Availability: Only 1 available
23K Yellow Gold, Abalone shell, Engraved
Only 1 available
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- Additional Information
- Artist Bio
23K Yellow Gold, Abalone shell, Engraved
|Dimensions||2.25 x 1.5 "|
David Neel has been creating art in the Kwakwaka’wakw style for over thirty years. His paintings, printmaking, carvings, and jewelry are all informed by his heritage, which includes several successful artists: Dave Neel Sr., his father; Ellen Neel, his grandmother; Mungo Martin, his great-great uncle; and Charlie James, his great-great-great grandfather. While many of his pieces are more contemporary in their material and design, Neel learned carving in the traditional style by his family and peers in his father’s village.
While Neel portrays meaningful stories and traditional values in all of his pieces, he says he finds jewelry the most impactful art form. He appreciates the fact that clients attach their own meaning to his jewelry and that it is used to mark important, personal events in people’s lives.
Neel has exhibited his work in many public institutions, including solo exhibitions at: the National Portrait Gallery of Canada; The Smithsonian Institution – NMAI; the Venice Biennale, and his work is represented in numerous public collections. His children are following in family legacy; studying art at the Emily Carr University and working with their father.
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Argillite, Abalone Shell, Sterling Silver, Mastodon ivory
The Hawk takes its place in the supernatural spiritual world, inspiring unique designs for masks, rattles and jewelry. For the Haida Nation, it was used to represent the Thunderbird. Often associated with the Sun, the Hawk can be distinguished by its curled beak which curves to meet the tip of the lower jaw.
When the Raven brought light to the world, some versions of the legend say that it was the Hawk who made the Raven drop the box so it opened, releasing the Sun, Moon and Stars into the Universe.
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Other works by this artist
Serigraph, Edition of 50
(For inquiries on custom framing, please contact the gallery)
David Neel’s Box of Daylight uses the modern printmaking technique of serigraphy to create a deeply symbolic rendition of Raven bringing light to the world. In this classic tale, Raven resolved to steal the Sun from an old man who had been keeping it all to himself in an old cedar box. To do so, Raven transformed himself into cedar sprig, and fell into the water of the old man’s daughter. Shortly after drinking this water, the daughter gave birth to a baby boy, who the old man spoiled greatly. Eventually, this little boy convinced his grandfather to let him play with the old cedar box, which he took outside with him. The boy immediately transformed back into the Raven and stole the box away. However, as he was flying, a strong gust of wind blew the cedar box from his mouth, releasing the Sun into the sky. Here the Sun stayed, lighting the earth from that day on.
In this piece, David strives to capture the deeper nature of this ancient tale. As such, Box of Daylight depicts Raven releasing not the Sun, but the Seed of Life, from Sacred Geometry. David’s use of the Seed of Life, which has a profound spiritual significance, highlights the true meaning of the legend. The story of the Raven bringing light to the world, at its most fundamental level, is a metaphor for the creation of the universe. Thus, Box of Light, encoded with this age-old knowledge, offers a glimpse into an ancient world.
“There is a wealth of information in traditional Indigenous tales, which are part of a long-standing oral tradition… While the delivery of the age-old stories may change, the essence of the tradition remains the same.” ~David Neel