Availability: Only 1 available
Yellow Cedar wood
64 x 10 x 10″ (including base)
Only 1 available
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- Additional Information
- Artist Bio
Yellow Cedar wood
64 x 10 x 10″ (including base)
|Dimensions||64 x 3.75 x 6.75"|
|Artist||James Johnny Jr.|
James Johnny Jr. was born July 5th, 1973 in Victoria, British Columbia, Canada situated along the southern coast of Vancouver Island. He is a member of the Kwakwaka’wakw Nation, on his mother’s side and Coast Salish Nation, on his father’s side. He takes the Killerwhale, revered as a powerful hunter of the ocean, as his family crest symbol.
James began drawing and carving at the young age of thirteen (1998) as a result of watching his father, Jim Johnny, carve on a regular basis. Carving came naturally to James since he picked up the skills quickly and achieved accurate, dimensional and balanced pieces that contained a great deal of movement. He prefers to use red and yellow cedar wood as his medium and understands the make – up of cedar in order to bring out the best qualities in his pieces.
Presently, James resides in Victoria and relies on carving for his livelihood. James’ work can be found in many private collections within North America as well as in a small number of galleries. His attention to detail is evident in each piece that he creates and he continues to improve with each carving.
James is one of the many new generation of carvers whose talent and skills will enable him to achieve a prominent level within a short period of time.
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The man or Nanasimgit is depicted at the bottom of the pipe holding skils to represent his stature. It shows the numerous potlatches he has held. The following story is a shortened version as told by the artist, Christian White:
One day, the man’s wife was washing sea otter skins near the ocean, when a Killerwhale arose from the surface. It coaxed her into the water and carried her seaward while her husband watched in disbelief. Without hesitation, he quickly decided to follow them until the Killerwhale dove near a two-headed kelp, which prevented him from going any further. He was feeling quite distraught as he returned back to the village but by then he had decided to seek the help of his uncle, the Frog.
The Frog offered him advice on how he could get his wife back and suggested that he take specific objects with him for his journey. He brought spruce root twine, a gimlet and medicine, placing them in his canoe. But, before he embarked on his journey, he was urged to undergo a fast in order to cleanse his body, which involved various rituals.
Once the fast was completed, the man embarked on his quest until he came across the kelp he had encountered before. He tied his canoe to the kelp along with his possessions and climbed down beneath the surface to find himself in another world. He followed a path where he encountered three blind women that resembled Geese. He used his medicine to cure two of the women while the third one chose not to accept the medicine. The cured women vowed to repay him for his deed. As he proceeded onward, the man came across two slaves, from the Killerwhale clan, chopping wood. As they proceeded to chop the wood, the head of their axe fell off and they began to cry knowing the consequences they would face from the Chief. The man stopped to assist them and in return they directed him to his wife’s dwelling. The slaves warned the man of the watchmen pole that stood in front of the longhouse protecting the inhabitants. The watchmen had the ability to scent out and watch out for intruders.
While he proceeded further on his path and thought about how to divert the watchmen, the man encountered a Heron repairing a canoe without success. The man stopped to offer him his gimlet to successfully repair the canoe. In return for his generosity, the Heron helped conceal the man under his wing blanket from the Black Whale guards and the watchmen. He successfully entered the longhouse to happily find his wife. At this point, the watchmen discovered the man taking his wife back with him, but were unable to stop him.
When the man arrived back with his wife to his village he felt a different connection with her, as though she was not herself. At night, he would keep her in a bentwood box, but one morning when he awoke, to his surprise she escaped. She left to be with her Killerwhale family and fully transformed into a Killerwhale. This was the last he saw of her.
4.75 x 10.25 x 1.25″ (without base)
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Derek White’s extraordinary Beaver & Eagle Fish Bowl, created in the traditional Haida form and utilizing the ancient technique of repousse to add dimension, demonstrates his articulate master carving and artistry skills. Containers such as bowls were traditionally created out of Cedar or Alder wood and utilized in daily life. The chosen medium of silver serves as a contemporary progression of this ancient art form while illustrating the intricate foundational links which combine cultural heritage with the arts.