Coast Salish Housepost
Availability: Only 1 available
Red Cedar wood, Copper, Acrylic paint
10.5ft x 4ft x 4 ft (including base)
Own a piece of history…this Salish Housepost was carved during the 2010 Olympic Games in full public view at Susan Point’s temporary satellite studio outside the Vancouver Art Gallery. The cedar wood used originates from a reclaimed fallen tree from the Stanley Park storm in 2009.
Price available on request
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or inquiry@coastalpeoples.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
Layaway
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Description
- Additional Information
- Artist Bio
Red Cedar wood, Copper, Acrylic paint
10.5ft x 4ft x 4 ft (including base)
Own a piece of history…this Salish Housepost was carved during the 2010 Olympic Games in full public view at Susan Point’s temporary satellite studio outside the Vancouver Art Gallery. The cedar wood used originates from a reclaimed fallen tree from the Stanley Park storm in 2009.
Product Number | S-3407 |
---|---|
Exhibition Code | CSM11 |
![]() |
|
---|---|
Artist | Susan Point RCA |
Nation | Coast Salish (Musqueam) Nation |
Description | Coast Salish (Musqueam) Nation Susan Point is a Musqueam First Nations artist. She was born in 1952 and lives in Vancouver, British Columbia, Canada. Susan artistic career began in 1981 and she immersed herself in the study of traditional Coast Salish art, and emerged with a language of design, both authentic yet vibrantly contemporary. As well as practicing traditional motifs, Susan also expresses her own personal style. Like many First Nations artists, she uses the meaning found in traditional art to create innovative work in a wide range of mediums. Susan initially began producing fine art in precious metals, serigraphs and acrylic paintings; however, she is now producing large scale public art in mediums which include glass, wood, stainless steel and concrete. Many of Susan’s works can currently be found in private and corporate collections in over twenty countries around the world. From the Artist: “Coast Salish art is relatively unknown to most people today as it was an almost lost art form after European contact — the reason being is that Salish lands were the first to be settled by the Europeans which adversely affected my peoples’ traditional life-style. Today, much of the native art associated with the Pacific Northwest Coast is from principle tribes of northern British Columbia. Because of this, over the years, I spent a great deal of my time, as a Coast Salish artist, trying to revive traditional Coast Salish art in an attempt to educate the public to the fact that there was, and still is, another art form indigenous to the central Pacific Northwest Coast. Although most of my earlier work is very traditional, today I am experimenting with contemporary mediums and themes; however, I still incorporate my ancestral design elements into my work to conditioning as well as social and economic conditions. In creating my art, I feel a need to continually express my cultural background and beliefs yet, at the same time, my work continues to evolve with changes within and outside of my community.”
Awards: 2007 British Columbia Creative Achievement Award for First Nations’ Art 2016 British Columbia Lifetime Creative Achievement Award
Selected Group Exhibitions: 2011 Coast Salish Masterworks: Connecting the Past to the Present, Coastal Peoples Fine Arts Gallery, Vancouver, B.C.
|
you may also like
-
Watchman, Eagle, & Bear Totem Pole
Garner Moody
Price upon requestRed Cedar wood, Acrylic paint
For inquiries on totem pole commissions, please click here.
-
Qolun (Beaver) Totem Pole
Lyle Wilson
Price upon requestYellow Cedar wood, Acrylic paint
This stunning pole was inspired by the story of how the Beaver Clan came to be part of the Haisla Nation. Each figure depicted on the pole represents an important episode in the journey that the characters in the story take. From top to bottom, the figures being depicted include a squirrel, a halibut, a giant man that is holding an otter, and two beavers.
This particular Haisla story is quite old, and Lyle is one of the few individuals who still knows all of the details. The pole is Lyle’s contemporary portrayal of the tale, which pays tribute to the ancient family connections between the present-day Haisla and their neighbors.
-
Quwut Sun
lessLIE
$200.00 CADSerigraph, Edition of 100
2005
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish sun design is an attempt to mediate between the Hul’qumi’num language (the language of the Cowichan Tribes) and English. There have been various anglecized spellings of this Hul’qumi’num toponym (place name), such as “Cowichan,” “Khowutzun,” and the currently accepted “Quwutsun.” This Hul’qumi’num term has been simplified and misinterpreted as meaning “The Warm Land,” when it should be more correctly interpreted as meaning “warmed by the sun,” or “basking in the sun with your back turned to the sun.”
The four eclipsed suns surrounding the central sun symbolize the darkness of ignorance blocking Daylight, a powerful source of truth.”
–lessLIE
Other works by this artist
-
Eagle’s Play Glass Rattle
Susan Point RCA
Price upon requestHand blown glass, Red Cedar wood base
This beautiful contemporary rattle is made with hand-blown glass, an example of Susan Point’s balance between traditional and contemporary styles. It demonstrates her ability to diversify, yet reveals her respect for tradition and ancient mythology. Based on an ancient implement, a spindle whorl was used for spinning wool into yarn for the process of creating fine woolen blankets.
-
Salmon Blanket
Susan Point RCA
$800.00 CADSerigraph, Edition of 110
2015
Unframed
(For inquiries on custom framing, please contact the gallery)
-
Overexposure (TP) [Framed]
Susan Point RCA
$2,060.00 CADSerigraph, Colour Trial Proof, Edition of II
1998
Framed