Availability: Only 1 available
Yellow Cedar wood, Acrylic paint
Only 1 available
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- Additional Information
- Artist Bio
Yellow Cedar wood, Acrylic paint
|Dimensions||7.5 x 6.75 x 7"|
|Nation||Coast Salish (Musqueam) Nation|
Born in 1948, Joseph was raised on Musqueam land in Vancouver, BC and over the years has raised his own family in Vancouver. His ancestral name is Katxalacha and it was handed down to him from the Paul family of the Squamish Nation situated in North Vancouver.
Joseph took an early interest in carving and had the opportunity to observe his late father, Sylvester, who carved culturally significant ceremonial masks and house posts, using the traditional Coast Salish form line. Joseph’s late brother Danny Campbell gave him his first carving knife and also demonstrated numerous carving techniques and styles, including the structured and complex northern form line, a style which Joseph continues to use in most of his work.
Joseph began carving small scale works, swiftly progressing to larger scale, with objects such as talking sticks, masks and panels. Consequently, Joseph commenced designing and building bentwood boxes under the guidance of his good friend and mentor, master bentwood box carver, Larry Rosso. Since that apprenticeship, Joseph has progressed steadily with his range of expertise and precision in perfecting his design and carving techniques. He continues to create more finely crafted and complex pieces with each completed work. Campbell not only furthers his carving techniques through his practical skills, but also drives himself to improve his knowledge of design, working in contemporary media to advance and broaden his artwork.
Campbell studied Advanced Design with Master Haida artist Robert Davidson, and has worked with instructor George Rammel at Capilano College on the art of bronze casting. As Campbell’s artwork continues to thrive, many collectors has developed a strong affinity for his work; his bentwood boxes can be found in collections across Europe, United States, Canada, Asia, and the South Pacific.
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This piece opens to reveal an inner box with relief engraving that echos the outer lid.
Traditionally, boxes were considered prized possessions and customarily used to store wealth or special ceremonial objects such as masks, rattles, clothing and adornments. People often gave names to these beautiful ornate boxes, told stories about their histories and treated them as family heirlooms. However, non-decorated boxes acted as instruments of life – from storing less precious articles, to food and later used for mortuary purposes. In Haida mythology, a stack of boxes contained the essence from which Raven created the world.
Eagle, Dogfish, Beaver and Frog Box retains its traditional elements through conception and imagery. Derek exhibits his mastery in his precision of line and perfect symmetry of the formline of this treasure. The gently angled lid with Abalone inlay, as well as the engraved and incised elements on the box is suggestive of the prototypic bent cornered wooden boxes and chests.
The box contains not only depictions of four important crest animals, but connects to past traditions in which a box held more than the material object, it also linked people to their heritage, lineage and each other.