NWC Framed Prints & Originals
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Arctic Eclipse (Printer’s Proof) [Framed]
Susan Point RCA
CA$2,600.00Serigraph, Edition II of II
1999
Framed
Printer’s Proof (PP) – The print the Master Printer is entitled to keep out of the edition as a record of the work done.
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New Dawn State II – Yellow [Framed]
Susan Point RCA
CA$1,750.00Serigraph, State II, Edition of 70
2020
Framed
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Supernatural Beings [Framed]
Robert Davidson RCA
CA$2,500.00Serigraph, Edition of 79
2019
Framed
“Supernatural Beings is one of two designs that I did based on a discussion with artist/weaver Cheryl Samuel about pushing the design possibilities for robes and aprons. I received feedback from the weavers that it could not be done but also interest from some who were willing to try.” – Robert Davidson
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Iinang Xaadee – Jaadaa (Young Woman) II [Framed]
April White
CA$585.00Serigraph, Edition of 55
2016
Framed
“For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.
Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White
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Robins State II – Red [Framed]
Susan Point RCA
CA$3,105.00Serigraph, Edition of 50
State 2 of 2
2017
Framed
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Eulachon Canoe Mountain [Framed]
Lyle Wilson
CA$715.00Intaglio Print on acid-free paper
Edition of 50
2016
13 x 11.5″ (Paper size)
7 x 5.25″ (Image size)
16.5 x 15 x 1.25″ (framed size)
“My first experience actually seeing traditional carving in situ was fishing eulachon at Kemano. I saw graveyard memorials (ah-aluuch-tin): grey, weather-beaten and somewhat moss-covered, but very impressive in their natural state and site. Although I didn’t know it at the time, it was part of the beginning of my life-long interest in Haisla culture.
The eulachon fish are special to the Haisla people. At Kitamaat, there is a mountain that has a dip in its outline which the Haisla liken to a canoe. When the sun set in this ‘canoe-dip,’ that signaled that the eulachon were about to spawn in the Kitamaat River and all the Haisla eagerly awaited them!
The wildlife that also pursued eulachon was a true natural phenomenon: eagles, seals, sea lions, crows, ravens, seagulls, otters, mink, sawbill ducks, halibut, porpoises, bullheads, and undoubtedly many others one couldn’t see! To represent all of these creatures in one image, a raven, seagull, sea lion and bullhead are shown, each with an eulachon close to their mouths.
The sea gull is important because Haisla history likened the thousands of gulls flying around the estuary of the Kitmaat River to a giant monster’s mouth; therefore, Kitamaat was a place avoided until the first Haisla settled there.
A young Haisla girl sat on the riverbank and watched as a bullhead waited on the river’s bottom and let the current sweep eulachon into its wide mouth. The traditional net (tak-calth) used to fish eulachon also has a wide mouth and also tapers to a narrow end like a bullhead’s body. A bullhead is shown with a net-like pattern on its body, alluding to the tak-calth’s inspiration.”
-Lyle Wilson, 2016
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Volcano Woman [Framed]
Chester (Chaz) Patrick
CA$1,850.00Acrylic paint on Acid-free paper
2003
Framed
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