Red Cedar wood, Acrylic paint

Yellow Cedar wood, Acrylic paint

Sesyaz Saunders’ Eagle Panel is an elegant work showcasing classic Pacific Northwest Coast formline design. The distinctive shapes are crisply carved into a beautiful yellow cedar panel, and the formlines have been highlighted with acrylic paint that follows the red and black color-scheme commonly seen in historic northern artworks. The end result is an outstanding panel honouring the artistic traditions of Pacific Northwest peoples.

Red Cedar wood, Abalone shell, Acrylic paint

Moy Sutherland’s Eagle Panel constitutes a captivating depiction of a powerful Pacific Northwest Coast figure. By utilizing the full surface of the panel, Moy manages to display the Eagle figure in its entirety, and allows for an extraordinary level of detail throughout the piece. Combined with a unique shade of green and generous use of brilliant Abalone inlay, the final result is a remarkably striking work of art.

The Eagle is seen as a symbol of prestige, power, peace, wisdom and friendship. Eagles are one of the most prominent beings in the art and mythology of Pacific Northwest Coast Indigenous culture, and claim both honour and high stature. They are respected for their intelligence, grace, and power, and can be associated with freedom and lofty pursuits. In artwork, this creature can be easily recognized by its hooked beak.

Moy has learned his craft from both Kwakwaka’wakw and Nuu-chah-nulth artists, and has used this experience to broaden his understanding of all Pacific Northwest Coast First Nations’ art forms. Although he is very mindful of staying within the traditional rules and values of his culture, he strives to find ways to set himself apart from other artists. He enjoys exploring different media and he is refining his own unique style, both with modern and traditional techniques. For Moy, his art is very deeply rooted in his culture. He finds it both spiritually rewarding and educational.

Red Cedar wood

Deviating from the opulence that typically characterizes his work, Moy Sutherland’s Humpback Whale Panel utilizes a more minimalist artistic approach which highlights the richness of red cedar wood.

Cedar wood is the most traditionally used medium in Pacific Northwest Coast art, and often the artists’ diligently carved designs are highlighted with colourful paint. Cedar is strong, lightweight, and extremely versatile. These qualities lend themselves well to carving, and result in a wood that can be used to create a wide variety of objects. Although painted panels are beautiful in their own right, they tend to distract from the natural beauty of the medium itself. In contrast, the elegant simplicity of this Humpback Whale Panel allows this natural beauty to take centre stage.

Historically, whaling was an important subsistence practice for the Nuu-cha-nulth people, and played a pervasive role in their social and economic systems. Alongside the California grey whale, Humpback whales were one of the species most commonly hunted by Indigenous communities in the region. While Humpback whales are not often depicted in Pacific Northwest Coast art, Grey and Humpback whales, as well as other imagery related to whaling, play a significant role in the artistic traditions of the Nuu-chah-nulth.

Moy Sutherland has learned his craft from both Kwakwaka’wakw and Nuu-chah-nulth artists, and has used this experience to broaden his understanding of all Pacific Northwest Coast First Nations’ art forms. Although he is very mindful of staying within the traditional rules and values of his culture, he strives to find ways to set himself apart from other artists. He enjoys exploring different media and he is refining his own unique style, both with modern and traditional techniques. For Moy, his art is very deeply rooted in his culture. He finds it both spiritually rewarding and educational.

Yellow Cedar wood

Yellow Cedar wood

Cast Forton

Limited edition of 12

Reclaimed Red Cedar wood, Copper, Acrylic paint