Availability: Only 2 available
Serigraph, Edition of 110
Only 2 available
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or firstname.lastname@example.org and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Serigraph, Edition of 110
|Dimensions||21.75 x 14.75 "|
|LOC||CP - - PD4 -|
Ernest Swanson is a Haida artist from Old Massett, British Columbia, who currently lives in Vancouver. Ernest holds the traditional Haida name, Giinowaan, as a successor to the Yaghulaanas Raven Clan of Dadens. As a matrilineal descendent of iconic Haida artists including Charles Edenshaw, and grandson to the late Rufus Moody, Ernest continues his family’s legacy by creating traditional Haida art. In 2004, he began to work with artists such as Jim McGuire, Christian White and Chief Edenso “James Hart”. In 2005, he won the Emerging Artist award from British Columbia’s Alliance of Arts and Culture. Ernest assisted James Hart on the carving of the Celebration of Bill Reid pole, which was raised in 2009 at the Bill Reid Gallery of Northwest Coast Art in Vancouver.
Ernest has continued to display his works on regional, national, and international scales, working in wood, silver, gold, and argillite. Ernest has a passion for working with youth, and has worked with diverse youth groups in HIV/AIDS awareness, mural paintings, drum making workshops, Haida language and history, dance classes, traditional storytelling, and design workshops, with organizations including the Vancouver Aboriginal Child and Family Services Society, Aboriginal and Northern Affairs Canada, the Old Massett Village Teen Centre, and the Haida Gwaii Youth Assembly. Most recently Ernest has been elected into the Council of the Haida Nation as a Vancouver regional representative.
“Our culture; our heritage is born of our respectful, intimate ties with the earth and the sea. Like a forest, the roots of our people are entwined, and adversity will not cut us down. We owe our existence to Haida Gwaii. It is here on these islands, where our ancestors lived and died, that we shall live until such time as they send us the sign to join them in the next world. The generation of those living today assumes the responsibility of passing down our heritage to the generations that follow.”
– Ernest Swanson
2009 Haida Masterworks, a group exhibition at Coastal Peoples Fine Arts Gallery, Vancouver, B.C.
you may also like
Serigraph, Edition of 100
“This contemporary Coast Salish sun design is an attempt to mediate between the Hul'qumi'num language (the language of the Cowichan Tribes) and English. There have been various anglecized spellings of this Hul'qumi'num toponym (place name), such as “Cowichan,” “Khowutzun,” and the currently accepted “Quwutsun.” This Hul'qumi'num term has been simplified and misinterpreted as meaning “The Warm Land,” when it should be more correctly interpreted as meaning “warmed by the sun,” or “basking in the sun with your back turned to the sun.”
The four eclipsed suns surrounding the central sun symbolize the darkness of ignorance blocking Daylight, a powerful source of truth.”