Graphics collection features prints (serigraphs), giclees, original paintings, drawings, intaglios, and etchings on acid-free paper as well as rice paper. All are hand signed by the artist.
-
Sea to Sky (Artist Proof)
Kelly Cannell
$910.00 CADSerigraph, Artist Proof, Edition of III
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Charlie James Sun Mask [Framed]
David Neel
$4,500.00 CADAcrylic paint on Canvas
Framed
This painting was inspired by a well known Sun mask by Charlie James. The designs in the background of the painting are based on traditional petroglyphs.
-
Hummingbird & Bear Box (Artist Proof)
David Neel
$390.00 CADSerigraph, Artist Proof, Edition of 7
Unframed
(For inquiries on custom framing, please contact the gallery)
“This design depicts the legend of a hummingbird, who, while out gathering flower nectar, encountered a bear. This bear was something of a bully and would not allow the hummingbird to get near the flowers. Hummingbird tried again and again but the bear blocked her every time. Frustrated, the hummingbird gathered some twigs and flew inside the bear’s nose and down into his stomach, where she used the twigs to start a fire and then flew back outside. With smoke wafting from his nose and mouth, the bear ran away into the forest and never bothered hummingbird again. This legend teaches us that even great obstacles can be overcome.
The design is in the shape of a cedar bentwood box, which was widely used by all the tribes on the Northwest Coast. They were used as storage containers, cooking vessels, and were stacked to serve as walls inside the big-house. The sides were made from a single red cedar plank that was “kerfed” so that it could be steam bent and would be water tight. The lid was often decorated with Operculum shells that were inlaid in a pattern. The boxes were painted with elaborate designs that are the foundation of Northwest Coast Native “flat design”. David has extensively studied the work of the master artists who painted the early bentwood boxes, which has influenced his hand engraved jewelry, and inspired the design for this print.”
– David Neel
-
Blue Heron State II
Kelly Cannell
$350.00 CADSerigraph, Edition of 28
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
The Great Blue Heron is a year-round inhabitant of the Northwest Coast. Traditionally, it was valued both as a winter food and as an alarm-raiser: a Heron cries out a loud warning at the approach of a human. The Heron is a symbol of wisdom, known for having particularly good judgment skills.
-
-
Supernatural Beings
Robert Davidson RCA
$1,800.00 CADSerigraph, Edition of 79
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Haida Raven
Lyle Campbell
$400.00 CADSerigraph, Edition of 95
2019
Unframed
“This design depicts the Raven, a quintessential figure in Haida Mythology. The Raven’s head is found tucked under a reversed wing. In the upper part of the image are lightly suggested Tailfeathers. The Raven has the Ball of Light in his beak making a reference to the Raven Bringing Light into the World story.” – Lyle Campbell, 2019
(For inquiries on custom framing, please contact the gallery)
-
Haida Killerwhale
Lyle Campbell
$400.00 CADSerigraph, Edition of 95
2019
Unframed
“This bold and flowing image represents the powerful Killer Whale. The Haida word for Killer Whale is Sgaan, meaning powerful. In the design itself you’ll find the Head, Dorsal Fin and a suggested Pectoral Fin. The ‘Spirit Form’ in this case is representing the Whale’s blow hole. The long fluid lines are gracefully accented by bold colors and a real sense of ‘Flow’.” – Lyle Campbell, 2019
(For inquiries on custom framing, please contact the gallery)
-
Haida Eagle
Lyle Campbell
$400.00 CADSerigraph, Edition of 95
2019
Unframed
“This is a modern Haida designed Eagle. The image itself depicts the head and claw of the Eagle. Also, in each of the 4 designs one finds a ‘Spirit Form’ connecting them to one another. On the Eagle Print it represents a Star. This design is bold and simplistic in nature. Utilizing new colors to accent the long flowing lines.” – Lyle Campbell, 2019
(For inquiries on custom framing, please contact the gallery)
-
-
-
-
Life on the 18th Hole (1991) [Framed]
David Neel
$2,500.00 CADEdition of 75
1991
Framed
According to David Neel, Life on the 18th Hole was created to serve as a historical marker for an important event in Canadian history. This event, which came to be known as the Oka Crisis, shed light on many issues that had previously been swept under the rug. During the Oka Crisis, Life on the 18th Hole was commissioned by the Union of BC Indian Chiefs, who used the image as a poster to raise funds and spread awareness. Several copies of the poster were given to the Mohawk, and the press eventually caught wind of it as well. As a result, images of this serigraph were reproduced countless times throughout this period, making it one of David Neel’s most famous works.
