Availability: Only 1 available
Yellow Cedar wood, Abalone shell
Only 1 available
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- Additional Information
- Artist Bio
Yellow Cedar wood, Abalone shell
|Dimensions||61 x 4 x 1"|
Barry Scow was born in 1964 in the village of Alert Bay, British Columbia, an area located of the northern tip of Vancouver Island known for its long-standing tradition of producing and nurturing powerful carvers. His grandfather was a Chief and as a result of this, Barry Scow grew up with a strong sense of his cultural heritage. His uncle was the first native person to graduate from UBC School of Law. He became a partner in a successful law firm and later became a BC Provincial Court Judge. He significantly influenced Barry, intending to adopt Barry as a child.
During Barry’s early years as an artist, he was often hired to repair totem poles. This allowed him to learn from many different artists and become familiar with the carving styles of different nations of the Northwest Coast. For two years after the 1987 Expo, Barry Scow formally apprenticed under the late Joe Peters Junior. He then studied under Wayne Alfred and Beau Dick, one of the most prominent carvers on the Northwest Coast. In 1992 Barry, Wayne, and Beau worked together to carve a 40-foot totem pole that stands in Stanley Park today.
Exhibiting great determination to become an accomplished carver, Scow has emerged as an important talent and is now carving powerful and finely crafted masks. Currently, he is the only artist focusing solely on transformation and other types of articulated masks – a skill he started developing in his youth when he was a puppet master, carving animated puppets.
Scow has exhibited the discipline and determination to become one of the Northwest Coast’s prominent Kwakwaka’wakw artists. Coastal Peoples Fine Arts Gallery is pleased to present the work of this outstanding artist.
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Bronze Cast, Marble base
Edition of 12
9.5 x 8 x 5″
Volcano Woman is perhaps one of the oldest and most revered legends which tells of a mortal”s fate if he/she does not treat sacred objects or creatures with respect. In defense of her beloved wild creatures, she controls the powerful volcanoes. Stories tell of how the killing of a frog leads the Volcano woman to destroy an entire village.
Volcano Woman is a supernatural, powerful person in First Nations mythology. She had a son who, like his mother, had supernatural abilities. He often liked to change from his Human form to that of a Frog (Wukus).
Years ago, a Prince and his two friends went fishing. Hungry, they lay their food on leaves. The Wukus (Frog), being mischievous, jumped on their food. Twice the young Prince threw the Frog into the shrubs but on the third time they threw the frog into the fire and killed the innocent creature.
A few nights later, a woman could be heard crying and wailing. “Who has done this, come forward and I will spare your village.” This warning went unheeded for some time until finally a Woman of the Elders went to the village outskirts to see her. Volcano Woman instructed the Woman of the Elders to send forth the three young men and she would spare the village from volcanic destruction. The Woman of the Elders begging for the sake of the Village told of Volcano Woman”s ultimatum – but this warning went unheeded.
On the final night of the village’s existence, Volcano Woman was heard saying, “I asked for those responsible to take heed and now you will know my vengeance.” The Village shook, a Volcano erupted, destroying the village and all who lived there.