Divine Momentum
Availability: Only 2 available
Serigraph, Edition of 13o
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“Divine Momentum is inspired by a stone spindle whorl artifact. Spindle whorls were traditionally used for spinning fibers for the sole purpose of making textiles. This contemporary design symbolizes the revival of ancient Coast Salish practices and the continuation of our cultures.”
– Margaret August
CA$175.00
Only 2 available
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- Description
- Additional Information
- Artist Bio
Serigraph, Edition of 13o
2021
Unframed
(For inquiries on Custom Framing, please contact the gallery)
“Divine Momentum is inspired by a stone spindle whorl artifact. Spindle whorls were traditionally used for spinning fibers for the sole purpose of making textiles. This contemporary design symbolizes the revival of ancient Coast Salish practices and the continuation of our cultures.”
– Margaret August
Colour | Black, Green, Purple, White |
---|---|
Shape | Square |
Dimensions | 18 x 18" (45.72 x 45.72cm) |
Product Number | I-81430 |
Exhibition Code | CS2023 |
LOC | CP - Print Drawer A - PD5 - CS2023 |
Artist | Margaret August |
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Nation | Coast Salish (Shíshálh) Nation |
Description | Coast Salish (Shíshálh) Nation Margaret August was born in 1983 and still resides in the unceded Lekwungen and W̱SÁNEĆ territories (Victoria, British Columbia). They are considered an emerging Coast Salish artist from Shíshálh First Nation who is also Two-Spirited. While growing up in an urban environment with a strong connection to the community of Lekwungen, they worked on developing their abilities as an artist. At first, they honed their talent for singing and playing music from a young age and, as an adult, sharpened their skills as a visual artist during their time spent with Butch Dick. Since 2010 they have been exhibiting their work in community art shows and, while they give credit to renowned artists Susan Point, LessLIE, Mark Preston, Luke and John Marston as well as Maynard Johnny Jr. as their influencers, they have created their own unique style of design. In 2013, they began to advance their career utilizing their knowledge in business as well as print making thereby allowing them to become an independent artist. Since 2017, they mentored under two Coast Salish artists Mark Gauti and Dylan Thomas who provided them with further guidance. During that time, they were able to secure a one-year Emerging Artist project grant from the People’s Cultural Council. This grant lead to them creating serigraph prints and custom works that illustrate the stories of their cultural heritage. Margaret’s ancestral power crest figure Skw’etu’? influences their art. Skw’étu? means Raven in Shashishalhem language, and he is the one who brings light in darkness. Legends tell us that Raven is the one who stole the sun from the grandfather who hid it away from the world in a box. Known as the gatekeeper to the universal void where no form or structure exists (only fluidity and continual change), the Raven uses his mythic shape-shifting abilities to teach us life lessons. Margaret’s experiences and natural artistic talents have given them an awareness of their life’s purpose, and a devotion to creating art that instigates change along with a sense of hopefulness. |
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Other works by this artist
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Good Tidings [Framed]
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“’Good tidings’ depicts a contemporary otter design inspired by traditional Coast Salish house posts. Originally a canvas painting, I felt compelled to create a contemporary piece in the work after reviewing photographs of house post artifacts. House posts typically show mythical creatures associated with family history, notable ancestors, events which displayed ancestors’ spirit powers, or magical privileges of the family. They were also placed into the large winter house orating the long history, wealth and high status of the family. Otters often appeared on Salish house posts, they were considered to bring good messages, and were considered to be trickster figures. I personally set the intention to persevere in the continuum of Coast Salish traditions.” – Margaret August 2024
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Perpetual Salish Bentwood Box
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CA$3,400.00Red Cedar wood, Yellow Cedar wood, Acrylic paint
“This abstract design is actively moving forward practices that are rooted daily in their traditions and the issues of the present world. This design on a traditional bentwood box is to invite viewers to recognize the rich wealth of tradition inherent in the art of this region and to gain an understanding that, alongside its perpetuation, there are new ideas, inspirations, and contexts to which Salish artists today, respond and address.” – Margaret August 2024
Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.
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Serpents Bentwood Box
Margaret August
CA$2,000.00Red Cedar wood, Yellow Cedar wood, Acrylic paint
“Ch’inkwu, is a Shíshálh word for double headed serpent. This design symbolizes rebirth and power. Serpents represent the earth and underworld with each head representing as one. This design was inspired by the historic Shíshálh pictographs in their territory.” – Margaret August 2024
Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.
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Highest Level [Framed]
Margaret August
CA$450.00Serigraph, Edition 37/100
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“Eagles represent the highest form of spiritual assistance because, these majestic birds can fly the highest of all the birds. Therefore they are considered to be the closest to the Spirit world.” –Margaret August