Availability: Only 1 available
Sterling Silver, Engraved
Maple wood base included
Only 1 available
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- Additional Information
- Artist Bio
Sterling Silver, Engraved
Maple wood base included
|Dimensions||6 x 1.5 "|
Daniel Yunkws is a former apprentice of noted Gitksan artist, Philip Janze, who educated Daniel on various wood and jewelry carving techniques. After completing his apprenticeship, Daniel began to explore the combination of both aspects of his heritage; his Gitksan side and his Celtic side. Primarily he experimented in silver, creating lovely fluid designs in which his pairing of forms in a whimsical approach set him apart from his peers. Not only did he enjoy experimenting with silver and gold, but continued to further his carving techniques in wood.
Currently, Daniel primarily works in maple, alder, cedar, silver and gold, but his medium of choice depends on what he is able to discover. Creating truly beautiful images within each piece, Daniel is a gifted artist whose innovations and unique depictions show the evolution of Gitksan art for future generations to embrace and understand. He is well on his way to furthering his career as an accomplished northern artist who already boasts a strong following.
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Yellow Cedar wood, Red Cedar wood, Glass, Etched, Sandblasted, LED Illumination, Acrylic paint
“This piece is a representation of the Moon which is [an] ancestral part of our mythology. Moon is said to have been the great leader who changed great things in his time among our people. Being half human and half sky being, he was part of the people. This depiction in particular, shows the Salmon numbered in five, which also denotes the number used in defining Puyallup stories as these are shared through the Puget Sound.” – Shaun Peterson
The artist has mixed conventional Northwest Coast materials with modern media to create this moon panel, Keeper of the Tide.
The central figure represents the face of the moon. In Northwest Coast culture, the Moon is regarded as a symbol of protection and guardianship. The Moon is often associated with transformation.
Using sandblasted glass, Shaun has incorporated swimming salmon circling the Moon’s face. Salmon are honoured and celebrated by all coastal peoples: the fish serves as a powerful symbol of regeneration, self-sacrifice, and perseverance. Shortages of salmon are traditioally attributed to human disrespect and refusal to listen to and live by the wisdom of elders.
Elk hide, Sinew, Acrylic paint
The drum is considered one of the main percussive instruments, along with the rattle, which was used in traditional Northwest Coast ceremonies and cultural events. Its beat provides the basis from which dances, songs and oral histories are performed during a Potlatch.
The Thunderbird is a supernatural, mythical creature that lives high in the mountains and feeds on Killerwhale. It’s been aptly named for the thunder that rolls off its wings and lightening comes from its eyes when it flies.
Price upon request
This piece opens to reveal an inner box with relief engraving that echos the outer lid.
Traditionally, boxes were considered prized possessions and customarily used to store wealth or special ceremonial objects such as masks, rattles, clothing and adornments. People often gave names to these beautiful ornate boxes, told stories about their histories and treated them as family heirlooms. However, non-decorated boxes acted as instruments of life – from storing less precious articles, to food and later used for mortuary purposes. In Haida mythology, a stack of boxes contained the essence from which Raven created the world.
Eagle, Dogfish, Beaver and Frog Box retains its traditional elements through conception and imagery. Derek exhibits his mastery in his precision of line and perfect symmetry of the formline of this treasure. The gently angled lid with Abalone inlay, as well as the engraved and incised elements on the box is suggestive of the prototypic bent cornered wooden boxes and chests.
The box contains not only depictions of four important crest animals, but connects to past traditions in which a box held more than the material object, it also linked people to their heritage, lineage and each other.
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.
Price upon request
Argillite, Catlinite, Abalone shell, Mother of Pearl
This ornately detailed panel pipe inlayed with catlanite, abalone shell and mother of pearl tells the ancient story of Nanasimgit.
The man or Nanasimgit is depicted at the bottom of the pipe holding skils to represent his stature. It shows the numerous potlatches he has held. The following story is a shortened version as told by the artist, Christian White:
One day, the man’s wife was washing sea otter skins near the ocean, when a Killerwhale arose from the surface. It coaxed her into the water and carried her seaward while her husband watched in disbelief. Without hesitation, he quickly decided to follow them until the Killerwhale dove near a two-headed kelp, which prevented him from going any further. He was feeling quite distraught as he returned back to the village but by then he had decided to seek the help of his uncle, the Frog.
The Frog offered him advice on how he could get his wife back and suggested that he take specific objects with him for his journey. He brought spruce root twine, a gimlet and medicine, placing them in his canoe. But, before he embarked on his journey, he was urged to undergo a fast in order to cleanse his body, which involved various rituals.
Once the fast was completed, the man embarked on his quest until he came across the kelp he had encountered before. He tied his canoe to the kelp along with his possessions and climbed down beneath the surface to find himself in another world. He followed a path where he encountered three blind women that resembled Geese. He used his medicine to cure two of the women while the third one chose not to accept the medicine. The cured women vowed to repay him for his deed. As he proceeded onward, the man came across two slaves, from the Killerwhale clan, chopping wood. As they proceeded to chop the wood, the head of their axe fell off and they began to cry knowing the consequences they would face from the Chief. The man stopped to assist them and in return they directed him to his wife’s dwelling. The slaves warned the man of the watchmen pole that stood in front of the longhouse protecting the inhabitants. The watchmen had the ability to scent out and watch out for intruders.
While he proceeded further on his path and thought about how to divert the watchmen, the man encountered a Heron repairing a canoe without success. The man stopped to offer him his gimlet to successfully repair the canoe. In return for his generosity, the Heron helped conceal the man under his wing blanket from the Black Whale guards and the watchmen. He successfully entered the longhouse to happily find his wife. At this point, the watchmen discovered the man taking his wife back with him, but were unable to stop him.
When the man arrived back with his wife to his village he felt a different connection with her, as though she was not herself. At night, he would keep her in a bentwood box, but one morning when he awoke, to his surprise she escaped. She left to be with her Killerwhale family and fully transformed into a Killerwhale. This was the last he saw of her.
4.75 x 10.25 x 1.25″ (without base)
8 x 12 x 5.25″ (with base)