Divide & Conquer
Availability: In stock
Serigraph, Edition of 99
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“The print depicts two humans, split from one original body they once shared. Separated and suspicious of each other, they are easy victims for the powers that divide them.” – Don Yeomans
CA$1,000.00
In stock
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- Description
- Additional Information
- Artist Bio
Serigraph, Edition of 99
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“The print depicts two humans, split from one original body they once shared. Separated and suspicious of each other, they are easy victims for the powers that divide them.” – Don Yeomans
Colour | Red, Black, White |
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Shape | Vertical |
Symbol | Bird, Human |
Dimensions | 21 x 15" (53.34 x 38.1cm) |
Product Number | I-78413 |
Exhibition Code | YEO22 |
LOC | CP - Print Drawer A - PD8 - YEO22 |
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Artist | Don Yeomans |
Nation | Haida / Metis Nations |
Description | Haida / Metis Nations Born on June 29, 1958, in Prince Rupert, BC, Don Yeomans is one of the most respected and renowned Northwest Coast Native artists. Born of a Masset Haida father and a Metis mother from Slave Lake, Alberta, Yeomans has studied and worked in the Haida Style since he was a youth. As a young man, Yeomans apprenticed under the expert guidance of his aunt, Freda Diesing. He worked with Robert Davidson RCA on the Charles Edenshaw Memorial Longhouse and completed a jewelry apprenticeship with Phil Janze. Yeomans has also studied fine art at Langara College in Vancouver. He has worked with many acclaimed Northwest coast artists, including Bill Reid, Robert Davidson, Phil Janze and Gerry Marks, studying their styles, techniques and philosophies. Don Yeomans crafts his artworks in many materials: he creates exquisite jewelry pieces in gold and silver, paints elegant Haida designs on paper, produces outstanding prints and is one of the finest carvers. His work can be found in the University of British Columbia’s Museum of Anthropology, the Royal British Columbia Museum, the Canadian Museum of Civilization, and the Seattle Art Museum. In 2002 he completed a major totem pole commission for Stanford University. |
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Other works by this artist
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Octopus & Killerwhale Panel
Don Yeomans
CA$10,000.00Cast Forton
Limited edition of 12
“I love carving Octopus. The fluid, long tentacles and suckers make it detailed and challenging. In this panel, my mind went back to childhood when I was totally curious about what was ‘bigger and stronger’. Could this animal win a fight with that animal? The books I read about the Giant Octopus and a story my dad once told me about a crew member who almost got taken by a large octopus that was blown on deck when they were fishing halibut in the Bering Sea. My Giant Octopus is taking on a Killerwhale in this panel – who wins? I no longer care. It is the struggle that captivates my imagination.
When I released a resin cast edition of this piece, a collector told me it was too violent. I said, ‘No, it’s not!’, and I punched him (just kidding!). Violence is what people do. Animals merely survive.” – Don Yeomans
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Red Killerwhale Panel
Don Yeomans
CA$16,000.00Red Cedar wood, Acrylic paint
“In 1978, I did my first silkscreen print design. It was a red formlined transforming Raven. The people I showed it to said it was not traditional, as most designs have black formline and red fillers. Out of fear, I did a traditional Dogfish and released it together with my so-called radical red Raven.
To this day, red formlines make me a little nervous – but with this Killerwhale being one of my first uses of undulating formline, I needed to be bold. People believe confidence is the absence of fear when it comes to being accepted. In my experience, the fear never leaves, you just keep your nerves to yourself. Maybe that’s why it’s called ‘self-confidence’.” – Don Yeomans
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White Dogfish Mask
Don Yeomans
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25 x 13 x 5″ (including hair)
17 x 11 x 5″ (mask only)
“[This mask is] carved from alder wood, decorated with white horse hair, and painted with white acrylic. This is a fairly traditional depiction of a Dogfish – the main difference here is the monochromatic paint job.
If the mask has a lot of strong lines, I feel like less is more when it comes to paint. White as a colour accentuates light and shadow in addition to allowing any mask to look more modern.” – Don Yeomans