Divide & Conquer
Availability: In stock
by Don Yeomans
Serigraph, Edition of 99
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“The print depicts two humans, split from one original body they once shared. Separated and suspicious of each other, they are easy victims for the powers that divide them.” – Don Yeomans
21 x 15" (53.34 x 38.1cm)
CA$1,000.00
In stock
Reserve this artwork- Description
- Additional Information
- Artist Bio
Serigraph, Edition of 99
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“The print depicts two humans, split from one original body they once shared. Separated and suspicious of each other, they are easy victims for the powers that divide them.” – Don Yeomans
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Dragonfly
Karla L. West
CA$90.00Serigraph, Edition of 200
Unframed
(For inquiries on custom framing, please contact the gallery)
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con TEXT
lessLIE
CA$450.00Serigraph, Edition of 100
2009
Unframed
(For inquiries on custom framing, please contact the gallery)
“As a contemporary Northwest Coast artist, the de-contextualization of Northwest Coast art is of great interest to me. By some scholars and Northwest Coast traditionalists, Northwest Coast ceremonial art has generally been perceived as de-contextualized when taken away from its ceremonial context. When the words and songs and dances are taken away from Northwest Coast art, it is perceived by some as being robbed of its meaning; hence the title “Con Text.” As a contemporary Coast Salish artist, one of the undertakings of my work is to create a new context for Coast Salish art through the utilization of text.”
–lessLIE
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Pro Creation
lessLIE
CA$250.00Serigraph, Edition of 100
2007
Unframed
(For inquiries on custom framing, please contact the gallery)
“This contemporary Coast Salish design, titled “Pro Creation”, through the act of creativity,is a celebration of the act of procreation. In the design, two salmon heads are depicted, the negative crescentric space simultaneously defining their mouths, as well as defining each other’s lower jaw. This simple visual punning represents interconnectedness through procreation. This simple visual punning also represents the beginnings of the offspring of the two salmon. In some of philosophical musings, I have often wondered which act is great, creation or procreation? I came to the conclusion that procreation is great than creation, since creation, as a human culture, woudl not exist without procreation. I also felt that the lIFe of one human being is much greater than the body of work of any artist. Recently though, I have felt that creatively creates culture, and makes the procreation of many generations possible. So I now see both creation and procreation as both being great acts of humankind.
On a personal leve, althought I am not really “pro-choice” or “pro-life”, my myOTHER , when she was a sixteen year old girl with me, was considering abortion. With love for her, I am thankful that she gave birth to me. If she never procreated me, the creativity of my lIFe would not exisit.”
— lessLIE
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Pacific Spirit, State I
Susan Point RCA
CA$875.00Serigraph, Edition of 80
2006
Unframed
(For inquiries on custom framing, please contact the gallery)
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Octopus & Killerwhale Panel
Don Yeomans
CA$10,000.00Cast Forton
Limited edition of 12
“I love carving Octopus. The fluid, long tentacles and suckers make it detailed and challenging. In this panel, my mind went back to childhood when I was totally curious about what was ‘bigger and stronger’. Could this animal win a fight with that animal? The books I read about the Giant Octopus and a story my dad once told me about a crew member who almost got taken by a large octopus that was blown on deck when they were fishing halibut in the Bering Sea. My Giant Octopus is taking on a Killerwhale in this panel – who wins? I no longer care. It is the struggle that captivates my imagination.
When I released a resin cast edition of this piece, a collector told me it was too violent. I said, ‘No, it’s not!’, and I punched him (just kidding!). Violence is what people do. Animals merely survive.” – Don Yeomans
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Red Killerwhale Panel
Don Yeomans
CA$16,000.00Red Cedar wood, Acrylic paint
“In 1978, I did my first silkscreen print design. It was a red formlined transforming Raven. The people I showed it to said it was not traditional, as most designs have black formline and red fillers. Out of fear, I did a traditional Dogfish and released it together with my so-called radical red Raven.
To this day, red formlines make me a little nervous – but with this Killerwhale being one of my first uses of undulating formline, I needed to be bold. People believe confidence is the absence of fear when it comes to being accepted. In my experience, the fear never leaves, you just keep your nerves to yourself. Maybe that’s why it’s called ‘self-confidence’.” – Don Yeomans
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White Dogfish Mask
Don Yeomans
CA$22,000.00Alder wood, Horse hair, Acrylic paint
25 x 13 x 5″ (including hair)
17 x 11 x 5″ (mask only)
“[This mask is] carved from alder wood, decorated with white horse hair, and painted with white acrylic. This is a fairly traditional depiction of a Dogfish – the main difference here is the monochromatic paint job.
If the mask has a lot of strong lines, I feel like less is more when it comes to paint. White as a colour accentuates light and shadow in addition to allowing any mask to look more modern.” – Don Yeomans