Availability: Only 1 available
Only 1 availableReserve this artwork
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or firstname.lastname@example.org and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
*Ring shown may be able to be resized and it takes up to 10 business days approximately to size either up or down (no more than 2 sizes). Note: not every ring can be resized. Please contact us for more details on resizing, and artists available for new ring commissions.
- Additional Information
- Artist Bio
14K Yellow Gold, Engraved
|Nation||Kwakwaka'wakw / Tlingit Nations|
Kwakwaka’wakw / Tlingit Nations
Corrine Hunt is a member of the Raven Gwa’wina clan from Ts’akis, a Komoyue village on Vancouver Island. Her rich family history includes internationally renowned First Nations artists George Hunt, Henry Hunt, Richard Hunt and Tony Hunt, all of whom have been influential on her art. Uncle Norman Brotchie was also a significant teacher and mentor, introducing Corrine to Kwakwaka’wakw traditions and the art of jewelry-making.
Born in Alert Bay in 1959, Corrine’s paternal grandmother A’neesla’ga,’ a Tlingit noblewoman from Alaska, gave her the name ‘Killer Whale Scratching Her Back on the Beach’ in 1965. Since 1985 she has been creating contemporary art that reflects the themes and traditions of her First Nations Komoyue and Tlingit heritage.
Corrine’s work includes engraved gold and silver jewelry and accessories, sculptural installations such as totem poles, and custom furnishings in carved stainless steel and reclaimed wood, executed in a distinctively contemporary style all of her own. Working with the concept of living culture, Corrine is creating fine art objects that are both aesthetically pleasing and of practical use. She is interested in exploring unique ways to translate the traditions of her First Nations culture; “I want to show how both the First Nations people and the art have evolved,” she explains.
Corrine designed the logo for the World Peace Forum held in Vancouver, 2006. There were installations of her work at the Hilton Hotel, Whistler, and the Office for Indian and Northern Affairs Canada.
In 2009, she was a co-creator of the medals for the 2010 Olympic Games held in Vancouver. These featured her original designs of the Pacific Northwest Coast crest figures of the Killerwhale and Raven. Corrine’s artistic endeavours were recognized with the National Aboriginal Achievement Award in 2011. As well as her prolific art practice, Corrine is focused on mentoring First Nations artists and other creative practitioners in this present day, and continues to be a forceful supporter of the creative arts in British Columbia.
2021 | Kapiguxw’id: Iklegans dudakwo | Gathering: It’s good to see you [again].
September 25 to October 29, 2021
As a contemporary Indigenous designer, Corrine Hunt presents an inspired collection of artistic visions and experiences arising from her travels far away and her hub at home in this multi-media exhibition. Read more details here.
you may also like
Price upon request
20K Gold, Abalone; Repousse, Chased
2.5 x 2 x 1″ (including bale)
Jesse Brillon’s Eagle Amulet is cast in 20K gold and ornately inlayed with exquisite blue, green and purple hued abalone shells. This amulet illuminates ancient mythology and tradition. This contemporized work provides a visual reference to one of the most notable beings in First Nations art and culture: the Eagle.
Steeped in tradition, this masterfully carved work provides depth, grace and stature beyond the presented image. Jesse Brillon’s Eagle Pendant pays homage to the tradition of nature and the interconnection between all living creatures.