Eagle Triptych Panels
Availability: Out of stock
Red Cedar wood, Acrylic paint
24.5 x 36 x 2″ (each panel)
73.5 x 36 x 2″ (entire triptych)
“This is the second triptych I did for this show, and this time I chose a different approach. One giant figure across three boards. The design is an Eagle, using painted undulating formline. I used blue formline with red secondary, simply because it is one of my favourite colours.” – Don Yeomans
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- Additional Information
- Artist Bio
Red Cedar wood, Acrylic paint
24.5 x 36 x 2″ (each panel)
73.5 x 36 x 2″ (entire triptych)
“This is the second triptych I did for this show, and this time I chose a different approach. One giant figure across three boards. The design is an Eagle, using painted undulating formline. I used blue formline with red secondary, simply because it is one of my favourite colours.” – Don Yeomans
Product Number | I-79699 |
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Exhibition Code | YEO22 |
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Artist | Don Yeomans |
Nation | Haida / Metis Nations |
Description | Haida / Metis Nations Born on June 29, 1958, in Prince Rupert, BC, Don Yeomans is one of the most respected and renowned Northwest Coast Native artists. Born of a Masset Haida father and a Metis mother from Slave Lake, Alberta, Yeomans has studied and worked in the Haida Style since he was a youth. As a young man, Yeomans apprenticed under the expert guidance of his aunt, Freda Diesing. He worked with Robert Davidson RCA on the Charles Edenshaw Memorial Longhouse and completed a jewelry apprenticeship with Phil Janze. Yeomans has also studied fine art at Langara College in Vancouver. He has worked with many acclaimed Northwest coast artists, including Bill Reid, Robert Davidson, Phil Janze and Gerry Marks, studying their styles, techniques and philosophies. Don Yeomans crafts his artworks in many materials: he creates exquisite jewelry pieces in gold and silver, paints elegant Haida designs on paper, produces outstanding prints and is one of the finest carvers. His work can be found in the University of British Columbia’s Museum of Anthropology, the Royal British Columbia Museum, the Canadian Museum of Civilization, and the Seattle Art Museum. In 2002 he completed a major totem pole commission for Stanford University. |
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A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
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To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
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A frontlet is a forehead mask attached to a woven headpiece. It is worn by chiefs and high-ranking individuals as a display of crests and status. Frontlets are often decorated with materials that are symbols of wealth and power: abalone shell, operculum shell, sea lion whiskers, feathers and/or ermine pelts.
The intelligent Eagle symbolizes status, power, peace and friendship.
Other works by this artist
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“Birth of an Idea” Panel
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“Originally, this panel was a naked yellow cedar board, but I added the white to highlight the undulating formlines, which are easier to see on a monochromatic surface. The main character is basically a mighty mouse, abstracted to convey how ideas emerge from my mind’s eye towards the hands – or in this case, the paw of the mighty mouse. The condensed figure within the eye is an embryonic idea.
Yup, that’s how they all look to me!” – Don Yeomans
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Le Colibrí (Hummingbird) Panel
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“My son, who loves France and is fluent in the French language, told me that the colours I used for this Hummingbird reminded him of the French flag. ‘Le Colibri’ is simply the French word for Hummingbird.” – Don Yeomans
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Don Yeomans’ Killerwhale & Eagle Panel is a beautiful and dynamic depiction of two significant and powerful figures in Pacific Northwest Coast Indigenous culture. Carved from rich red cedar wood, the panel features a classic red and black color-scheme that is commonly seen in historic northern artworks. The vibrant red, combined with the dynamic expressiveness of the carving, easily captures the attention of all those in its vicinity. With such impeccable detail and fluidity, this artwork serves as a true testament to Don Yeomans’ skill as a master artist.