Northwest Coast
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Red Killerwhale Panel
Don Yeomans
CA$16,000.00Red Cedar wood, Acrylic paint
“In 1978, I did my first silkscreen print design. It was a red formlined transforming Raven. The people I showed it to said it was not traditional, as most designs have black formline and red fillers. Out of fear, I did a traditional Dogfish and released it together with my so-called radical red Raven.
To this day, red formlines make me a little nervous – but with this Killerwhale being one of my first uses of undulating formline, I needed to be bold. People believe confidence is the absence of fear when it comes to being accepted. In my experience, the fear never leaves, you just keep your nerves to yourself. Maybe that’s why it’s called ‘self-confidence’.” – Don Yeomans
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‘Three Hummingbirds’ Panel
Don Yeomans
CA$16,000.00Red Cedar wood
“Our backyard is a constant swarm of hummingbirds [that] gathers around the feeder. Two hummingbirds can sometimes share, but three birds on one feeder is war.
In this panel design, there are three sections of wings and feet, while the central area has a pinwheel-like arrangement indicating three mouths and beaks. In the very centre is one eye, which, ironically, they share despite battling over one feeder.” – Don Yeomans
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“Sunrise” Cast Mask
Kyran Yeomans
CA$15,000.00Bronze Cast
Edition of 12
24 x 24 x 10″ (mask only)
28.5 x 26 x 15.5″ (including base)
“It seems, at times, the material will give direction to what will come. This was the case for this piece. As it became clearer that it was to become a sun figure, the idea of it being a companion for a moon piece I had done many years previously excited me. The timing possesses a feeling of cosmic intention to it, a cyclical weight.
Arriving after ten years of darkness, the sun appears, bringing with it a new season. Life awakening after hibernation, new green finding its way into being, spring. Illumination. Newness. Difference. Balance. Growth, in all its awkwardness and vulnerability. Foreshadowing.
I [wrote] these words in the summer of 2021, after welcoming my son into this world a few weeks ago. I look back and see this piece giving me a big empyrean wink. May it warm and light your space and voyage through these three dimensions (…and beyond).” – Kyran Yeomans
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“Sunrise” Cast Mask
Kyran Yeomans
CA$15,000.00Bronze Cast
Edition of 12
“It seems, at times, the material will give direction to what will come. This was the case for this piece. As it became clearer that it was to become a sun figure, the idea of it being a companion for a moon piece I had done many years previously excited me. The timing possesses a feeling of cosmic intention to it, a cyclical weight.
Arriving after ten years of darkness, the sun appears, bringing with it a new season. Life awakening after hibernation, new green finding its way into being, spring. Illumination. Newness. Difference. Balance. Growth, in all its awkwardness and vulnerability. Foreshadowing.
I [wrote] these words in the summer of 2021, after welcoming my son into this world a few weeks ago. I look back and see this piece giving me a big empyrean wink. May it warm and light your space and voyage through these three dimensions (…and beyond).” – Kyran Yeomans
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Moon & Ravens Mask
Don Yeomans
CA$15,000.00Cast Forton, Edition of 12
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“When I decided to carve a Moon mask, I wanted it to depict something beyond Haida legend. Traditionally, Raven is represented with the Sun and Moon because of his role in placing these heavenly elements into our sky. With my mask, the female Moon is surrounded by two Ravens – a male and female. They represent myself and my wife Trace, as we are both from the Haida Raven clan. Looking at the stars and moon on clear nights just happens to be one of our favourite things to do.” – Don Yeomans
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Deconstructed Eagle Panel
Don Yeomans
CA$15,000.00Yellow Cedar wood
“This is one of the first pieces I carved for this show. It was abstract, in the sense that the parts of the bird had been rearranged to fit the circle. The main idea was to showcase a new style of design, where I use what I call, ‘undulating formline’. Traditional design uses shapes called ovoids and u-shapes, which in themselves are complete elements. In this new style, my elements go under and over and through. My first drawing of this style came to me about 20 years ago. Only in recent years have I been able to carve it to the level I imagined it at.” – Don Yeomans
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Gagiid Mask
Reg Davidson
CA$14,500.00Red Cedar wood, Yellow Cedar wood, Acrylic paint, Horse hair
Gagiid is a wild, otherworldly creature who has been transformed through a traumatic maritime experience. Some believe that he can be found lurking on the forest edge and near streams, collecting the souls of the drowned and trying to persuade unwitting humans to eat his ghostly food, causing them to become otherworldly like him. However, it is not all doom and gloom – as with any transformation, it is possible for Gagiid to be tamed and re-enter the human world again.
