Availability: Only 1 available
Yellow Cedar wood, Acrylic paint
Only 1 availableReserve this artwork
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or firstname.lastname@example.org and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Yellow Cedar wood, Acrylic paint
|Dimensions||53 x 6 x 1"|
|Artist||James Johnny Jr.|
|Nation||Coast Salish / Kwakwaka'wakw Nations|
Coast Salish / Kwakwaka’wakw Nations
James Johnny Jr. was born July 5th, 1973 in Victoria, British Columbia, Canada situated along the southern coast of Vancouver Island. He is a member of the Kwakwaka’wakw Nation, on his mother’s side and Coast Salish Nation, on his father’s side. He takes the Killerwhale, revered as a powerful hunter of the ocean, as his family crest symbol.
James began drawing and carving at the young age of thirteen (1998) as a result of watching his father, Jim Johnny, carve on a regular basis. Carving came naturally to James since he picked up the skills quickly and achieved accurate, dimensional and balanced pieces that contained a great deal of movement. He prefers to use red and yellow cedar wood as his medium and understands the make – up of cedar in order to bring out the best qualities in his pieces.
Presently, James resides in Victoria and relies on carving for his livelihood. James’ work can be found in many private collections within North America as well as in a small number of galleries. His attention to detail is evident in each piece that he creates and he continues to improve with each carving.
James is one of the many new generation of carvers whose talent and skills will enable him to achieve a prominent level within a short period of time.
you may also like
Yellow Cedar wood
A ceremonial dish, also known as a feast dish or potlatch dish, was a treasured heirloom which families brought out for great feasts as a gesture of hospitality and welcoming. Presently, many ceremonial dishes are carved in miniature form, meant for collectors who appreciate the historic and symbolic value behind each artwork. This aspect of the art is considered to be a contemporary turn that northwest coast native art has taken throughout the years.
Garner began carving at the early age of nine and, by age fifteen, he was carving his first piece of argillite. After moving to Vancouver in 1987, he spent the next two years working with renowned Haida artist Bill Reid on his Lootaas canoe and alongside a host of accomplished carvers such as Alfred Collinson, Rufus Moody, Giitsxaa, Nelson Cross, and Ding (Melvin) Hutchingson. Moody works in various mediums including cedar, gold, argillite and paper – all exemplifying his exquisite attention to detail and extraordinary artistic skills.
Birch wood, Abalone, Ivory
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
A frontlet is a forehead mask attached to a woven headpiece. It is worn by chiefs and high-ranking individuals as a display of crests and status. Frontlets are often decorated with materials that are symbols of wealth and power: abalone shell, operculum shell, sea lion whiskers, feathers and/or ermine pelts.
The intelligent Eagle symbolizes status, power, peace and friendship.
Other works by this artist
Loon’s cry is particularly relevant to First Nations individuals, for voices and songs are thought to be carriers of magic. As a result, some shamans consider Loon to be one of the most prominent animal spirit helpers – their voices acting as a bridge between the animal and spirit world.