Availability: Only 1 available
Red Cedar wood, Reclaimed Yellow Cedar wood, Acrylic paint
Only 1 available
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One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Red Cedar wood, Reclaimed Yellow Cedar wood, Acrylic paint
|Dimensions||18 x 50 x 11.75"|
|Nation||Kwakwaka'wakw / Tlingit Nations|
Corrine Hunt is a member of the Raven Gwa’wina clan from Ts’akis, a Komoyue village on Vancouver Island. Her rich family history includes internationally renowned First Nations artists George Hunt, Henry Hunt, Richard Hunt and Tony Hunt, all of whom have been influential on her art. Uncle Norman Brotchie was also a significant teacher and mentor, introducing Corrine to Kwakwaka’wakw traditions and the art of jewelry-making.
Born in Alert Bay in 1959, Corrine’s paternal grandmother A’neesla’ga,’ a Tlingit noblewoman from Alaska, gave her the name ‘Killer Whale Scratching Her Back on the Beach’ in 1965. Since 1985 she has been creating contemporary art that reflects the themes and traditions of her First Nations Komoyue and Tlingit heritage.
Corrine’s work includes engraved gold and silver jewelry and accessories, sculptural installations such as totem poles, and custom furnishings in carved stainless steel and reclaimed wood, executed in a distinctively contemporary style all of her own. Working with the concept of living culture, Corrine is creating fine art objects that are both aesthetically pleasing and of practical use. She is interested in exploring unique ways to translate the traditions of her First Nations culture; “I want to show how both the First Nations people and the art have evolved,” she explains.
Corrine designed the logo for the World Peace Forum held in Vancouver, 2006. There were installations of her work at the Hilton Hotel, Whistler, and the Office for Indian and Northern Affairs Canada.
In 2009, she was a co-creator of the medals for the 2010 Olympic Games held in Vancouver. These featured her original designs of the Pacific Northwest Coast crest figures of the Killerwhale and Raven. Corrine’s artistic endeavours were recognized with the National Aboriginal Achievement Award in 2011. As well as her prolific art practice, Corrine is focused on mentoring First Nations artists and other creative practitioners in this present day, and continues to be a forceful supporter of the creative arts in British Columbia.
Coastal Peoples Gallery is pleased to offer Corrine Hunt jewelry for sale online and in person in our Vancouver, BC gallery. We offer personalized service and worldwide shipping.
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Red Cedar wood, Yellow Cedar wood, Abalone shell, Acrylic paint, Leather
The carving of flutes of the Northwest Coast extends back historically through time. The dramatic importance of the flute was indicated by the variety of specialized whistles, each of which was produced to make specific tones. Songs and dances were part fo all ceremony and ritual, a fundamental element of the inherited privilege. Equally important were the many whistles and other musical instruments that were specifically designated for most dances. Wooden whistles of one, two or three shafts, each with several holes and reeds produced a strong and clear note. Flutes and whistles were traditionally blown in the woods to introduce the cermonial season. Every instrument was the object of time, skill and concern and was considered by those who owned it as a necessary part of the family’s collection
Bronze Cast, Marble base
Edition of 12
9.5 x 8 x 5″
Volcano Woman is perhaps one of the oldest and most revered legends which tells of a mortal”s fate if he/she does not treat sacred objects or creatures with respect. In defense of her beloved wild creatures, she controls the powerful volcanoes. Stories tell of how the killing of a frog leads the Volcano woman to destroy an entire village.
Volcano Woman is a supernatural, powerful person in First Nations mythology. She had a son who, like his mother, had supernatural abilities. He often liked to change from his Human form to that of a Frog (Wukus).
Years ago, a Prince and his two friends went fishing. Hungry, they lay their food on leaves. The Wukus (Frog), being mischievous, jumped on their food. Twice the young Prince threw the Frog into the shrubs but on the third time they threw the frog into the fire and killed the innocent creature.
A few nights later, a woman could be heard crying and wailing. “Who has done this, come forward and I will spare your village.” This warning went unheeded for some time until finally a Woman of the Elders went to the village outskirts to see her. Volcano Woman instructed the Woman of the Elders to send forth the three young men and she would spare the village from volcanic destruction. The Woman of the Elders begging for the sake of the Village told of Volcano Woman”s ultimatum – but this warning went unheeded.
On the final night of the village’s existence, Volcano Woman was heard saying, “I asked for those responsible to take heed and now you will know my vengeance.” The Village shook, a Volcano erupted, destroying the village and all who lived there.
Price upon request
Argillite, Catlinite, Abalone shell, Mother of Pearl
This ornately detailed panel pipe inlayed with catlanite, abalone shell and mother of pearl tells the ancient story of Nanasimgit.
The man or Nanasimgit is depicted at the bottom of the pipe holding skils to represent his stature. It shows the numerous potlatches he has held. The following story is a shortened version as told by the artist, Christian White:
One day, the man’s wife was washing sea otter skins near the ocean, when a Killerwhale arose from the surface. It coaxed her into the water and carried her seaward while her husband watched in disbelief. Without hesitation, he quickly decided to follow them until the Killerwhale dove near a two-headed kelp, which prevented him from going any further. He was feeling quite distraught as he returned back to the village but by then he had decided to seek the help of his uncle, the Frog.
The Frog offered him advice on how he could get his wife back and suggested that he take specific objects with him for his journey. He brought spruce root twine, a gimlet and medicine, placing them in his canoe. But, before he embarked on his journey, he was urged to undergo a fast in order to cleanse his body, which involved various rituals.
Once the fast was completed, the man embarked on his quest until he came across the kelp he had encountered before. He tied his canoe to the kelp along with his possessions and climbed down beneath the surface to find himself in another world. He followed a path where he encountered three blind women that resembled Geese. He used his medicine to cure two of the women while the third one chose not to accept the medicine. The cured women vowed to repay him for his deed. As he proceeded onward, the man came across two slaves, from the Killerwhale clan, chopping wood. As they proceeded to chop the wood, the head of their axe fell off and they began to cry knowing the consequences they would face from the Chief. The man stopped to assist them and in return they directed him to his wife’s dwelling. The slaves warned the man of the watchmen pole that stood in front of the longhouse protecting the inhabitants. The watchmen had the ability to scent out and watch out for intruders.
While he proceeded further on his path and thought about how to divert the watchmen, the man encountered a Heron repairing a canoe without success. The man stopped to offer him his gimlet to successfully repair the canoe. In return for his generosity, the Heron helped conceal the man under his wing blanket from the Black Whale guards and the watchmen. He successfully entered the longhouse to happily find his wife. At this point, the watchmen discovered the man taking his wife back with him, but were unable to stop him.
When the man arrived back with his wife to his village he felt a different connection with her, as though she was not herself. At night, he would keep her in a bentwood box, but one morning when he awoke, to his surprise she escaped. She left to be with her Killerwhale family and fully transformed into a Killerwhale. This was the last he saw of her.
4.75 x 10.25 x 1.25″ (without base)
8 x 12 x 5.25″ (with base)