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One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
Garner Moody was born in Prince Rupert, B.C. on May 27th, 1958. Although born in Prince Rupert, Garner was adopted by Lloyd and Muriel Moody of Skidegate, B.C., making him the nephew of Haida artist Rufus Moody.
Garner began carving at the early age of nine and, by age fifteen, he was carving his first piece of argillite. After moving to Vancouver in 1987, he spent the next two years working with renowned Haida artist Bill Reid on his Lootaas canoe and alongside a host of accomplished carvers such as Alfred Collinson, Rufus Moody, Giitsxaa, Nelson Cross, and Ding (Melvin) Hutchingson.
He was featured in the powerful television series ‘Ravens & Eagles’ filmed entirely in British Columbia. This 13-part program celebrated the traditions of Haida art through the perspective of those who practice its form. Both Garner Moody and Tim Boyko were highlighted as some of the last apprentices to work with the late master carver Bill Reid, and were recognized as some of the most promising emerging artists from Haida Gwaii.
Now residing in the Queen Charlotte Islands, Garner Moody works in various mediums including cedar, gold, argillite and paper – all exemplifying his exquisite attention to detail and extraordinary artistic skills.
Red Cedar wood, Yellow Cedar wood, Abalone shell, Acrylic paint, Leather
The carving of flutes of the Northwest Coast extends back historically through time. The dramatic importance of the flute was indicated by the variety of specialized whistles, each of which was produced to make specific tones. Songs and dances were part fo all ceremony and ritual, a fundamental element of the inherited privilege. Equally important were the many whistles and other musical instruments that were specifically designated for most dances. Wooden whistles of one, two or three shafts, each with several holes and reeds produced a strong and clear note. Flutes and whistles were traditionally blown in the woods to introduce the cermonial season. Every instrument was the object of time, skill and concern and was considered by those who owned it as a necessary part of the family’s collection