You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or email@example.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
In 1956, Randy Stglitz was born on the Capilano Reservation, North Vancouver, British Columbia.
At a young age, Randy began to carve in the early 1970s during a period of cultural resurgence of Northwest coast art.Although Coast Salish, he was taught the Kwakwaka’wakw style which was considered the most marketable at the time and offered new artists an immediate career as it was in demand by many collectors.
There was a delay for Coast Salish style to enter the market due to privacy issues and the personal significance of their cultural objects, which had long been protected from outsiders.
When Randy eventually moved to Victoria on Vancouver Island for four years, he spent time studying at the Hunt family studio with John Livingston and Gene Brabant – two acclaimed and significant Kwakwaka’wakw artists who delved deeply into the historic aspects of their art form and translated their studies into contemporary art works.
Since moving to Vancouver to begin his career on a full-time basis, he retains the influences of the Kwakwaka’wakw style in his work.
His artwork is a part of the permanent display in the Bill Gates Microsoft Collection.In addition to having published works, he has been included in the private collections of Hollywood actors.
Nuu Chah Nulth carver Tom Paul has carved his Winter Moon mask from red cedar wood and finished the piece with light washes of green accented with stamped arrangements of white snowflakes and evergreens. Slightly abstract, this work reflects the ongoing theme of the Nuu Chah Nulth’s thirteen moons, while experimenting with new ways of designing and configuring forms. The moon told of the arrival of food sources such as the salmon’s return and the quantities of certain crops. Culturally, each moon was characterized by images that represented that particular time of year – such are the swirling wind motifs and somber colors in this mask. The small figure on the right-hand side of the central moon face depicts the wind that brings the great flood waters. Each winter these waters wash the earth and prepare for a new beginning.