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Sterling Silver, Argillite, Abalone shell, Engraved
Only 1 available
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- Additional Information
- Artist Bio
Sterling Silver, Argillite, Abalone shell, Engraved
|Dimensions||3.5 x 2.5 x 3.5"|
|Artist||Derek J. White|
Derek White was born and raised on Haida Gwaii. His father, Morris White, was a Chief of the Edinsu (Edenshaw) Eagle Clan of Kiusta until he passed away in 1997. Derek's grandfather, Geoffrey White, was the grandson of the great carver, Charles Edenshaw. At a young age, his father gave up his career as a fisherman to become a full time artist. He began carving silver, argillite, gold and wood.
Even with all the artistic influence in his house, Derek did not start carving until he finished high school. He carved small pieces, as well as helped his father and brothers carve a red cedar canoe and a carving shed. He was an apprentice under master carver Jim Hart in 1990 until 2000. He worked on several poles with him, including one in San Francisco and the Edenshaw Memorial Pole, which was raised in front of his Longhouse in August of 1999. Derek also worked extensively in his Longhouse, the Frog Constellation, on a large red cedar piece and some smaller projects. In 1995, he worked with his brothers Todd and Christian White and his brothers-in-law on the Cheif Edenshaw House Frontal Pole, which was carved and raised in 1995. This project was led by master carver Chris White.
In the year 2000, Derek worked in Skidegate for Tom Boyko and the Qay-llnaggay Heritage Centre Society on a pole that was raised in the Spring/Summer of 2001.
Derek is currently focusing on his art creating pieces in multiple media.
2004, Box of Treasures, Coastal Peoples Gallery
2005, Where the Spirit Gathers, Coastal Peoples Gallery
2006, Transcendence- a decade in perspective, Coastal Peoples Gallery
2007, Coastal Legacy, Coastal Peoples Gallery
2009, Haida Masterworks, Coastal Peoples Gallery
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Price upon request
Argillite, Abalone shell, Mother of Pearl, Catlanite
This ornately detailed panel pipe inlayed with catlanite, abalone shell and mother of pearl tells the ancient story of Nanasimgit.
The man or Nanasimgit is depicted at the bottom of the pipe holding skils to represent his stature. It shows the numerous potlatches he has held. The following story is a shortened version as told by the artist, Christian White:
One day, the man’s wife was washing sea otter skins near the ocean, when a Killerwhale arose from the surface. It coaxed her into the water and carried her seaward while her husband watched in disbelief. Without hesitation, he quickly decided to follow them until the Killerwhale dove near a two-headed kelp, which prevented him from going any further. He was feeling quite distraught as he returned back to the village but by then he had decided to seek the help of his uncle, the Frog.
The Frog offered him advice on how he could get his wife back and suggested that he take specific objects with him for his journey. He brought spruce root twine, a gimlet and medicine, placing them in his canoe. But, before he embarked on his journey, he was urged to undergo a fast in order to cleanse his body, which involved various rituals.
Once the fast was completed, the man embarked on his quest until he came across the kelp he had encountered before. He tied his canoe to the kelp along with his possessions and climbed down beneath the surface to find himself in another world. He followed a path where he encountered three blind women that resembled Geese. He used his medicine to cure two of the women while the third one chose not to accept the medicine. The cured women vowed to repay him for his deed. As he proceeded onward, the man came across two slaves, from the Killerwhale clan, chopping wood. As they proceeded to chop the wood, the head of their axe fell off and they began to cry knowing the consequences they would face from the Chief. The man stopped to assist them and in return they directed him to his wife’s dwelling. The slaves warned the man of the watchmen pole that stood in front of the longhouse protecting the inhabitants. The watchmen had the ability to scent out and watch out for intruders.
While he proceeded further on his path and thought about how to divert the watchmen, the man encountered a Heron repairing a canoe without success. The man stopped to offer him his gimlet to successfully repair the canoe. In return for his generosity, the Heron helped conceal the man under his wing blanket from the Black Whale guards and the watchmen. He successfully entered the longhouse to happily find his wife. At this point, the watchmen discovered the man taking his wife back with him, but were unable to stop him.
When the man arrived back with his wife to his village he felt a different connection with her, as though she was not herself. At night, he would keep her in a bentwood box, but one morning when he awoke, to his surprise she escaped. She left to be with her Killerwhale family and fully transformed into a Killerwhale. This was the last he saw of her.
Other works by this artist
Sterling Silver, Argillite, Abalone shell, Mastodon Ivory, Repousse, Engraved
This piece opens to reveal an inner box with relief engraving that echos the outer lid.
Traditionally, boxes were considered prized possessions and customarily used to store wealth or special ceremonial objects such as masks, rattles, clothing and adornments. People often gave names to these beautiful ornate boxes, told stories about their histories and treated them as family heirlooms. However, non-decorated boxes acted as instruments of life – from storing less precious articles, to food and later used for mortuary purposes. In Haida mythology, a stack of boxes contained the essence from which Raven created the world.
Eagle, Dogfish, Beaver and Frog Box retains its traditional elements through conception and imagery. Derek exhibits his mastery in his precision of line and perfect symmetry of the formline of this treasure. The gently angled lid with Abalone inlay, as well as the engraved and incised elements on the box is suggestive of the prototypic bent cornered wooden boxes and chests.
The box contains not only depictions of four important crest animals, but connects to past traditions in which a box held more than the material object, it also linked people to their heritage, lineage and each other.