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Yellow Cedar wood, Abalone shell
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- Additional Information
- Artist Bio
Yellow Cedar wood, Abalone shell
|Dimensions||61 x 4 x 1"|
Barry Scow was born in 1964 in the village of Alert Bay, British Columbia, an area located of the northern tip of Vancouver Island known for its long-standing tradition of producing and nurturing powerful carvers. His grandfather was a Chief and as a result of this, Barry Scow grew up with a strong sense of his cultural heritage. His uncle was the first Indigenous person to graduate from UBC School of Law, and he became a partner in a successful law firm, then later became a BC Provincial Court Judge. He influenced Barry significantly and intended to adopt Barry as a child.
During Barry’s early years as an artist, he was often hired to repair totem poles. This allowed him to learn from many different artists and become familiar with the carving styles of different nations of the Northwest Coast. For two years after the 1987 Expo, Barry Scow formally apprenticed under the late Joe Peters Junior. He then studied under Wayne Alfred and Beau Dick, one of the most prominent carvers on the Northwest Coast. In 1992 Barry, Wayne, and Beau worked together to carve a 40-foot totem pole that stands in Stanley Park today.
Exhibiting great determination to become an accomplished carver, Scow has emerged as an important talent and is now carving powerful and finely crafted masks. Currently, he is the only artist focusing solely on transformation and other types of articulated masks – a skill he started developing in his youth when he was a puppet master, carving animated puppets.
Scow has exhibited the discipline and determination to become one of the Northwest Coast’s prominent Kwakwaka’wakw artists. Coastal Peoples Fine Arts Gallery is pleased to present the work of this outstanding artist.
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Yellow Cedar wood
A ceremonial dish, also known as a feast dish or potlatch dish, was a treasured heirloom which families brought out for great feasts as a gesture of hospitality and welcoming. Presently, many ceremonial dishes are carved in miniature form, meant for collectors who appreciate the historic and symbolic value behind each artwork. This aspect of the art is considered to be a contemporary turn that northwest coast native art has taken throughout the years.
Garner began carving at the early age of nine and, by age fifteen, he was carving his first piece of argillite. After moving to Vancouver in 1987, he spent the next two years working with renowned Haida artist Bill Reid on his Lootaas canoe and alongside a host of accomplished carvers such as Alfred Collinson, Rufus Moody, Giitsxaa, Nelson Cross, and Ding (Melvin) Hutchingson. Moody works in various mediums including cedar, gold, argillite and paper – all exemplifying his exquisite attention to detail and extraordinary artistic skills.