Northwest Coast
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Where Air Meets Water: The Eagle and Killerwhale Panel
Corrine Hunt
Price upon requestBone ash, graphite and aluminum composite
Limited edition of 9
Please ask us about custom orders
In this panel design Corrine Hunt has propelled her use of the medium in such a way that she invites a ‘contemporary’ perception of form. The panel is made from a composite of bone ash, graphite, and aluminum; the organic black colour coming from the ash. The panel itself has been cut from a technically controlled machine, and then has been hand-finished and polished to a luminous sheen.
Corrine’s concept for the panel is based upon the physical depiction of air meeting water; a drop of water which creates a swirl as the air affects its surface. The whorl-shape created by this abstract notion has produced the forms of an Eagle, on the upper left side of the panel, and an Orca; it’s body elusively curving around the right side of the panel. Corrine has continued to play with the whirlpool concept by introducing echoing shapes and forms that reflect across the surface of the panel and invite the viewer to explore the “water’s” surface.
In First Nations art and culture, the Eagle is seen as the symbol of status, power, peace, and friendship, whilst the Killerwhale is revered for its powerful hunting ability and is considered to be the sea manifestation of the Wolf. Both in legend and in the wild, the Killerwhale guards its family for a lifetime. Again, the artist is working around the model of “Air meeting Water”, both visually and in her choice of crest figures.
The artist’s intention in her design is to mesmerize the viewer; she combines traditional formlines of the Northwest Coast with the interpretive concepts of post modernism, allowing the eye to move seamlessly and always see something new.
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Killerwhale Ring
Corrine Hunt
Price upon request14K White Gold, Sapphire, Engraved
Width: 5/16″
Size: 7.5 -
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35. Raven and His Family Mask
Ben Davidson
Price upon requestCast Forton, Aluminum paint, simulated “Gun Metal” patina finish
Limited Edition of 9
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Eagle’s Play Glass Rattle
Susan Point RCA
Price upon requestHand blown glass, Red Cedar wood base
This beautiful contemporary rattle is made with hand-blown glass, an example of Susan Point’s balance between traditional and contemporary styles. It demonstrates her ability to diversify, yet reveals her respect for tradition and ancient mythology. Based on an ancient implement, a spindle whorl was used for spinning wool into yarn for the process of creating fine woolen blankets.
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Eagle & Killerwhale Bangle Bracelet
Corrine Hunt
Price upon request14K Yellow Gold, Engraved
Solid Bangle, Heavy Gauge -
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Eagle Ring
Philip Janze
Price upon request14K Yellow Gold, Cast, Engraved
Domed, Tapered
Width: 3/8″
Size: 5.5 -
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Ceremonial Talking Stick
Dr. Richard Hunt RCA
Price upon requestRed Cedar wood, Abalone shell (over 150 individual inlaid pieces), Acrylic paint
More images available upon request.
69 x 12 x 11″ (including base)
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Hawk Moon Pendant
Rick Adkins
Price upon request22K Yellow Gold, Abalone shell, Cast
Edition of 12
2007 -
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Pookmis Mask
Douglas David
Price upon requestYellow Cedar wood, Cedar bark, Feathers, Acrylic paint
27 x 13 x 6″ (including bark)
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Eagle Ring
Jim Hart RCA
Price upon request18K Yellow Gold, 14pt Diamond, Bezel Setting
Cast & Reworked by Hand
Width: 3/8″
Size: 11 -
Wolf Headdress
Tom Eneas
Price upon requestRed Cedar wood, Abalone shell, Fur, Acrylic paint
On stand
19 x 7.5 x 21.5″ (including fur)
27.5 x 8 x 21.5″ (including stand)
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3. Eagle, Killerwhale, Bear & Frog Model Pole
Christian White
Price upon requestArgillite, Catlinite, Abalone shell
Argillite is grey colour and a relatively soft stone to carve which hardens over time as it begins to oxidize once removed from the mine. As it is relatively a limited resource, it is difficult to obtain large pieces from the quarry. Apart from small totem poles like this, the kinds of objects carved from Argillite include plates with carved and incised designs, pendants, pipes, small boxes, and sculptured figures.
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Cod Swallowing the Moon Panel
Joe David
Price upon requestRed Cedar wood, Bronze cast, Acrylic paint
This panel is created from one single piece of Cedar wood, which is a minimum of 500 years old.
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Crooked Beak, Hok Hok, and Ravens Hamasta Mask
Donald Svanvik
Price upon requestRed Cedar wood, Cedar bark, Acrylic paint
Articulated Mask
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“After the Ancients” Bracelet
Lyle Wilson
Price upon requestSterling silver, Textured, Engraved, Repoussé, Chased
Hinged with Sterling silver Catch
2015“Exploring one’s roots brings a healthy appreciation of one’s place in the scheme of things. The Pacific Northwest Coast (PNC) formline has undergone changes over the passage of time. What I wanted to do was to pay homage to that earlier, cleaner, straightforward, massive look of PNC art because it captures the sense of that era’s time. I learned from what work they left behind and so it impacts the work I do today.
In this bracelet, a mixture of modern techniques – repoussé, chasing, engraving, texturing, fabrication – has been added to a deceptively simple facial image that’s present on early traditional bent-boxes; a face thought to represent a supernatural guardian of any treasures contained within the box.
For me, and for this exhibition, this style of PNC imagery depiction on a bracelet seemed to be something that had a sense of inevitability because I have such admiration and respect for ancient PNC artists”
-Lyle Wilson, 2016
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Iksduq’iya & Qolun (Eagle & Beaver) Box
Lyle Wilson
Price upon requestSterling Silver, Engraved and Textured on Hollow-ware2015
“My father’s Eagle Clan adopted me, but I was actually born into my mother’s Beaver Clan. Since the Haisla followed a matrilineal system, whereby every child was automatically included into its mother’s clan, my unusual adoption was due to the circumstances of the Eagle Clan having so many of its members die. Due to the early and unfamiliar diseases, everyone feared the clan would eventually become extinct.
I’ve always loved the look of a full-size, traditional wooden bent-box and liked the idea of a smaller, silver box using the same traditional proportions. It adds a unique sculptural look to any small box which, once seen, becomes a more appreciated detail with every subsequent examination. The box’s construction technique is very deceptive; it looks solid but is actually a box-within-a-box, with the hollow spaces between each ‘box’ allowing for visually thicker walls. For this box, I decided to honor my connections to both Haisla Clans – Beaver and Eagle – by engraving each on one-half of the box. The box’s lid has another Eagle engraved on the top, and the Halibut, a sub-crest shared by both clans, is engraved around the edges.”
-Lyle Wilson, 2016
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