In the summer of 1990, the small town of Oka drew both national and international attention during a tense 78-day stand-off between Mohawk Warriors, the Sûreté du Québec, and the Canadian military. The conflict arose due to the expansion of the near-by golf course, the plan for which had been approved by Oka’s mayor. This expansion was to occur on a stretch of disputed land, which encompassed a portion of the Mohawk’s ancestral territory and contained a traditional burial ground.
For decades prior to the stand-off at Oka, First Nations communities across Canada had been growing increasingly frustrated with the provincial and federal governments’ failure to recognize and honour Indigenous land rights. This failure was one of the many reasons for the brewing tensions between Indigenous Canadians and Canada’s governmental bodies. Thus, in many ways, the Oka Crisis was years in the making, and marks the moment when these long-standing tensions finally reached their boiling point.
Although land disputes are still a common occurrence in Canada, the Oka Crisis had important, lasting effects throughout the country. It played a crucial role in raising Canadian’s awareness of Indigenous issues, and led to the establishment of the Royal Commission of Aboriginal Peoples (RCAP) in 1991. Since then, the RCAP has helped facilitate dialogue between Indigenous and non-Indigenous parties, which has resulted in various agreements that previously wouldn’t have been possible. Additionally, the conflict inspired many First Nations movements in the years that followed, including the Idle No More protests in 2012 and the continuing demands for a federal inquiry into missing and murdered Aboriginal women. Lastly, the Oka Crisis sparked a greater understanding and appreciation by the federal and provincial governments regarding the need to consult First Nations communities when potential development projects impact their traditional territory.
Life on the 18th Hole combines photographic and hand-rendered elements, with The Globe and Mail’s image of a Mohawk Warrior taking centre stage. The end result of this process is an impressive, hand-pulled silkscreen print that is loaded with symbolism.
“The Mohawk warrior symbolizes an individual pushed to his limit and having the will to stand his ground. The ‘10 little policemen,’ is turning around the nursery rhyme ‘1 little, 2 little, three little Indians,’ allowing the viewer to see the ethnocentric roots of this children’s nursery rhyme. The Circle is the circle of life, the arrows the four directions, four being the number of balance and completeness. The red dots represent the blood of man, one for each race; the red, the yellow, the black, and the white man. Jointly these remind us of the common bond of all men. The barriers between men and between races are erected, not inherent. Clearly it is up to individuals, not governments, to dismantle these barricades and work together to the benefit of all.” ~David Neel
-
Sea to Sky
Kelly Cannell
$700.00 CADSerigraph, Edition of 28
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Tang.G̱waan
Cori Savard
$300.00 CADSerigraph, Edition of 140
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
-
-
-
Pacific Spirit Trail State II [Framed]
Susan Point
$1,325.00 CADSerigraph, State II, Edition 25 of 25
2019
Framed
-
Thunder on the Water [Framed]
Maynard Johnny Jr.
$475.00 CADSerigraph, Edition 11 of 75
2012
Framed
-
-
-
-
-
-
Butterfly
Karla L. West
$120.00 CADSerigraph, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
-
-
-
Deconstructed Frog [Framed]
Trace Yeomans
$4,200.00 CADUltra-suede appliqué on Individual Canvas boards, Set of 4
2019
Framed
17.75 x 17.75 x 2″ each
-
Kaayjuu (Hummingbird)
Ben Davidson
$950.00 CADSerigraph, Edition of 69
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Five Ravens
Dylan Thomas
$200.00 CADSerigraph, Edition of 125
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Pacific Spirit Trail State II
Susan Point
$650.00 CADSerigraph, State II, Edition of 25
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Pacific Spirit Trail State I
Susan Point
$650.00 CADSerigraph, State I, Edition of 25
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Hummingbirds
Darrel Amos
$300.00 CADAcrylic paint on Paper
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Raven in the Moon
Darrel Amos
$300.00 CADAcrylic paint on Paper
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Eagle
Darrel Amos
$250.00 CADAcrylic paint on Paper
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
“Blue Moon Too” Diptych [Framed]
Maynard Johnny Jr.
