Celestial Circles (PP)
Availability: Only 1 available
Serigraph, Edition of I of II
2010
Unframed
(For inquiries about custom framing please contact the gallery)
Printer’s Proof (PP) – The print the Master Printer is entitled to keep out of the edition as a record of the work done.
26.75 x 26"
$1,260.00 CAD
Only 1 available
Reserve this artwork- Description
- Additional Information
- Artist Bio
Serigraph, Edition I of II
2010
Unframed
(For inquiries about custom framing please contact the gallery)
Printer’s Proof (PP) – The print the Master Printer is entitled to keep out of the edition as a record of the work done.
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Pro Creation
lessLIE
$250.00 CADSerigraph, Edition of 100
2007
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish design, titled “Pro Creation”, through the act of creativity,is a celebration of the act of procreation. In the design, two salmon heads are depicted, the negative crescentric space simultaneously defining their mouths, as well as defining each other’s lower jaw. This simple visual punning represents interconnectedness through procreation. This simple visual punning also represents the beginnings of the offspring of the two salmon. In some of philosophical musings, I have often wondered which act is great, creation or procreation? I came to the conclusion that procreation is great than creation, since creation, as a human culture, woudl not exist without procreation. I also felt that the lIFe of one human being is much greater than the body of work of any artist. Recently though, I have felt that creatively creates culture, and makes the procreation of many generations possible. So I now see both creation and procreation as both being great acts of humankind.
On a personal leve, althought I am not really “pro-choice” or “pro-life”, my myOTHER , when she was a sixteen year old girl with me, was considering abortion. With love for her, I am thankful that she gave birth to me. If she never procreated me, the creativity of my lIFe would not exisit.”
— lessLIE
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Witness…To Acceptance of Family Legacy
Chester (Chaz) Patrick
$800.00 CADAcrylic on Acid-free board
2004
Unframed
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Salish Path (PP)
Susan Point RCA
$2,800.00 CADSerigraph, Printer’s Proof, Edition I of II
2010
Unframed
(For inquiries on custom framing, please contact the gallery.)
This limited-edition serigraph was created utilizing Susan’s granite installation Salish Path at UBC’s Museum of Anthropology as inspiration. Welcoming visitors to the recently revamped museum, Salish Path showcases the advancement of materials and techniques in First Nations work while staying true to the beliefs and history of her culture.
In Susan’s words: “The artwork for this project is a crop of a print I did in 2006 called ‘Peripheral Visions – Salish Footprint,’ however, over time it has been revised quite a bit in order to make the overall design work in stone. The imagery is based on the whorls and lines of a thumb or toe print, transformed using distinctive Salish elements, and incorporating many of the life forms found in the land, sea, and skies surrounding the Museum of Anthropology. The artwork emphasizes the Salish connection to the site – a reminder that the surrounding land is Musqueam traditional territory and a welcome from the Musqueam people to this territory.
The imagery in this design, although done in my own contemporary style, is created incorporating traditional Salish elements (basically, reflecting the Salish vocabulary/alphabet in my artistic style). The imagery within reflects salmon and birds; and upon a closer look other subtle images can be seen (left to the viewer’s creativity).
This work emphasizes the Salish connection to these lands – in many cases the artwork itself is a Salish mark that is written into the earth as a visual expression of the link between the Musqueam people and the MOA site. The artwork also refers to many aspects of Musqueam life — our connection to the water, our weaving tradition, our links to our ancestors through storytelling and so on. In laying out the colors of the stonework, the red running through the center represents the blood of the people (all peoples). The stone is laid out haphazardly to make the point that no one’s imprint is the same. The layout also complements the architecture. As well, it relates to Musqueam house posts and cross beam architecture.”
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Salish Inlet State I – Black
Susan Point RCA
$600.00 CADSerigraph, State I, Edition of 40
2020
Unframed
(For inquiries on custom framing, please contact the gallery)
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Tree of Life
Susan Point RCA
$1,100.00 CADSerigraph, Edition of 55
2019
Unframed
(For inquiries on custom framing, please contact the gallery)
Tree of Life is the serigraph adaptation of the stunning stained-glass windows that Susan Point created in 2009 for Christ Church Cathedral in Vancouver, British Columbia.
“The artwork celebrates the beauty of our surrounding land, and our enduring connection with it –a connection honoured and celebrated by a living Salish culture, and by the many others who have chosen Vancouver as their home, and as a place to visit. The colours reflect the mountains and the oceans of the Pacific Northwest, emphasizing the importance of the landscape within our lives.” – Susan Point, 2009
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Spirit Song Echoing the Future
Susan Point RCA
$960.00 CADSerigraph, Edition of 100
2003
Unframed
(For inquiries on custom framing, please contact the gallery)