Availability: Only 2 available
Serigraph, Edition of 91
Only 2 available
Reserve for Purchase
You may choose to reserve an item in consideration of purchase by clicking the "Reserve for Purchase" button (instead of Add to Shopping Cart). This allows you the opportunity to contact our gallery with any inquiries prior to purchase and it will ensure the item continues to be on hold while you are communicating with us.
If you should find an item already on "Reserve" that is of interest to you, please contact us directly at 604.684.9222 or email@example.com and we can provide you with the status of the piece and whether it will become available for purchase again, or if the sale is in progress with a buyer.
One of life’s most rewarding experiences is collecting fine art, and sometimes it’s best to take a little more time to make these acquisitions with ease. We understand and want to do everything possible to make collecting your next artwork more comfortable. At Coastal Peoples Gallery, we offer an interest-free layaway program and offer flexible terms which can be customized to your individual needs.
- Additional Information
- Artist Bio
Serigraph, Edition of 91
Black, Green, Yellow, White
|Dimensions||14 x 33.25 x 1.5"|
Born on July 27th, 1976, Jay Simeon’s heritage is a blend if two very different backgrounds; plains and northwest coast First Nations. He is Blackfoot on his mother’s side and Haida on his father’s from a small village named Kiusta. Located along the northwestern tip of Haida Gwaii, north of Old Masset, it is considered to be an ancient totem pole sanctuary. Jay’s prominent family crests include the Eagle, Killerwhale, Cormorant, Frog, Beaver, Flicker and Raven. He has a strong connection to both sides of his roots, however, has begun to pursue more of his Haida heritage by way of his artwork.
At the tender age of fourteen Jay began to pursue designing under the guidance of Sharon Hitchcock, a Haida artist who is his first cousin. He progressed rapidly as an artist and has become a proficient designer interested in exploring various mediums. One of these mediums is argillite, a slate inherent to the Haida culture.
After moving to Vancouver, Jay was introduced to Andrew Williams, an emerging argillite carver and dealer. His influence inspired him to take up the art of carving this material. In a relatively short timeframe Jay progressed very rapidly. He creates some outstanding works that are elaborately inlayed with abalone shell and mastodon ivory. He is incredibly detail oriented and reveals exquisite artistry in each piece he creates. In addition, Jay is currently carving cedar wood specializing in miniature and model images such as masks, poles, canoes, and feast bowls. His abilities clearly extend beyond his years and he is well on his way to achieving his goals of becoming one of the leading artists of the 21st century.
2011 BC Creative Achievement Award in First Nations’ Art
you may also like
Serigraph, Edition of 100
(For inquiries on custom framing, please contact the gallery)
“This rectangular Coast Salish design depicts the sun flanked by four hummingbirds. The round split u-forms at the ends of the design suggest red flower petals. Rufous Hummingbirds, a species of hummingbird that migrates to Coast Salish territory in the spring, are drawn to red colours, sometimes mistaking anything red for flowers from which they can feed on nectar. As a contemporary Coast Salish artist, I have always been fascinated by hummingbirds because of their beautiful appearance, small size, and unique way of flying. Whenever I hEAR hummingbirds swooping down around wooded areas, I am reminded that spring and warm weather have arrived.”