Ancestor Portrait Mask
Availability: Only 1 available
Red Cedar wood, Abalone shell, Acrylic paint, Horse hair
CA$8,400.00
Only 1 available
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- Description
- Additional Information
- Artist Bio
Red Cedar wood, Abalone shell, Acrylic paint, Horse hair
Dimensions | 21 x 15 x 8" (53.34 x 38.1 x 20.32cm) |
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Product Number | I-54669 |
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Artist | Henry Green |
Nation | Tsimshian Nation |
Description | Tsimshian Nation Henry Green was born in 1956 and raised in Port Simpson, on the coast of British Columbia. Raised within a family and community rich in tradition, Henry’s earliest training was with his father who introduced him to the trading language of Chinook. Green credits Haida artists Freda Diesing and Don Yeomans in particular for stimulating his interest in carving, and George Clutesi for developing his appreciation for storytelling. Henry Green has completed formal art training at the Emily Carr College of Art and Design in Vancouver, British Columbia (1986 – 87) and at the Institute of San Miguel D’Allende in Mexico (1982 – 83). As well as an exceptional designer, Henry Green is a highly accomplished engraver and carver. Henry is strongly committed to native education and land claim initiatives. Known for maintaining a traditional northern form along with achieving a great deal of relief carving within the context of jewelry, his work can be found in many private and corporate collections. Henry Green is a master carver and his work is highly sought by local and international collectors. |
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In his new book, The Way Home: David Neel, David features the full story of how the Bukwus figure came to be. As the story goes, there was once a group of villagers who went fishing for salmon together every fall. One man wanted to become a strong warrior, and would walk a great distance from their fishing camp each morning to bathe in the freezing mountain stream and purify himself. However, one morning, the man could not find his way back to the camp. No matter what he tried, he would always end up back at the mountain stream. His friends from the camp eventually went searching for him, but they were unable to find their friend.
Upon the group’s return to the fishing camp the following year, the man was spotted by two of the women while they were canoeing. They quickly ran back to the camp to tell the others, who went out the next day to search for him. To their shock, when they found their friend, they realized that he had become a Wildman. Although they tried to catch him, he jumped far above their heads and escaped back into the woods. After coming up with a plan, they returned the next day and managed to capture the man, though it took a dozen men to hold him down and bind him. With the help of a shaman, they were eventually able to tame their lost friend, and he returned to his life as a villager. Still, he remained stronger and faster than any other man, becoming a great warrior for his people.
David Neel’s Bukwus Mask exemplifies several of the distinct features traditionally used to depict this Wild Man of the Woods. The mask is given a shadowy, human-like form, emphasizes the attributes of the human skull. It is painted in dark colour tones that are commonly associated with the forest, and features deeply sunken eyes, a strong protruding brow, hollowed cheeks, and a hooked nose. During ceremonies, the firelight casts dark shadows across these features, creating ominous shadows that accentuate this creature’s dark nature.
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