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  • Haida Wolf

    Lyle Campbell

    CA$400.00

    Serigraph, Edition of 95

    2019

    Unframed

    (For inquiries on custom framing, please contact the gallery)

    This Modern Design represents a Haida Wolf. The Wolf is running through the forest at night. Hence, one finds the Moon in the upper right corner of the image and the Wolf’s claw below the jawline. Wolves are not found on Haida Gwaii, in history we have acquired the ‘Wolf Clan’ through trade and connections with large established families on the mainland.” – Lyle Campbell, 2019

  • Supreme Echo (SP)

    Ben Davidson

    Price upon request

    Serigraph, State Proof II

    2018

    Unframed

    (For inquiries on custom framing, please contact the gallery)

    My father’s understanding of Greatest Echo, is that this supernatural being has the ability to echo the past and bring it into the future. We dance the Greatest Echo masks to remind ourselves of our responsibility to learn the knowledge of the previous generations and to make that knowledge meaningful in our daily lives.

    Yellow is echoed in each of these [designs]. It represents the knowledge of our ancestors. Our knowledge was strong before contact. It was passed from generation to generation without threat. Attempts to assimilate us and erase our identities through colonization resulted in our knowledge being muted; this was a dark period in our history. However, despite this, we continued to pass on our knowledge to our children.

    Today, our connection to this ancient knowledge is emerging once again. We must continue to move forward, but, as my tsinii told my father, ‘You have to look back once and a while to see where you came from, so you can always find your way back.’”

    – Ben Davidson, 2018

  • Echo (SP)

    Ben Davidson

    Price upon request

    Serigraph, State Proof I

    2018

    Unframed

    (For inquiries on custom framing, please contact the gallery)

    My father’s understanding of Greatest Echo, is that this supernatural being has the ability to echo the past and bring it into the future. We dance the Greatest Echo masks to remind ourselves of our responsibility to learn the knowledge of the previous generations and to make that knowledge meaningful in our daily lives.

    Yellow is echoed in each of these [designs]. It represents the knowledge of our ancestors. Our knowledge was strong before contact. It was passed from generation to generation without threat. Attempts to assimilate us and erase our identities through colonization resulted in our knowledge being muted; this was a dark period in our history. However, despite this, we continued to pass on our knowledge to our children.

    Today, our connection to this ancient knowledge is emerging once again. We must continue to move forward, but, as my tsinii told my father, ‘You have to look back once and a while to see where you came from, so you can always find your way back.’”

    – Ben Davidson, 2018

  • Butterfly – Blue

    Karla L. West

    CA$120.00

    Serigraph, Edition of 200

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Tree Frog

    Maynard Johnny Jr.

    CA$250.00

    Serigraph, Edition of 70

    2019

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Łagigyet (Eagle & Killerwhale)

    Philip Gray

    CA$450.00

    Serigraph, Edition of 75

    2018

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Killerwhale

    Philip Gray

    CA$280.00

    Serigraph, Edition of 120

    2008

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Iinang Xaadee – Jaadaa (Young Woman) II [Framed]

    April White

    CA$585.00

    Serigraph, Edition of 55

    2016

    Framed

    “For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.

    Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White

  • Iinang Xaadee – Jaadaa (Young Woman) II

    April White

    CA$225.00

    Serigraph, Edition of 55

    2016

    Unframed

    (For inquiries on custom framing, please contact the gallery)

    “For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.

    Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White

  • Iinang Xaadee – Kun (Humpback) II

    April White

    SOLD

    Serigraph, Edition of 55

    2016

    Unframed

    (For inquiries on custom framing, please contact the gallery)

    “For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.

    Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White

  • Iinang Xaadee – Guud (Eagle) II

    April White

    CA$225.00

    Serigraph, Edition of 55

    2016

    Unframed

    (For inquiries on custom framing, please contact the gallery)

    “For my ancestors, the primary purpose of art is to unveil a parallel reality that is visible only in our minds—to share a glimpse of Supernatural Beings, with the world of Human Beings. Educated in science and with a spirit drawn to art, I see Earth as one great Being—with rock as a skeleton and running water as veins and arteries, great oceans as hearts—sustaining ecosystems. All as an interconnected biome—a web of life living, at least on the surface, symbiotically… as prey, and as predator.

    Iinang Xaadee—Herring People play a vital role in the ecosystem. They nurture, feed, give of themselves to keep beings alive in all realms— undersea, earth, and sky. When balance prevails, Herring People gather to dance in their great longhouse in such great numbers and with such vigour that the atmosphere overhead reverberates with their excitement. Now, Human Beings see Herring solely as a resource, blinded, not seeing their true value, only seeing monetary gain at the expense of the whole.” – April White

  • Haida Sun

    Clarence Mills

    CA$100.00

    Serigraph, Edition of 199

    2018

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Vanishing Point

    Susan Point RCA

    SOLD

    Serigraph, Edition of 85

    2018

    Unframed

    (For inquiries on custom framing, please contact the gallery)

    Vanishing Point is a dynamic print by Susan Point that portrays a beautiful symphony of aquatic animals. One can find sharks, whales, and dolphins all swirling together in a traditional Coast Salish whorl design.

  • Frog with Human Spirit

    Richard Shorty

    CA$150.00

    Serigraph, Edition of 250

    2008

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Feeding Time

    Richard Shorty

    CA$125.00

    Serigraph, Edition of 300

    2017

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Tide Walker

    Ben Davidson

    Price upon request

    Serigraph, Edition of 77

    2017

    Unframed

    (For inquiries on custom framing, please contact the gallery)

    Ben Davidson’s Tide Walker is a remarkably expressive serigraph by one of the Northwest Coast’s foremost artists. The blend of traditional and contemporary formlines, as well as the use of rich and saturated colour, joins to create an aesthetic that is distinctly a Ben Davidson work.

