Frog, Bear & Salmon Panel
Availability: Only 1 available
Yellow Cedar wood
CA$47,500.00
Only 1 available
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- Description
- Additional Information
- Artist Bio
Yellow Cedar wood
Dimensions | 36 x 60 x 3" (91.44 x 152.4 x 7.62cm) |
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Product Number | I-91932 |
Exhibition Code | YEO22 |
Artist | Don Yeomans |
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Nation | Haida / Metis Nations |
Description | Haida / Metis Nations Born on June 29, 1958, in Prince Rupert, BC, Don Yeomans is one of the most respected and renowned Northwest Coast Native artists. Born of a Masset Haida father and a Metis mother from Slave Lake, Alberta, Yeomans has studied and worked in the Haida Style since he was a youth. As a young man, Yeomans apprenticed under the expert guidance of his aunt, Freda Diesing. He worked with Robert Davidson RCA on the Charles Edenshaw Memorial Longhouse and completed a jewelry apprenticeship with Phil Janze. Yeomans has also studied fine art at Langara College in Vancouver. He has worked with many acclaimed Northwest coast artists, including Bill Reid, Robert Davidson, Phil Janze and Gerry Marks, studying their styles, techniques and philosophies. Don Yeomans crafts his artworks in many materials: he creates exquisite jewelry pieces in gold and silver, paints elegant Haida designs on paper, produces outstanding prints and is one of the finest carvers. His work can be found in the University of British Columbia’s Museum of Anthropology, the Royal British Columbia Museum, the Canadian Museum of Civilization, and the Seattle Art Museum. In 2002 he completed a major totem pole commission for Stanford University. |
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“People of the Eagle” Frontlet, masterfully carved and painted by Kwakwaka’wakw artist Barry Scow, represents the Chief and his people of the Eagle clan. True to form of Barry’s fine carving, this frontlet portrays the Eagle with Sun, and commemorates Barry’s link to his Grandfather, who was a Chief, and to his heritage.
A Frontlet is a forehead mask attached to a woven headpiece, worn only by Chiefs and high-ranking individuals in order to display status. This particular frontlet carries the Eagle and Sun motif. The Eagle position belonged to the highest-ranking Chief in the village.
The Eagle lives in the sky, or Upper World, and represents status, power, peace and friendship. Eagle is the Chief of the birds, an honor he shares with the Woodpecker. The Sun is a popular Kwakwaka’wakw motif, used quite regularly in their art. The sun can represent life and creative forces as well as warmth and healing.
To further establish his high position, the Chief practiced a traditional act of discarding his wealth in front of other Chiefs. Much of this wealth was in the form of copper. To break the copper or throw it into the ocean, symbolized that he and his clan were modest of their wealth and that the value of friendship weighed more than the value of material wealth.
To assist the Chief with this historical display of modesty, a subordinate was appointed. The assistant is portrayed below the beak of the Eagle, carved in intricate detail, as one can see in the teeth and tongue of the human face. Another beautiful component of this piece are the Chief’s people, delicately cradled in the beak of the Eagle.
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Ceremonial Talking Stick
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Raven Ladle
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Spoons and ladles were traditionally made from either cedar wood or the horn of a mountain sheep, and their handles were carved with family crest images. Historically, these exquisitely sculptured objects were primarily created by people in Northern Nations, and were highly sought after by other nations. During potlatches [festive gatherings], cedar ladles decorated with the hosting family’s crests were used to serve food, while the elaborately carved mountain sheep spoons were distributed as gifts among the many guests.
Today, spoon and ladle productions are based on these traditional objects and are meant to be both objects of function and display. In addition to traditional mediums such as cedar wood, goat or mountain sheep horn, many modern-day spoons and ladles are constructed of gold, silver and pewter.
Other works by this artist
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Energy Dance Panel [9 Tiles]
Don Yeomans
CA$10,800.00Plaster
Limited edition
9 Tiles in total [available in sets of 3, 6 or 9] – ask us for details.
Plaster is suitable for both outdoor and indoor display.
This extraordinary piece stands as a resplendent tribute to one of the Pacific Northwest Coast’s paramount and revered sources of vitality: the Salmon. Salmon, an integral and indispensable facet of life in this region, has left an indelible imprint on the cultures, interactions, technologies, and spiritual beliefs of the Pacific Northwest Indigenous communities.
“Water gives energy to the salmon.” – Don Yeomans
In this quote, the artist encapsulates the spiritual and life-sustaining essence bestowed upon this remarkable creature. Revered as a gift from the Creator, Salmon transcends its physical form to embody abundance, regeneration, self-sacrifice, and perseverance. The shape of the body allows Salmon to defy gravity as it dances upstream to fulfil its essential role within the cycle of our lives.
This masterpiece skillfully converges nine distinct Salmon into a harmonious whole, thereby creating a symbol of unification that mirrors the interconnectedness of our existence.
Each meticulously rendered Salmon pays homage to the mastery of the artist as well as the intricate dance of life and energy that defines the West Coast Indigenous communities.
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Divide & Conquer [Framed]
Don Yeomans
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Framed
“The print depicts two humans, split from one original body they once shared. Separated and suspicious of each other, they are easy victims for the powers that divide them.” – Don Yeomans
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Le Colibrí (Hummingbird) Panel
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“My son, who loves France and is fluent in the French language, told me that the colours I used for this Hummingbird reminded him of the French flag. ‘Le Colibri’ is simply the French word for Hummingbird.” – Don Yeomans
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Killerwhale & Hawk Bentwood Bowl
Don Yeomans
CA$20,500.00Yellow Cedar wood (bent & bulged), Operculum shell, Acrylic paint
“These steam-bent boxes are a lot of fun to do. The boards being extra thick lend themselves well to very sculptural carving. I chose to do a Killerwhale nearly twenty years ago, when I first got this box from my late friend, Larry Rosso. The paint and operculum shell inlay evolved to counteract the strong wood grain that wanted to be the star.” – Don Yeomans