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- Additional Information
- Artist Bio
Red Cedar wood, Twine, Acrylic paint
|Dimensions||13 x 6 x 6"|
|Nation||Coast Salish Nation|
Simon Charlie was born in 1920 near Duncan, British Columbia. He was a member of the Cowichan Tribes, which constitute the largest single First Nation Band in British Columbia. Much like the renowned Susan Point, Simon’s work played a significant role in the revival, preservation, and recent flourishing of traditional Coast Salish art. He was key figure in the promotion of traditional Coast Salish designs, and spent much of his time helping other Coast Salish artists connect to their heritage through the artistic styles of their ancestors.
Simon had a great passion for keeping the traditions, language, arts, and culture of his people alive for future generations. This passion sparked an unmatched dedication to passing his knowledge regarding traditional Coast Salish methods and designs on to younger Coast Salish artists. As a result, many of the Coast Salish master carvers of today were once apprentices of Simon Charlie.
His work teaching the heritage, culture, and traditions of the Cowichan Coast Salish people to both First Nations and non-First Nations individuals earned Simon many honours prior to his death in 2005. The most notable of these honours include the National Centennial Medal (1967), the Order of British Columbia (2001), and the Order of Canada (2003).
Simon once estimated that he had carved approximately 22 logging truckloads of cedar trees throughout his thirty-year career. The pieces that were produced from these logs can be found across both Canada and the United States, as well as in Holland, New Zealand, Australia, South America, Europe, and Japan. As this demonstrates, the work of Simon Charlie was truly world-renowned.
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Deer hide, Sinew, Acrylic paint
The drum is considered one of the main percussive instruments, along with the rattle, which was used in traditional Northwest Coast ceremonies and cultural events. Its beat provides the basis from which dances, songs and oral histories are performed during a Potlatch.
Salmon are honoured and celebrated by all coastal peoples: the fish serves as a powerful symbol of regeneration, self-sacrifice and perseverance.
22K Yellow Gold, Platinum, Abalone shell, Cast, Engraved
Includes Skil Hat Stand; Yew wood, Brass
Edition 1 of 3
5.25″ x 2.75″ x 2.75″ (including stand)
Price upon request
Argillite, Catlinite, Abalone shell, Mother of Pearl
This ornately detailed panel pipe inlayed with catlanite, abalone shell and mother of pearl tells the ancient story of Nanasimgit.
The man or Nanasimgit is depicted at the bottom of the pipe holding skils to represent his stature. It shows the numerous potlatches he has held. The following story is a shortened version as told by the artist, Christian White:
One day, the man’s wife was washing sea otter skins near the ocean, when a Killerwhale arose from the surface. It coaxed her into the water and carried her seaward while her husband watched in disbelief. Without hesitation, he quickly decided to follow them until the Killerwhale dove near a two-headed kelp, which prevented him from going any further. He was feeling quite distraught as he returned back to the village but by then he had decided to seek the help of his uncle, the Frog.
The Frog offered him advice on how he could get his wife back and suggested that he take specific objects with him for his journey. He brought spruce root twine, a gimlet and medicine, placing them in his canoe. But, before he embarked on his journey, he was urged to undergo a fast in order to cleanse his body, which involved various rituals.
Once the fast was completed, the man embarked on his quest until he came across the kelp he had encountered before. He tied his canoe to the kelp along with his possessions and climbed down beneath the surface to find himself in another world. He followed a path where he encountered three blind women that resembled Geese. He used his medicine to cure two of the women while the third one chose not to accept the medicine. The cured women vowed to repay him for his deed. As he proceeded onward, the man came across two slaves, from the Killerwhale clan, chopping wood. As they proceeded to chop the wood, the head of their axe fell off and they began to cry knowing the consequences they would face from the Chief. The man stopped to assist them and in return they directed him to his wife’s dwelling. The slaves warned the man of the watchmen pole that stood in front of the longhouse protecting the inhabitants. The watchmen had the ability to scent out and watch out for intruders.
While he proceeded further on his path and thought about how to divert the watchmen, the man encountered a Heron repairing a canoe without success. The man stopped to offer him his gimlet to successfully repair the canoe. In return for his generosity, the Heron helped conceal the man under his wing blanket from the Black Whale guards and the watchmen. He successfully entered the longhouse to happily find his wife. At this point, the watchmen discovered the man taking his wife back with him, but were unable to stop him.
When the man arrived back with his wife to his village he felt a different connection with her, as though she was not herself. At night, he would keep her in a bentwood box, but one morning when he awoke, to his surprise she escaped. She left to be with her Killerwhale family and fully transformed into a Killerwhale. This was the last he saw of her.
4.75 x 10.25 x 1.25″ (without base)
8 x 12 x 5.25″ (with base)