$940.00 CADSerigraph, Edition of 200
2019
Framed
14.5 x 17.5 x 1 each
-
In Sight (Artist Proof)
Maynard Johnny Jr.
$350.00 CADSerigraph, Artist Proof, Edition of V
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
“Blood Red Moon” Diptych [Framed]
Maynard Johnny Jr.
$970.00 CADSerigraph, Edition of 75
2019
Framed
15 x 21 x 1″ each
-
-
-
-
Łagigyet (Eagle & Killerwhale) [Framed]
Philip Gray
$900.00 CADSerigraph, Edition of 75
2018
Framed
-
Tree Frog
Maynard Johnny Jr.
$350.00 CADSerigraph, Edition of 70
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Box of Daylight
David Neel
$250.00 CADSerigraph, Edition of 50
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
David Neel’s Box of Daylight uses the modern printmaking technique of serigraphy to create a deeply symbolic rendition of Raven bringing light to the world. In this classic tale, Raven resolved to steal the Sun from an old man who had been keeping it all to himself in an old cedar box. To do so, Raven transformed himself into cedar sprig, and fell into the water of the old man’s daughter. Shortly after drinking this water, the daughter gave birth to a baby boy, who the old man spoiled greatly. Eventually, this little boy convinced his grandfather to let him play with the old cedar box, which he took outside with him. The boy immediately transformed back into the Raven and stole the box away. However, as he was flying, a strong gust of wind blew the cedar box from his mouth, releasing the Sun into the sky. Here the Sun stayed, lighting the earth from that day on.
In this piece, David strives to capture the deeper nature of this ancient tale. As such, Box of Daylight depicts Raven releasing not the Sun, but the Seed of Life, from Sacred Geometry. David’s use of the Seed of Life, which has a profound spiritual significance, highlights the true meaning of the legend. The story of the Raven bringing light to the world, at its most fundamental level, is a metaphor for the creation of the universe. Thus, Box of Light, encoded with this age-old knowledge, offers a glimpse into an ancient world.
“There is a wealth of information in traditional Indigenous tales, which are part of a long-standing oral tradition… While the delivery of the age-old stories may change, the essence of the tradition remains the same.” ~David Neel
-
Fusion
Kelly Cannell
$480.00 CADSerigraph, Edition of 100
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Tzinquaw Dancer (Thunderbird Dancer)
Maynard Johnny Jr.
$4,800.00 CADAcrylic paint on Canvas with wood frame
2018
-
Formless
Philip Gray
$350.00 CADSerigraph, Edition of 75
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Łagigyet (Eagle & Killerwhale)
Philip Gray
$450.00 CADSerigraph, Edition of 75
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Killerwhale
Philip Gray
$280.00 CADSerigraph, Edition of 120
2008
Unframed
(For inquiries on custom framing, please contact the gallery)
-
-
Iinang Xaadee – K’a.ad (Dogfish) II [Framed]
April White
$520.00 CADSerigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Guud (Eagle) II [Framed]
April White
$520.00 CADSerigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Sguul (Dolphin) II [Framed]
April White
$520.00 CADSerigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Iihlangaa (Young Man) II [Framed]
April White
$520.00 CADSerigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Jaadaa (Young Woman) II [Framed]
April White
$520.00 CADSerigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Chiin Sgaanuwaay (Supernatural Salmon) I [Framed]
April White
$765.00 CADSerigraph, Edition of 145
2009
Framed
“The Beings in the story ‘Bear Mother Myth’ are the backbone of this depiction. The main characters, the Prince of the Bear People, a Haida Princess, and their offspring, twin Bear Cubs, are encompassed by the silhouette of Taawaan (Chinook Salmon) to recognize the Northwest Coast Peoples’ oneness with all things and Salmon in particular. The Haida and Bear are unified by the sharing of their primary foods: berries and salmon. When a Being presents itself as food, it does so willingly and gives itself to sustain another life. This was given much reverence and it is believed that each entity possessed its own spirit. When the spirits gave generously, it meant that life was enriched far beyond the immediacy of a full belly granting the freedom to explore spiritual enlightenment.” – April White
