Dogfish Mask (AP)
Availability: Only 1 available
Artist Proof, Limited Edition I of I
Price available on request
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- Description
- Additional Information
- Artist Bio
Bronze Cast, Granite Base
Artist Proof, Limited Edition I of I
Dimensions | 17 x 11.75 x 9.75" (43.18 x 29.85 x 24.77cm) |
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Product Number | I-68053 |
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Artist | Ben Davidson |
Nation | Haida Nation |
Description | Haida Nation 1976-2020 Ben Davidson was the son of internationally renowned artist Robert Davidson. He specialized in three-dimensional artwork, such as forton casting and wood carving, although he had been expanding his practice to incorporate different mediums including jewelry and serigraphy. At the age of sixteen Ben began carving in wood and later apprenticed with his father. He had also worked with well-known master carvers such as his uncle Reg Davidson and John Livingston. Ben’s artworks can be seen in many of the top galleries in Vancouver. A recent piece of his was featured in the exhibition Raven Travelling: Two Centuries of Haida Art at the Vancouver Art Gallery in 2006. Ben was an accomplished dancer and was an integral member of the Rainbow Creek Dancers. One of his key initiatives was to be an active participant in the Haida community through the mentoring of young artists and his constant exploration of the connection between his art form and ceremonial practice. |
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“Tide Walker exists in the space between the land and the ocean. From afar, he appears as a dorsal fin, so we imagine his body beneath the waves. We are so desperate to be the first to see the killer whale that we allow our minds to complete his story before we have time to determine the truth. We are so swiftly lured into believing the surface story that we rarely take time to consider what lies beneath.” (Davidson, 2017).
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“My father’s understanding of Greatest Echo, is that this supernatural being has the ability to echo the past and bring it into the future. We dance the Greatest Echo masks to remind ourselves of our responsibility to learn the knowledge of the previous generations and to make that knowledge meaningful in our daily lives.
Yellow is echoed in each of these [designs]. It represents the knowledge of our ancestors. Our knowledge was strong before contact. It was passed from generation to generation without threat. Attempts to assimilate us and erase our identities through colonization resulted in our knowledge being muted; this was a dark period in our history. However, despite this, we continued to pass on our knowledge to our children.
Today, our connection to this ancient knowledge is emerging once again. We must continue to move forward, but, as my tsinii told my father, ‘You have to look back once and a while to see where you came from, so you can always find your way back.’”
– Ben Davidson, 2018
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