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- Additional Information
- Artist Bio
|Dimensions||13 x 18 x 7.5"|
|Artist||Toonoo Sharky RCA|
Born June 5, 1970, Toonoo Sharky is the son of the late carver Josephee Sharky and Ragee Killiktee, who also carves once in a while. Toonoo started carving at the age of 10, learning his skills and developing his style by watching his grandfather, Quppapik Ragee, and his uncle Shorty Killiktee.
“My younger brothers, Napachie and Alasua are also carving”, says Toonoo. He lives with Mary Saila, another artist, and they have an adopted child.
“I was influenced by my grandfather Quppapik Ragee, and also by (my uncle) Shorty Killiktee. The first carving I did was at the age of ten. I think it was a bird or a seal.”
He likes to carve in serpentine and marble. “I like the colours and also the textures of both stones. When I’m starting on a piece of stone, I like to slowly work on the piece until the shape starts forming into a shape I can recognize. Sometimes I just go by the shape of the stone. My favourite subjects are bird figures with human faces.”
Toonoo’s work is carefully executed and delicately balanced, with an individual style quite unlike any other. Characteristic of his work are fanciful and dramatic treatments of wildlife, particularly transformation works that are both powerful and humorous. He prefers to carve large works, and transformation birds and seal predominate as subject matter.
Toonoo first exhibited work at the age of seventeen, and since then has exhibited extensively in Canada, the United States, France, Switzerland, and Germany. He is widely regarded as one of the most exciting young carvers to emerge from the Arctic.
Exhibition information is available upon request.
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As goddess of the ocean, Sedna sets strict rules about the proper way to treat the animals of the hunt, which the Inuit require for sustenance. This includes proper treatment of the animals’ spirit when killed for food. If she feels the rules have been broken, she cuts off the supply of food. When this happens, the Inuit tribal shaman is required to take a mystical journey to the bottom of the ocean to speak to the goddess. It is considered the most dangerous journey an Inuit shaman is called upon to make.
Upon arrival at the bottom of the sea the shaman is required to comb Sedna’s hair, because Sedna has no fingers to comb it herself, and to find out what the tribe has done wrong that the food has been cut off. The shaman then makes a deal with Sedna, promising that if the tribe corrects whatever transgressions it has made, the goddess will return their food supply. The shaman then returns to the tribe with the list of things the goddess requires to be done to get the food back.