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Cattle Bone in Sterling silver Bezel, Abalone shell
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- Additional Information
- Artist Bio
Cattle Bone in Sterling silver Bezel, Abalone shell
|Dimensions||1.75 x 1.25" (4.45 x 3.18cm)|
Born in 1955, Lyle Wilson is a Haisla artist from Kitamaat Village, which is near the town site of Kitimat, British Columbia, Canada. The Haisla Nation is often referred to as Northern Kwakwaka’wakw; however, their historic artistic style has influences from various sources – notably Kwakwaka’wakw and Tsimshian, as well as developing distinctive qualities of their own. The name Kitamaat means, “People of the Snow” and refers to the large amount of snow received by this region. Tsimshian people visiting the Haisla people in mid-winter arrived to see people emerging from big houses completely buried by the snow so the name Kitamaat seemed an appropriate description.
The Haisla Clan system is matrilineal and although he was born into the Beaver Clan, Lyle was formally adopted into his father’s Eagle Clan. Due to the high death rates at this time, his Eagle grandmother formally adopted both Lyle and his sister to help ensure the continuation of the Eagle Clan. This was a small but important event, which helped shape Lyle’s view of Haisla culture.
Lyle was always conscious and appreciative of Haisla art, which was present in his formative years. In this regard, his first artistic influence was his uncle, Sam Robinson, who is a full-time carver. Fascinated, Lyle watched him and occasionally whittled to the best of this abilities. He did not pursue art as a possible profession until he attended the University of British Columbia. At this time, he committed to a career in art education, but found time spent in the studio more compelling – eventually leaving to pursue his own artistic interests at the Emily Carr College of Art and Design. He graduated with a diploma in printmaking and began to develop his individual style. This artistic style has its roots in graphics, but also envelopes his three-dimensional works in wood and jewelry.
Today, a renowned artist, Lyle works closely with University of British Columbia’s Museum of Anthropology where he has further pursued his interest in replicating historic Haisla art for future generations to understand and visualize. Lyle has been involved with many important private and public commissions that have aided in the awareness of Haisla art.
Additionally, he has been involved in a number of group and solo exhibitions since 1981 both locally and abroad. Some of his public commissions can be viewed at the Museum of Anthropology, BC Sports Hall of Fame, Canadian Consulate in Osaka, Japan, Canadian Institute for the Blind, EXPO 1992 and at the UBC First Nations House of Learning.
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Other works by this artist
Price upon request
Yellow Cedar wood, Acrylic paint
This stunning pole was inspired by the story of how the Beaver Clan came to be part of the Haisla Nation. Each figure depicted on the pole represents an important episode in the journey that the characters in the story take. From top to bottom, the figures being depicted include a squirrel, a halibut, a giant man that is holding an otter, and two beavers.
This particular Haisla story is quite old, and Lyle is one of the few individuals who still knows all of the details. The pole is Lyle’s contemporary portrayal of the tale, which pays tribute to the ancient family connections between the present-day Haisla and their neighbors.
Price upon requestSterling Silver, Engraved and Textured on Hollow-ware
“My father’s Eagle Clan adopted me, but I was actually born into my mother’s Beaver Clan. Since the Haisla followed a matrilineal system, whereby every child was automatically included into its mother’s clan, my unusual adoption was due to the circumstances of the Eagle Clan having so many of its members die. Due to the early and unfamiliar diseases, everyone feared the clan would eventually become extinct.
I’ve always loved the look of a full-size, traditional wooden bent-box and liked the idea of a smaller, silver box using the same traditional proportions. It adds a unique sculptural look to any small box which, once seen, becomes a more appreciated detail with every subsequent examination. The box’s construction technique is very deceptive; it looks solid but is actually a box-within-a-box, with the hollow spaces between each ‘box’ allowing for visually thicker walls. For this box, I decided to honor my connections to both Haisla Clans – Beaver and Eagle – by engraving each on one-half of the box. The box’s lid has another Eagle engraved on the top, and the Halibut, a sub-crest shared by both clans, is engraved around the edges.”
-Lyle Wilson, 2016