Availability: Only 1 available
Made in Canada
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- Additional Information
- Artist Bio
Made in Canada
|Dimensions||12 x 13.5 x 4" (30.48 x 34.29 x 10.16cm)|
|Artist||Dorothy Grant RCA|
Internationally renowned fashion designer and traditional Haida artist Dorothy Grant’s strong connection to her culture and Haida identity has been her driving creative force and a foundation as a contemporary fashion designer for over thirty-two years.
Dorothy Grant uniquely merges art with fashion and forges a link between ancient heritage and modern society. Her creations celebrate the bonds between cultures, with meticulous attention to the ageless and elegant Haida art form, in the creation of timeless wearable art.
Dorothy Grant was born in Hydaburg, Alaska and grew up in Ketchikan, Alaska. She is a Kaigani Haida of the raven clan from the Brown Bear House of Howkan. Fired by creative forces, Grant spins the 10,000 year old legends of the Haida into high style, fusing myth into each flawlessly designed and manufactured garment. Drawing from ancient stories, she translates age-old symbols and forms into equally timeless clothing. Her garments, ceremonial button blankets and spruce root hats are treasured by Haidas as expressions of living culture and may be found in art collections and various museums in Canada and the United States. Her strong connection to her culture and deepened sense of Haida identity is the creative force behind her Feastwear and Dorothy Grant labels.
In 1983 she began sketching Haida art onto clothing. As the idea developed, she was strongly motivated by non-native designers who were incorporating North West Coast native art into their clothing. She felt it was a poor representation of a beautiful art form. She decided to sharpen her design and art skills by attending the Helen Lefeaux School of Fashion Design in Vancouver BC, graduating in 1988.
In 1993 Dorothy Grant won the Best Professional Designer Award at the “Winds of Change” fashion competition held in Toronto. The event was sponsored by the Canada Council for Native Business. As part of the award, Dorothy traveled to France to take part in the Paris fall fashion event “Les Vendanges sur la Montaigne”. Her work was also featured at a special reception at the Canadian Embassy in Paris.
In 2015, she was awarded the prestigious Order of Canada. Most recently in 2018 Dorothy was awarded an Honorary Degree from Simon Fraser University
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Serigraph, Edition of 100
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish design, titled “Pro Creation”, through the act of creativity,is a celebration of the act of procreation. In the design, two salmon heads are depicted, the negative crescentric space simultaneously defining their mouths, as well as defining each other’s lower jaw. This simple visual punning represents interconnectedness through procreation. This simple visual punning also represents the beginnings of the offspring of the two salmon. In some of philosophical musings, I have often wondered which act is great, creation or procreation? I came to the conclusion that procreation is great than creation, since creation, as a human culture, woudl not exist without procreation. I also felt that the lIFe of one human being is much greater than the body of work of any artist. Recently though, I have felt that creatively creates culture, and makes the procreation of many generations possible. So I now see both creation and procreation as both being great acts of humankind.
On a personal leve, althought I am not really “pro-choice” or “pro-life”, my myOTHER , when she was a sixteen year old girl with me, was considering abortion. With love for her, I am thankful that she gave birth to me. If she never procreated me, the creativity of my lIFe would not exisit.”
Exclusive to Coastal Peoples Fine Arts Gallery
Glass; etched and sandblasted (Glass thickness 12mm)
Salmon are honoured and celebrated by all coastal peoples: the fish serves as a powerful symbol of regeneration, self-sacrifice and perseverance.
Shortages of Salmon are traditionally attributed to human disrespect and refusal to listen to and live by the wisdom of elders. The Pacific Northwest Coast peoples believed that Salmon were actually people with eternal life who lived in a large house far under the ocean. In spring, they put on their Salmon disguises and offered themselves to humans as food.
Price upon request
20K Gold, Abalone; Repousse, Chased
2.5 x 2 x 1″ (including bale)
Jesse Brillon’s Eagle Amulet is cast in 20K gold and ornately inlayed with exquisite blue, green and purple hued abalone shells. This amulet illuminates ancient mythology and tradition. This contemporized work provides a visual reference to one of the most notable beings in First Nations art and culture: the Eagle.
Steeped in tradition, this masterfully carved work provides depth, grace and stature beyond the presented image. Jesse Brillon’s Eagle Pendant pays homage to the tradition of nature and the interconnection between all living creatures.
Red Cedar wood, Human hair, Acrylic paint
This Welcome Figure portrait mask, based on a Nuu chah nulth mask from the 1850’s, would be danced during a ceremonial welcome song which belongs to the David family of the Tla-O-Qui-Aht clan. Smoked elk hide has been rigged to the back of the piece to hold it securely in place when being danced.