Availability: Only 1 available
Red Cedar wood, Acrylic paint
Only 1 available
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- Additional Information
- Artist Bio
Red Cedar wood, Acrylic paint
|Dimensions||7.25 x 3.5 x 3.5"|
|Nation||Kwakwaka'wakw ('Namgis) Nation|
Kwakwaka’wakw (‘Namgis) Nation
Bruce Alfred, a Kwakwaka’wakw artist of the ‘Namgis First Nation, was born August 24, 1950, in Alert Bay, British Columbia. Immersed in the traditional practices of the Kwakwaka’wakw culture, he was raised and currently resides in Alert Bay.
Bruce stems from a long line of prominent artists. He is first cousins with the renowned Hunt brothers. Throughout his career he has worked with such prominent artists as Wayne Alfred, Beau Dick and Richard Hunt. World-renowned artist Doug Cranmer was instrumental in teaching Alfred the elements of design and engraving and introduced him to the art of steam-bending wood boxes and chests. Alfred has been a part of many monumental projects, including the replica building of a Haida village, headed by Bill Reid and Doug Cranmer. Additionally, he contributed to the carving of a 30-foot totem pole for his village.
Alfred’s career spans over 30 years. He currently focuses on steam-bent boxes and chests that are consistently elaborately carved and painted. His signature is in the shaping of the lid, which resembles a seat. This seat-shaped lid reveals a traditional style of chests owned by the Chief who sat on the box during special occasions. These bentwood chests and boxes are highly sought after by many international collectors for their dramatic and traditional qualities.
Bruce Alfred was the recipient of BC’s 2008 Fulmer Award in First Nations Art . He is one of the premier artists of the Kwakwaka’wakw Peoples and his work is highly prized by collectors both locally and abroad.
2008 Fulmer Award in First Nations Art (formerly known as British Columbia Creative Achievement Award for First Nations’ Art)
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Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.
Yellow Cedar wood
A ceremonial dish, also known as a feast dish or potlatch dish, was a treasured heirloom which families brought out for great feasts as a gesture of hospitality and welcoming. Presently, many ceremonial dishes are carved in miniature form, meant for collectors who appreciate the historic and symbolic value behind each artwork. This aspect of the art is considered to be a contemporary turn that northwest coast native art has taken throughout the years.
Garner began carving at the early age of nine and, by age fifteen, he was carving his first piece of argillite. After moving to Vancouver in 1987, he spent the next two years working with renowned Haida artist Bill Reid on his Lootaas canoe and alongside a host of accomplished carvers such as Alfred Collinson, Rufus Moody, Giitsxaa, Nelson Cross, and Ding (Melvin) Hutchingson. Moody works in various mediums including cedar, gold, argillite and paper – all exemplifying his exquisite attention to detail and extraordinary artistic skills.
Sterling Silver, Argillite, Abalone shell, Engraved
Although Derek White’s Beaver and Bear Box is constructed from the contemporary material of Sterling Silver combined with Argillite, this box retains its traditional values through conception and imagery. Derek exhibits his mastery in his precision of line and perfect symmetry of the formline on this treasure. The gently angled lid with Abalone inlay as well as the engraved and incised elements on the box is suggestive of the prototypic bent cornered wooden boxes and chests.