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Sterling silver, Engraved, Textured
Only 1 available
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- Additional Information
- Artist Bio
Sterling silver, Engraved, Textured
|Dimensions||2 x 1.25 "|
Born in 1955, Lyle Wilson is a Haisla artist from Kitamaat Village, which is near the town site of Kitimat, British Columbia, Canada. The Haisla Nation is often referred to as Northern Kwakwaka’wakw; however, their historic artistic style has influences from various sources – notably Kwakwaka’wakw and Tsimshian, as well as developing distinctive qualities of their own. The name Kitamaat means, “People of the Snow” and refers to the large amount of snow received by this region. Tsimshian people visiting the Haisla people in mid-winter arrived to see people emerging from big houses completely buried by the snow so the name Kitamaat seemed an appropriate description.
The Haisla Clan system is matrilineal and although he was born into the Beaver Clan, Lyle was formally adopted into his father’s Eagle Clan. Due to the high death rates at this time, his Eagle grandmother formally adopted both Lyle and his sister to help ensure the continuation of the Eagle Clan. This was a small but important event, which helped shape Lyle’s view of Haisla culture.
Lyle was always conscious and appreciative of Haisla art, which was present in his formative years. In this regard, his first artistic influence was his uncle, Sam Robinson, who is a full-time carver. Fascinated, Lyle watched him and occasionally whittled to the best of this abilities. He did not pursue art as a possible profession until he attended the University of British Columbia. At this time, he committed to a career in art education, but found time spent in the studio more compelling – eventually leaving to pursue his own artistic interests at the Emily Carr College of Art and Design. He graduated with a diploma in printmaking and began to develop his individual style. This artistic style has its roots in graphics, but also envelopes his three-dimensional works in wood and jewelry.
Today, a renowned artist, Lyle works closely with University of British Columbia’s Museum of Anthropology where he has further pursued his interest in replicating historic Haisla art for future generations to understand and visualize. Lyle has been involved with many important private and public commissions that have aided in the awareness of Haisla art.
Additionally, he has been involved in a number of group and solo exhibitions since 1981 both locally and abroad. Some of his public commissions can be viewed at the Museum of Anthropology, BC Sports Hall of Fame, Canadian Consulate in Osaka, Japan, Canadian Institute for the Blind, EXPO 1992 and at the UBC First Nations House of Learning.
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Argillite, Catlinite, Abalone shell, Sterling silver
The Frog symbolizes luck, prosperity, stability and healing. As a communicator, Frogs connect with the world on land and under water. This figure is often carved into totem poles to prevent them from falling over.
Other works by this artist
Sterling silver, Cast, Engraved, Textured
Edition of 14
“The Beaver was my original clan but I was adopted into my father’s Eagle Clan because it was thought that it might become extinct; many Eagle Clan members died due to having no immunity to early European diseases.
The wild beaver seems to understand an old, but true, Haisla proverb: ‘If you work hard today, you will have plenty tomorrow.’ Or perhaps it was actually my ancestors who came to understand, emulate and respect the working habits of this industrious little animal enough to create the original Haisla Beaver Clan.”
-Lyle Wilson, 2016
Sterling silver, Abalone shell, Cast, Engraved, Textured
Edition of 9
“The story of ‘Raven Releasing the Light’ has several versions depending upon the teller and the Pacific Northwest Coast group. In some versions the sun is featured while in others the moon or stars are included. My Haisla grandmother told us a version where the moon was the central character. Therefore, in this limited edition I decided to portray a moon to honour the memory of her telling the story to my sisters, brother and cousins when we were just very young children. Having seen the full moon on numerous occasions, I’ve come to portray the moon’s corona as a series of concentric rings to indicate a softer, gentler, radiating light.”
-Lyle Wilson, 2016