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Yellow Cedar wood, Acrylic paint
Only 1 available
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- Additional Information
- Artist Bio
Yellow Cedar wood, Acrylic paint
|Dimensions||61.5 x 6 x 2"|
Steve Smith originates from Oweekeno Village in Campbell River, B.C., where he was born in 1968. In 1988, Steve was introduced to carving and painting by his late father, Harris Smith – Lalkawilas. Their collaborative effort produced unique sculptures in basswood, yellow cedar and alder.
After his lengthy apprenticeship, Steve branched out on his own producing a very distinct style of carved works utilizing traditional forms in a contemporary fashion. This young artist displays a rare talent in his works, which are finely finished and exhibit a craftsmanship of the highest quality. He now also collaborates on designs with artist Sabina Hill.
Steve Smith signs his work Dla’kwagila which means “Made to be Copper”. Each piece is finished with beeswax and can be cared for with a soft, dry cloth.
2005 “Changing Hands: Art without Reservation 2”, Museum of Arts and Design, New York, NY
2007 “Coastal Legacy”, a group exhibition at Coastal Peoples Fine Arts Gallery, Vancouver, BC
2009 “Freedom to Move”, Installment at the Vancouver International Airport, Vancouver, BC
2009 “Sea to Sky”, Installment at the Vancouver International Airport, Vancouver, BC
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The carving of flutes of the Northwest Coast extends back historically through time. The dramatic importance of the flute was indicated by the variety of specialized whistles, each of which was produced to make specific tones. Songs and dances were part fo all ceremony and ritual, a fundamental element of the inherited privilege. Equally important were the many whistles and other musical instruments that were specifically designated for most dances. Wooden whistles of one, two or three shafts, each with several holes and reeds produced a strong and clear note. Flutes and whistles were traditionally blown in the woods to introduce the cermonial season. Every instrument was the object of time, skill and concern and was considered by those who owned it as a necessary part of the family’s collection