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82. Frog Basket
Isabel Rorick RCA
CA$12,800.00Spruce root, Acrylic paint
Hand-painted by Alfred Adams (Isabel’s brother)
3.25 x 4.5 x 4.5″
Isabel Rorick comes from a long line of weavers, including her great-grandmother Isabella Edenshaw; her grandmother, Selina Peratrovich; her mother, Primrose Adams, and her Aunt, Delores Churchill. Using the Haida language of form, Isabel incorporates many traditional designs into her baskets and hats, like that of the dragonfly, raven’s tail, and spider web or slug trail.
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Eagle Panel
Don Yeomans
CA$12,500.00Yellow Cedar, Acrylic paint
The Eagle is seen as a symbol of prestige, power, peace, wisdom and friendship. Eagles one of the most prominent beings in the art and mythology of Pacific Northwest Coast Indigenous culture, and claim both honour and high stature. They are respected for their intelligence, grace, and power, and can be associated with freedom and lofty pursuits. In artwork, the figure can be easily recognized by its hooked beak.
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Raven Cod Lure
Luke Marston
CA$12,500.00Red Cedar wood, Yellow Cedar wood, Cedar bark, Copper, Stone, Acrylic paint
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“Raven Transforming” Triptych [Framed]
Trace Yeomans
CA$12,000.00Left Panel: Ultrasuede appliqué on board
Centre Panel: Red Cedar wood, Acrylic paint, Carved
Right Panel: Acrylic paint on board
2021
Framed
25.75 x 21.5 x 2.25″ (each panel)
25.75 x 64.5 x 2.25″ (entire triptych)
“I called this triptych ‘Raven Transforming’ because the design continuously transforms from one medium to another to form a complete Raven design.
This was a fun set to work on – each panel being a completely different medium created a bit of a challenge to keep all of the pieces aligning where they meet. This meant checking several times throughout the process of each panel. I was pleased with the way these came together in the end.” – Trace Yeomans -
Watchmen with Raven, Seabear, Killerwhale and Octopus Tusk Sculpture
Gary Olver
CA$12,000.00Walrus Tusk Ivory, Abalone Shell
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
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Raven Transformation Mask
Barry Scow
CA$11,500.00Red Cedar wood, Abalone shell, Feathers, Cedar bark, Acrylic paint
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Shaman Transformation Mask
Moy Sutherland
CA$11,000.00Alder wood, Cedar bark, Horse Hair, Abalone shell, Acrylic paint
Articulated
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Communal Hunters Panel
Philip Gray
SOLDRed Cedar wood, Acrylic paint
SOLD – For artist commission inquiries, please contact us at [email protected]
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Dogfish Berry Basket
Merle Andersen
CA$10,800.00Cedar Bark, Acrylic paint
Painted by Alfred Adams
Merle is a Haida Weaver and Regalia artist from Haida Gwaai, BC, Canada. San’laa gudgaang is her Haida name and Yaguu’janaas is the name of her affiliated clan. She uses Cedar Bark, Spruce Root, and Sewn Regalia as her mediums. Merle’s grandmother, Isabella Edenshaw, and mother, Florence Davidson, were both weavers, while her grandfather, Charles Edenshaw, was a master carver, and her father, Robert Davidson Sr., was a carver in his own right. Merle received her traditional training under her mother and two of her sisters, as well as under Haida weavers April and Holly Churchill.