-
Anticipating Ravens [Framed]
Trace Yeomans
$2,700.00 CADIndividual Canvas Tiles, Oil on Canvas (set of 9)
2014
Framed
8 x 8″ each
-
-
Iinang Xaadee – K’a.ad (Dogfish) II
April White
$225.00 CADSerigraph, Edition of 55
2016
Unframed
(For inquiries on custom framing, please contact the gallery)
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Sguul (Dolphin) II
April White
$225.00 CADSerigraph, Edition of 55
2016
Unframed
(For inquiries on custom framing, please contact the gallery)
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Iihlangaa (Young Man) II
April White
$225.00 CADSerigraph, Edition of 55
2016
Unframed
(For inquiries on custom framing, please contact the gallery)
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Iinang Xaadee – Kun (Humpback) I
April White
$225.00 CADSerigraph, Edition of 145
2016
Unframed
(For inquiries on custom framing, please contact the gallery)
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
-
Eulachon Canoe Mountain [Framed]
Lyle Wilson
$775.00 CADIntaglio Print on acid-free paper
Edition of 50
2016
13 x 11.5″ (Paper size)
7 x 5.25″ (Image size)
16.25 x 14.5 x 1″ (framed size)
“My first experience actually seeing traditional carving in situ was fishing eulachon at Kemano. I saw graveyard memorials (ah-aluuch-tin): grey, weather-beaten and somewhat moss-covered, but very impressive in their natural state and site. Although I didn’t know it at the time, it was part of the beginning of my life-long interest in Haisla culture.
The eulachon fish are special to the Haisla people. At Kitamaat, there is a mountain that has a dip in its outline which the Haisla liken to a canoe. When the sun set in this ‘canoe-dip,’ that signaled that the eulachon were about to spawn in the Kitamaat River and all the Haisla eagerly awaited them!
The wildlife that also pursued eulachon was a true natural phenomenon: eagles, seals, sea lions, crows, ravens, seagulls, otters, mink, sawbill ducks, halibut, porpoises, bullheads, and undoubtedly many others one couldn’t see! To represent all of these creatures in one image, a raven, seagull, sea lion and bullhead are shown, each with an eulachon close to their mouths.
The sea gull is important because Haisla history likened the thousands of gulls flying around the estuary of the Kitmaat River to a giant monster’s mouth; therefore, Kitamaat was a place avoided until the first Haisla settled there.
A young Haisla girl sat on the riverbank and watched as a bullhead waited on the river’s bottom and let the current sweep eulachon into its wide mouth. The traditional net (tak-calth) used to fish eulachon also has a wide mouth and also tapers to a narrow end like a bullhead’s body. A bullhead is shown with a net-like pattern on its body, alluding to the tak-calth’s inspiration.”
-Lyle Wilson, 2016
-
-
Turning Point
Kelly Cannell
$500.00 CADSerigraph, Edition of 48
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Haida Sun
Clarence Mills
$95.00 CADSerigraph, Edition of 199
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
-
-
-
-
-
-
Thunderbird, Sun, Siustwl & Killerwhales
Chris Kewistep
$1,400.00 CADAcrylic paint on board
2016
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Tzinquaw (Thunderbird) [Framed]
Maynard Johnny Jr.
$2,650.00 CADAcrylic on Acid-free paper
2018
Framed
-
-
Call of the Wolf
Maynard Johnny Jr.
$300.00 CADSerigraph, Edition of 120
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Echo
Ben Davidson
$475.00 CADSerigraph, Edition of 21
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
“My father’s understanding of Greatest Echo, is that this supernatural being has the ability to echo the past and bring it into the future. We dance the Greatest Echo masks to remind ourselves of our responsibility to learn the knowledge of the previous generations and to make that knowledge meaningful in our daily lives.
