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One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
Born in 1952 in Metlakatla, Alaska, David Boxley was raised by his grandparents. David learned many Tsimshian traditions including the language from them. His four Tsimshian names include one that means the “First to Potlatch”, and another one that means “He who works with cedar”.
After graduating high school he attended Seattle Pacific University where he received a Bachelor of Science degree in 1974. He then became a teacher and basketball coach to Junior and Senior high students in Alaska and Washington.
While teaching in Metlakatla in 1979 he began devoting considerable time to the study of traditional Tsimshian carving. Through researching ethnographic material and carvings from museum collections, Boxley learned the traditional carving methods of his grandfather's people.
In 1986, he made a major career decision to leave the security of teaching and to devote all of his energies toward carving and researching the legacy of Northwest Coast art. Since then, David Boxley has become a nationally recognized First Nations artist showing and demonstrating his art in many parts of the United States and Europe.
In 1990, during the Goodwill Games, Boxley was commissioned to carve the crown of a "Talking Stick." Boxley's carving of a unified American eagle and a Russian bear became a symbol of peace and harmony between the United States and Soviet Union and was an important part of the summer's Goodwill Games. Messages from President George Bush and Soviet President Mikhail Gorbachev were inserted in a hollowed portion of the talking stick and athletes carried the stick from Spokane through Washington and Oregon to Seattle for the opening ceremonies. In the millennium year 2000, David was commissioned to carve a Talking Stick for the office of the Mayor of Seattle. In addition, he has carved over 65 totem poles so far in his career.
Boxley's functional and decorative pieces such as bentwood boxes, rattles, masks, prints and panels are in collections of the King and Queen of Sweden, the Emperor of Japan, the President of West Germany, the Mayor of Chongging (China), Microsoft, Walt Disney World, Knott's Berry Farm and numerous other private collectors of fine Northwest Coast art.
The carving of flutes of the Northwest Coast extends back historically through time. The dramatic importance of the flute was indicated by the variety of specialized whistles, each of which was produced to make specific tones. Songs and dances were part fo all ceremony and ritual, a fundamental element of the inherited privilege. Equally important were the many whistles and other musical instruments that were specifically designated for most dances. Wooden whistles of one, two or three shafts, each with several holes and reeds produced a strong and clear note. Flutes and whistles were traditionally blown in the woods to introduce the cermonial season. Every instrument was the object of time, skill and concern and was considered by those who owned it as a necessary part of the family's collection