Availability: Only 1 available
Yellow Cedar wood, Red Cedar wood, Acrylic paint
Only 1 available
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- Additional Information
- Artist Bio
Yellow Cedar wood, Red Cedar wood, Acrylic paint
|Dimensions||5.75 x 4.75 x 4.75"|
|Nation||Coast Salish (Musqueam) Nation|
Born in 1948, Joseph was raised on Musqueam land in Vancouver, BC and over the years has raised his own family in Vancouver. His ancestral name is Katxalacha and it was handed down to him from the Paul family of the Squamish Nation situated in North Vancouver.
Joseph took an early interest in carving and had the opportunity to observe his late father, Sylvester, who carved culturally significant ceremonial masks and house posts, using the traditional Coast Salish form line. Joseph’s late brother Danny Campbell gave him his first carving knife and also demonstrated numerous carving techniques and styles, including the structured and complex northern form line, a style which Joseph continues to use in most of his work.
Joseph began carving small scale works, swiftly progressing to larger scale, with objects such as talking sticks, masks and panels. Consequently, Joseph commenced designing and building bentwood boxes under the guidance of his good friend and mentor, master bentwood box carver, Larry Rosso. Since that apprenticeship, Joseph has progressed steadily with his range of expertise and precision in perfecting his design and carving techniques. He continues to create more finely crafted and complex pieces with each completed work. Campbell not only furthers his carving techniques through his practical skills, but also drives himself to improve his knowledge of design, working in contemporary media to advance and broaden his artwork.
Campbell studied Advanced Design with Master Haida artist Robert Davidson, and has worked with instructor George Rammel at Capilano College on the art of bronze casting. As Campbell’s artwork continues to thrive, many collectors has developed a strong affinity for his work; his bentwood boxes can be found in collections across Europe, United States, Canada, Asia, and the South Pacific.
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22K Yellow Gold, Platinum, Abalone shell, Cast, Engraved
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5.25″ x 2.75″ x 2.75″ (including stand)
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Cattle Bone, Abalone shell, Cedar bark
Bentwood Box: Red Cedar wood
Commonly used by a Shaman, soul catchers were used to cleanse human souls and spirits. If a person was sick, or perhaps possessed by a demon spirit, the soul catcher was used to coerce the evil spirit out of the body. The open ends were caped with cedar bark to hold the soul until it was cleansed and brought back from the spirit world. The healed soul of the recipient was then returned to the body by the Shaman by blowing through the soul catcher and into to the patient’s mouth.
The shape of the soul catcher is typically cut from animal bone in such a way that the ends are flared outward and the surface is carved with figures associated with the Shaman’s spirit guides. Spirit guides accompany the human spirit or soul on its transformative journey between worlds. The ends of the Soul Catcher were sealed to contain these spirits. They also protect the boundaries between the physical and spiritual world, keeping those involved in the healing ceremony safe from evil minded spirits and beings. The symmetrical arrangement of the figures essentially defines objects of this type and the figures tend to more sculptural in appearance.
Soul catchers are extremely powerful and respected healing instruments; because of this, they were often housed in special bentwood boxes to keep them safe.
Soul Catcher: 1.25 x 7.75 x 1.25″
Including Stand: 4.75 x 7.75 x 1.5″
Bentwood Box: 4.75 x 10 x 6.25″
Ivory, Abalone, Sterling silver, engraved
For more details on shipping Ivory outside of Canada, please click here and then click open the Shipping section and scroll down to read more on Shipping Restrictions.