Availability: Only 1 available
Red Cedar wood, Acrylic paint
Only 1 available
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- Additional Information
- Artist Bio
Red Cedar wood, Acrylic paint
|Dimensions||9.5 x 17 x 12.5"|
Bruce Alfred, a Kwakwaka’wakw artist of the ‘Namgis First Nation, was born August 24, 1950, in Alert Bay, British Columbia. Immersed in the traditional practices of the Kwakwaka’wakw culture, he was raised and currently resides in Alert Bay.
Bruce stems from a long line of prominent artists. He is first cousins with the renowned Hunt brothers. Throughout his career he has worked with such prominent artists as Wayne Alfred, Beau Dick and Richard Hunt. World-renowned artist Doug Cranmer was instrumental in teaching Alfred the elements of design and engraving and introduced him to the art of steam-bending wood boxes and chests. Alfred has been a part of many monumental projects, including the replica building of a Haida village, headed by Bill Reid and Doug Cranmer. Additionally, he contributed to the carving of a 30-foot totem pole for his village.
Alfred’s career spans over 30 years. He currently focuses on steam-bent boxes and chests that are consistently elaborately carved and painted. His signature is in the shaping of the lid, which resembles a seat. This seat-shaped lid reveals a traditional style of chests owned by the Chief who sat on the box during special occasions. These bentwood chests and boxes are highly sought after by many international collectors for their dramatic and traditional qualities.
Bruce Alfred was the recipient of BC’s 2008 Outstanding Achievement Award for Aboriginal Art. He is one of the premier artists of the Kwakwaka’wakw Peoples and his work is highly prized by collectors both locally and abroad.
2008 British Columbia Creative Achievement Award for First Nations’ Art
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Sterling Silver, Argillite, Abalone shell, Mastodon Ivory, Repousse, Engraved
This piece opens to reveal an inner box with relief engraving that echos the outer lid.
Traditionally, boxes were considered prized possessions and customarily used to store wealth or special ceremonial objects such as masks, rattles, clothing and adornments. People often gave names to these beautiful ornate boxes, told stories about their histories and treated them as family heirlooms. However, non-decorated boxes acted as instruments of life – from storing less precious articles, to food and later used for mortuary purposes. In Haida mythology, a stack of boxes contained the essence from which Raven created the world.
Eagle, Dogfish, Beaver and Frog Box retains its traditional elements through conception and imagery. Derek exhibits his mastery in his precision of line and perfect symmetry of the formline of this treasure. The gently angled lid with Abalone inlay, as well as the engraved and incised elements on the box is suggestive of the prototypic bent cornered wooden boxes and chests.
The box contains not only depictions of four important crest animals, but connects to past traditions in which a box held more than the material object, it also linked people to their heritage, lineage and each other.