Availability: Only 1 available
Red Cedar wood, Acrylic paint
Price available on request
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or email@example.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Red Cedar wood, Acrylic paint
|Dimensions||42 x 42 x 3"|
Born on July 27th, 1976, Jay Simeon’s heritage is a blend if two very different backgrounds; plains and northwest coast First Nations. He is Blackfoot on his mother’s side and Haida on his father’s from a small village named Kiusta. Located along the northwestern tip of the Queen Charlotte Islands, north of Old Masset, it is considered to be an ancient totem pole sanctuary. Jay’s prominent family crests include the Eagle, Killerwhale, Cormorant, Frog, Beaver, Flicker and Raven. He has a strong connection to both sides of his roots, however, has begun to pursue more of his Haida heritage by way of his artwork.
At the tender age of fourteen Jay began to pursue designing under the guidance of Sharon Hitchcock, a Haida artist who is his first cousin. He progressed rapidly as an artist and has become a proficient designer interested in exploring various mediums. One of these mediums is argillite, a slate inherent to the Haida culture.
After moving to Vancouver, Jay was introduced to Andrew Williams, an emerging argillite carver and dealer. His influence inspired him to take up the art of carving this material. In a relatively short timeframe Jay progressed very rapidly. He creates some outstanding works that are elaborately inlayed with abalone shell and mastodon ivory. He is incredibly detail oriented and reveals exquisite artistry in each piece he creates. In addition, Jay is currently carving cedar wood specializing in miniature and model images such as masks, poles, canoes, and feast bowls. His abilities clearly extend beyond his years and he is well on his way to achieving his goals of becoming one of the leading artists of the 21st century.
2011 BC Creative Achievement Award in First Nations’ Art
you may also like
Yellow Cedar wood, Red Cedar wood, Opercula shells, Acrylic paint
Specific and unique to the Northwest Coast People is the bentwood or bent-corner box or container. A most outstanding item of the First Nations people, it is a made from one single plank of wood through a lengthy steaming process – a method strictly adapted by the coastal peoples.
The Chief of the Sea is the highest deity of the Haida ocean spirits. The Chief has great transformative powers and the ability to move on both land and sea, usually in his known forms; animal or human.
Price upon request
Includes Skil Hat Stand; Yew wood, Brass
Edition 1 of 3
5.25″ x 2.75″ x 2.75″ (including stand)
Sterling Silver, Argillite, Abalone shell, Engraved
Although Derek White’s Beaver and Bear Box is constructed from the contemporary material of Sterling Silver combined with Argillite, this box retains its traditional values through conception and imagery. Derek exhibits his mastery in his precision of line and perfect symmetry of the formline on this treasure. The gently angled lid with Abalone inlay as well as the engraved and incised elements on the box is suggestive of the prototypic bent cornered wooden boxes and chests.
Ivory, Abalone, Sterling silver, engraved
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.