     

    Below are the artist’s own words regarding this piece:

    “Tide Walker exists in the space between the land and the ocean. From afar, he appears as a dorsal fin, so we imagine his body beneath the waves. We are so desperate to be the first to see the killer whale that we allow our minds to complete his story before we have time to determine the truth. We are so swiftly lured into believing the surface story that we rarely take time to consider what lies beneath.” (Davidson, 2017).

    Ben Davidson is an internationally-renowned contemporary First Nations artist. He is the son of Robert Davidson, also of international fame. Ben stays true to his Haida ancestry, while always pushing the boundaries of traditional artwork.

  • Rise Up with Wings as Eagle

    Richard Shorty

    CA$150.00

    Serigraph, Edition of 250

    2006

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Winter Warrior

    Andy Everson

    CA$250.00

    Giclee, Edition of 99

    2015

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Robins State I – Black

    Susan Point RCA

    CA$2,280.00

    Serigraph, Edition of 50

    State 1 of 2

    2017

    Unframed

    (For inquiries on custom framing, please contact the gallery)

  • Eulachon Canoe Mountain [Framed]

    Lyle Wilson

    CA$715.00

    Intaglio Print on acid-free paper

    Edition of 50

    2016

    13 x 11.5″ (Paper size)

    7 x 5.25″ (Image size)

    16.5 x 15 x 1.25″ (framed size)

    “My first experience actually seeing traditional carving in situ was fishing eulachon at Kemano. I saw graveyard memorials (ah-aluuch-tin): grey, weather-beaten and somewhat moss-covered, but very impressive in their natural state and site. Although I didn’t know it at the time, it was part of the beginning of my life-long interest in Haisla culture.

    The eulachon fish are special to the Haisla people. At Kitamaat, there is a mountain that has a dip in its outline which the Haisla liken to a canoe. When the sun set in this ‘canoe-dip,’ that signaled that the eulachon were about to spawn in the Kitamaat River and all the Haisla eagerly awaited them!

    The wildlife that also pursued eulachon was a true natural phenomenon: eagles, seals, sea lions, crows, ravens, seagulls, otters, mink, sawbill ducks, halibut, porpoises, bullheads, and undoubtedly many others one couldn’t see! To represent all of these creatures in one image, a raven, seagull, sea lion and bullhead are shown, each with an eulachon close to their mouths.

    The sea gull is important because Haisla history likened the thousands of gulls flying around the estuary of the Kitmaat River to a giant monster’s mouth; therefore, Kitamaat was a place avoided until the first Haisla settled there.

    A young Haisla girl sat on the riverbank and watched as a bullhead waited on the river’s bottom and let the current sweep eulachon into its wide mouth. The traditional net (tak-calth) used to fish eulachon also has a wide mouth and also tapers to a narrow end like a bullhead’s body. A bullhead is shown with a net-like pattern on its body, alluding to the tak-calth’s inspiration.”

    -Lyle Wilson, 2016

     

  • Eulachon Canoe Mountain

    Lyle Wilson

    CA$425.00

    Intaglio Print on acid-free paper

    Edition of 50

    2016

    Unframed

    (For inquiries on custom framing, please contact the gallery)

    13 x 11.5″ (Paper size)

    7 x 5.25″ (Image size)

    My first experience actually seeing traditional carving in situ was fishing eulachon at Kemano. I saw graveyard memorials (ah-aluuch-tin): grey, weather-beaten and somewhat moss-covered, but very impressive in their natural state and site. Although I didn’t know it at the time, it was part of the beginning of my life-long interest in Haisla culture.

    The eulachon fish are special to the Haisla people. At Kitamaat, there is a mountain that has a dip in its outline which the Haisla liken to a canoe. When the sun set in this ‘canoe-dip,’ that signaled that the eulachon were about to spawn in the Kitamaat River and all the Haisla eagerly awaited them!

    The wildlife that also pursued eulachon was a true natural phenomenon: eagles, seals, sea lions, crows, ravens, seagulls, otters, mink, sawbill ducks, halibut, porpoises, bullheads, and undoubtedly many others one couldn’t see! To represent all of these creatures in one image, a raven, seagull, sea lion and bullhead are shown, each with an eulachon close to their mouths.

    The sea gull is important because Haisla history likened the thousands of gulls flying around the estuary of the Kitmaat River to a giant monster’s mouth; therefore, Kitamaat was a place avoided until the first Haisla settled there.

    A young Haisla girl sat on the riverbank and watched as a bullhead waited on the river’s bottom and let the current sweep eulachon into its wide mouth. The traditional net (tak-calth) used to fish eulachon also has a wide mouth and also tapers to a narrow end like a bullhead’s body. A bullhead is shown with a net-like pattern on its body, alluding to the tak-calth’s inspiration.” – Lyle Wilson, 2016

     

  • Kwikwetlem Harvest

    Maynard Johnny Jr.

    CA$450.00

    Serigraph, Edition of 100

    Unframed

    (For inquiries on Custom Framing, please contact the gallery)

  • Changing Seasons State I (Dawn)

    Susan Point RCA

    CA$800.00

    Serigraph, Edition of 75

    State I of II

    2015

    (For inquiries on custom framing, please contact the gallery)

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