhouette of Taawaan (Chinook Salmon) to recognize the Northwest Coast Peoples’ oneness with all things and Salmon in particular. The Haida and Bear are unified by the sharing of their primary foods: berries and salmon. When a Being presents itself as food, it does so willingly and gives itself to sustain another life. This was given much reverence and it is believed that each entity possessed its own spirit. When the spirits gave generously, it meant that life was enriched far beyond the immediacy of a full belly granting the freedom to explore spiritual enlightenment.” – April White
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Iinang Xaadee – Kay (Sea Lion) I
April White
$225.00 CADSerigraph, Edition of 145
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Sguul (Dolphin) I
April White
$225.00 CADSerigraph, Edition of 145
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Iinang Xaadee – Jaadaa (Young Woman) I
April White
$225.00 CADSerigraph, Edition of 145
2016
Unframed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Raven and Moon (Framed)
Maynard Johnny Jr.
$980.00 CADOriginal, Acrylic on Acid-free paper
2011
Framed
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Robins State I – Black [Framed]
Susan Point
$3,025.00 CADSerigraph, Edition of 50
State 1 of 2
2017
Framed
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Robins State I – Black
Susan Point
$2,200.00 CADSerigraph, Edition of 50
State 1 of 2
2017
Unframed
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