Diving Polar Bear
Availability: Only 1 available
Serpentine
CA$3,680.00
Only 1 available
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- Description
- Additional Information
- Artist Bio
Serpentine
Dimensions | 10.75 x 11.75 x 7.5" (27.31 x 29.85 x 19.05cm) |
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Product Number | I-117451 |
Artist | Etidloie Adla |
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Nation | Kinngait (Cape Dorset) |
Description | Etidloie Adla was born on October 28, 1982, at the nursing station in Cape Dorset, Baffin Island, Nunavat. He is the third son of Kumajuk and David Adla, and the grandson of Cape Dorset carver Audla Pee. It was his grandfather, Audla, who taught him how to carve. At the age of eleven, Etidloie used to watch Audla making birds, and soon he could not help but try out his grandfather's tools. His first pieces were simple carvings, such as the heads of birds or seals, but it was not long before he ventured into depicting more intricate subject matter. Etodloie also learned a lot by watching Nuna Parr and his late son, Jutani, working on bears. Etidloie is one of the most promising Cape Dorset carvers of the young generation. He excels in representing walking and dancing bears. He carves in serpentine, a metamorphic rock of varying green, brown, or black colour. It is a very hard stone indigenous to Baffin Island, with a composition similar to jade. |
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“A remarkably animated work for the artist whose style is comparable to his father’s (John Kavik). In an interview with the artist in 1993, which appeared in the winter edition of the Inuit Art Quarterly, Ugjuk describes the difficulty he had in deciding what to carve. This may be why there are not many of his works available on the market. Both Kavik and Ugjuk were self-taught artists and took to carving whenever they were not hunting.”
“Ugluk says, ‘I would try to concentrate on an idea of mine and gradually expand on it as I went along which would lead to some comprehensible form for the carving I was working on. And, other times, it seemed that trying to stay with one idea didn’t always work so, rather than getting stuck with one idea, I would just work on a carving and what it would become’.”