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One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
Klatle Bhi, pronounced “Klath Bay”, was born in North Vancouver, British Columbia in 1966. His name, given to him by his grandmother, Emily Baker, means “Head Killerwhale of a pod of Killerwhales.”
His interest in the art world began at a young age with avid study of his ancestors who were featured in museums and galleries. He spent two years apprenticing with master carver Simon Dick and attributes a large part of his success to this time.
Klatle Bhi spent many hours with Wayne Alfred, Wade Baker, and Rick Harry absorbing their understanding and knowledge of Native culture. His uncle, T. Richard Baker, has shared with Klatle the knowledge he has gained over many years of working with renowned Haida artists Bill Reid, Robert Davidson and Jim Hart.
Klatle is committed to the spiritual and cultural expression of his people. He has taken part in cultural events such as mask dancing, singing, Potlaching as well as playing a prominent role in the revival of sea-going canoe journeys. Many of his carvings and graphics express his personal and spiritual journey. To Klatle, creating with his hands serves as a source of purification and learning.
Red Cedar wood, Yellow Cedar wood, Abalone shell, Acrylic paint, Leather
The carving of flutes of the Northwest Coast extends back historically through time. The dramatic importance of the flute was indicated by the variety of specialized whistles, each of which was produced to make specific tones. Songs and dances were part fo all ceremony and ritual, a fundamental element of the inherited privilege. Equally important were the many whistles and other musical instruments that were specifically designated for most dances. Wooden whistles of one, two or three shafts, each with several holes and reeds produced a strong and clear note. Flutes and whistles were traditionally blown in the woods to introduce the cermonial season. Every instrument was the object of time, skill and concern and was considered by those who owned it as a necessary part of the family’s collection