Yellow is echoed in each of these [designs]. It represents the knowledge of our ancestors. Our knowledge was strong before contact. It was passed from generation to generation without threat. Attempts to assimilate us and erase our identities through colonization resulted in our knowledge being muted; this was a dark period in our history. However, despite this, we continued to pass on our knowledge to our children.
Today, our connection to this ancient knowledge is emerging once again. We must continue to move forward, but, as my tsinii told my father, ‘You have to look back once and a while to see where you came from, so you can always find your way back.’”
– Ben Davidson, 2018
-
Supreme Echo
Ben Davidson
$475.00 CADSerigraph, Edition of 21
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
“My father’s understanding of Greatest Echo, is that this supernatural being has the ability to echo the past and bring it into the future. We dance the Greatest Echo masks to remind ourselves of our responsibility to learn the knowledge of the previous generations and to make that knowledge meaningful in our daily lives.
Yellow is echoed in each of these [designs]. It represents the knowledge of our ancestors. Our knowledge was strong before contact. It was passed from generation to generation without threat. Attempts to assimilate us and erase our identities through colonization resulted in our knowledge being muted; this was a dark period in our history. However, despite this, we continued to pass on our knowledge to our children.
Today, our connection to this ancient knowledge is emerging once again. We must continue to move forward, but, as my tsinii told my father, ‘You have to look back once and a while to see where you came from, so you can always find your way back.’”
– Ben Davidson, 2018
-
-
-
-
Ghuuts
Ernest Swanson
$400.00 CADSerigraph, Edition of 100
2018
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Songs of Salmon People
lessLIE Sam
$350.00 CADSerigraph, Edition of 50
Unframed
(For inquiries on custom framing, please contact the gallery)
-
-
-
-
-
-
-
Bear Stepping Into Itself
Cori Savard
$250.00 CADSerigraph, Edition of 200
2018
Unframed
“A bear will follow the same tracks laid down by the bears who went before them. They also stomp out trails of their own within their territory. As I carve out my own trail, I cross into the tracks laid down before me. The cream colour painted over the paper pays homage to early Haida printmaking, while the layout of the bear follows the form of classic bracelet designs. The red lines are a mixture of elements from painted woven basketry, and details observed in argillite carvings.” – Cori Savard, 2018
(For inquiries on custom framing, please contact the gallery)
-
-
-
Ever-Changing Sea State II
Susan Point
$1,200.00 CADSerigraph, Edition of 50
State II/II
2018
Unframed
-
-
-
Hummingbirds [Framed]
Ben Houstie
$930.00 CADOriginal, Acrylic paint on Acid-free paper
2017
Framed
-
Hummingbirds [Framed]
Ben Houstie
$930.00 CADOriginal, Acrylic paint on Acid-free paper
2017
Framed
-
-
Tide Walker
Ben Davidson
$850.00 CADSerigraph, Edition of 77
2017
Unframed
(For inquiries on custom framing, please contact the gallery)
Ben Davidson’s Tide Walker is a remarkably expressive serigraph by one of the Northwest Coast’s foremost artists. The blend of traditional and contemporary formlines, as well as the use of rich and saturated colour, joins to create an aesthetic that is distinctly a Ben Davidson work.
Below are the artist’s own words regarding this piece:
“Tide Walker exists in the space between the land and the ocean. From afar, he appears as a dorsal fin, so we imagine his body beneath the waves. We are so desperate to be the first to see the killer whale that we allow our minds to complete his story before we have time to determine the truth. We are so swiftly lured into believing the surface story that we rarely take time to consider what lies beneath.” (Davidson, 2017).
Ben Davidson is an internationally-renowned contemporary First Nations artist. He is the son of Robert Davidson, also of international fame. Ben stays true to his Haida ancestry, while always pushing the boundaries of traditional artwork.
-
Bentwood Box Design
Joseph Campbell
$70.00 CADGiclee, Edition of 150
2017
Unframed
(For inquiries on custom framing, please contact the gallery)